(7) B．Witte：Walter Benjamin：An Intellectual Biography，p．65．
(8) Correspondence，pp．237-238．
(9) Correspondence，pp．214-216．
(10) Correspondence，p．245．
(11) Ibid．，p．248．
(12) W．Benjamin：Moscow diary，Afterword by Gary Smith，p．140．
(13) 参见J．Roberts：Walter Benjamin，p．13。
(14) Correspondence，p．242．
(15) Ibid．，p．245．
(16) Ibid．，p．248．
(17) Correspondence，p．257．
(18) R．Wolin：Walter Benjamin：An Aesthetic of Redemption，p．63．
(19) W．Benjamin：The Origin of German Tragic Drama，p．44．
(20) 参见Correspondence，p．223。
(21) W．Benjamin：The Origin of German Tragic Drama，p．62．
(22) Ibid．，p．138．
(23) W．Benjamin：The Origin of German Tragic Drama，p．182．
(24) Correspondence，p．256．
(25) W．Benjamin：The Origin of German Tragic Drama，p．159．
(26) Ibid．，p．162．
(27) W．Benjamin：The Origin of German Tragic Drama，p．169．
(28) W．Benjamin：The Origin of German Tragic Drama，p．179．
(29) Ibid．，pp．177-178．
(30) Ibid．，p．166．
(31) W．Benjamin：The Origin of German Tragic Drama，p．175．
(32) Ibid．，p．178．
(33) Ibid．，p．218．
(34) Ibid．，pp．216-217．
(35) Ibid．，pp．190-191．
(36) W．Benjamin：The Origin of German Tragic Drama，p．232．
(37) Ibid．，p．235．
(38) Charles Rosen：“The ruins of Walter Benjamin”，G．Smith：On Walter Benjamin：Critical Essays and Recollections，p．152．
(39) Andrew Arato and Eike Gebhardt：The Essential Frankfurt School Reader，New York：Urizen Books，1978，p．208．
(40) Correspondence，p．272．
(41) Ibid．，p．293．
