[340]W.Benjamin,The Arcades Project.
[341]Ibid.
[342]Amédée de Cesena(1864),cited in D.J.Olsen,The City as a Work of Art:London,Paris,Vienna(New Haven,CT,1986),p.52.
[343]费里的Les Comptes fantastiques的标题是一个双关语。Comptes表示财务账目，但conte（发音相同）是一个故事或纱线。霍夫曼的Contes fantastiques是童话故事，也是奥芬巴赫的歌剧《霍夫曼的故事》的主题。
[344]E.de Goncourt,Journal,ed.R.Ricatte(4 vols.,1956),iii,p.274.
[345]G.J.Becker(ed.),Paris under Siege,1870—1871.From the Goncourt‘Journal’(Ithaca,NY,1969),pp.185,197.
[346]Ibid.,p.309.
[347]Rougerie,cited in Merriman,Aux Marges de la ville.
[348]S.Rials,Paris de TrochuàThiers,1870—1873(NHP:1985),p.522.
[349]B.Belhoste et al.,Le Paris des Polytechniciens.Des ingénieurs dans la ville(1994).
[350]See above,p.348—349.
[351]See below,pp.415.
[352]Poisson,Histoire de L' architecture,p.515.
[353]Pinon,Paris,p.223.
[354]See above,p.286.
[355]Doncourt,cited in Benjamin,The Arcades Project,pp.188—189.
[356]J.Kinsman(ed.),Paris in the Late Nineteenth Century(Canberra,1997),p.58.The reference is to Jules Verne'sAround the World in Eighty Days(1872).
[357]B.S.Shapiro,Pleasures of Paris:Daumier to Picasso(Boston,MA,1991),p.12.
[358]Paris Guide(1867),Introduction,p.vi.
[359]Edmondo De Amicis,Ricordi di Parigi(Milan,1900),p.6.
[360]Benjamin,The Arcades Project,p.197.
[361]Cited in V.Schwartz,Spectacular Realities.Early Mass Culture in Fin-de-Siècle Paris(Berkeley,CA,1998),p.75.
[362]Benjamin,The Arcades Project,p.524.
[363]De Amicis,Ricordi di Parigi,p.22.
[364]‘The Painter of Modern Life’.
[365]Cited in T.Reff,Manet and Modern Art(Washington,DC,1982),p.24.
[366]R.L.Herbert,Impressionism:Art,Leisure and Parisian Society(London,1988),p.2.
[367]Baudelaire,‘Salon de 1846’.
[368]‘Le vieux Paris n'est plus(la forme d'une ville change plus vite,hélas!que le coeur d'un mortel).’Baudelaire,‘Le Cygne’,Les Fleurs du mal(1857).
[369]Du Camp,Paris,i,p.6.
10 令人担忧的景象（1889—1918）
[370]他伤心欲绝，在比利时伊克塞勒的情妇墓前自杀。
[371]D.Silverman,Art Nouveau in Fin-de-Siècle France.Politics,Psychology and Style(Berkeley,CA,1989),p.5.
[372]当然，埃菲尔铁塔是个风光的例外。机器展厅一直存在到1910年。
