“Come home and have tea with mother. She likes you. She said so.”
Delicately flattered, Mr. Satterthwaite accepted the invitation.
On arrival. Egg volunteered to ring up Sir Charles and explain the non-appearance of his guest.
Mr. Satterthwaite sat down in the tiny sitting room with its faded chintzes and its well-polished pieces of old furniture. It was a Victorian room, what Mr. Satterthwaite called in his own mind a lady's room, and he approved of it.
His conversation with Lady Mary was agreeable; nothing brilliant, but pleasantly chatty. They spoke of Sir Charles. Did Mr. Satterthwaite know him well? Not intimately, Mr. Satterthwaite said. He had a financial interest in one of Sir Charles’ plays some years ago. They had been friends ever since.
“He has great charm,” said Lady Mary, smiling. “I feel it as well as Egg. I suppose you've discovered that Egg is suffering badly from hero worship?”
Mr. Satterthwaite wondered if, as a mother. Lady Mary was not made slightly uneasy by that hero worship. But it did not seem so.
“Egg sees so little of the world,” she said, sighing. “We are so badly off. One of my cousins presented her and took her to a few things in town, but since then she has hardly been away from here, except for an occasional visit. Young people, I feel, should see plenty of people and places - especially people. Otherwise - well, propinquity is sometimes a dangerous thing.”
Mr. Satterthwaite agreed, thinking of Sir Charles and the sailing, but that this was not what was in Lady Mary's mind she showed a moment or two later.
“Sir Charles’ coming has done a lot for Egg. It has widened her horizon. You see, there are so few young people here, especially men. I've always been afraid that Egg might marry someone simply from being thrown with one person only and seeing no one else.”
Mr. Satterthwaite had a quick intuition.
“Are you thinking of young Oliver Manders?”
Lady Mary blushed in ingenuous surprise.
“Oh, Mr. Satterthwaite, I don't know how you knew! I was thinking of him. He and Egg were together a lot at one time, and I know I'm old-fashioned, but I don't like some of his ideas.”
“Youth must have its fling,” said Mr. Satterthwaite.
Lady Mary shook her head.
“I've been so afraid - It's quite suitable, of course; I know all about him, and his uncle, who has recently taken him into his firm, is a very rich man. It's not that. It's silly of me, but -”
She shook her head, unable to express herself further.
Mr. Satterthwaite felt curiously intimate.
He said quietly and plainly:
“All the same, Lady Mary, you wouldn't like your girl to marry a man twice her own age.”
Her answer surprised him.
“It may be safer this way. At this age foolishness and sins are a thing of the past; they aren't still... waiting to happen.”
Before Mr. Satterthwaite could comment, Egg joined them.
“You took a long time, dear,” the mother said.
“I was talking to Sir Charles. He was splendidly alone.” She turned to Mr. Satterthwaite. “You didn't tell me the guests had left.”
“They left yesterday... except Sir Bartholomew Strange. He was staying until tomorrow but was called away this morning by a telegram. One of his patients is in a bad way.”
“What a pity,” said Egg. “Because I wanted to study the guests. Maybe I could have gotten a clue.”
“A clue to what, dear?”
“Mr. Satterthwaite knows. Well, it doesn't matter. Oliver is still here. Let's make him join the cause. When he wants to, he has lots of brains.”
When Mr. Satterthwaite arrived at Crow's Nest, he found his host sitting on the terrace that overlooked the sea.
“Hello, Satterthwaite. Tea with the Lytton Gores?”
“Indeed. I hope you don't mind.”
“Of course not. Egg called... Weird girl, Egg...”
“Very attractive,” said Mr. Satterthwaite.
“Hm, yes, I believe so.”
He got up and paced around.
“I just wish to God,” he said suddenly, “that I had never put my feet in this damned place.”
Agatha Christie
Three Act Tragedy aka Murder in Three Acts (1934)
Dedicated to my friends
Geoffrey and Violet ShipstonChapter 5
Making the Running
Mr. Satterthwaite thought to himself, “He's got it badly.”
He felt a sudden pity for his host. At the age of fifty-two, Charles Cartwright, the gay, debonair breaker of hearts, had fallen in love. And as he himself realized, his case was doomed to disappointment. Youth turns to youth.
“Girls don't wear their hearts on their sleeves,” thought Mr. Satterthwaite. “Egg makes a great parade of her feeling for Sir Charles. She wouldn't if it really meant anything. Young Manders is the one.”
Mr. Satterthwaite was usually fairly shrewd in his assumptions.
Still, there was probably one factor that he did not take into account, because he was unaware of it himself. That was the enhanced value placed by age on youth. To Mr. Satterthwaite, a mature man, the fact that Egg might prefer a middle-aged man to a young one was frankly incredible. Youth was to him so much the most magical of all gifts. He felt strengthened in his beliefs when Egg rang up after dinner and demanded permission to bring Oliver along and “have a consultation.”
Certainly a handsome lad, with his dark, heavy-lidded eyes and easy grace of movement. He had, it seemed, permitted himself to be brought - a tribute to Egg's energy - but his general attitude was lazily skeptical.
“Can't you talk it out of her, sir?” he said to Sir Charles. “It's this appallingly healthy, bucolic life she leads that makes her so energetic... You know, Egg, you really are detestably hearty. And your tastes are childish - crime, sensation, and all that bunk.”
“You're a skeptic, Manders?”
“Well, sir, really. That dear, old, bleating fellow. It's fantastic to think of anything else but natural causes.”
“I expect you're right,” said Sir Charles.
Mr. Satterthwaite glanced at him. What part was Charles Cartwright playing tonight? Not the ex-naval man, not the international detective. No, some new and unfamiliar role.
It came as a shock to Mr. Satterthwaite when he realized what that role was. Sir Charles was playing second fiddle. Second fiddle to Oliver Manders.
He sat back with his head in shadow, watching those two, Egg and Oliver, as they disputed - Egg hotly, Oliver languidly.
Sir Charles looked older than usual - old and tired.
More than once Egg appealed to him, hotly and confidently, but his response was lacking.
It was eleven o'clock when they left. Sir Charles went out on the terrace with them and offered the loan of an electric torch to help them down the stony path.
But there was no need of a torch. It was a beautiful moonlit night. They set off together, their voices growing fainter as they descended.
Moonlight or no moonlight, Mr. Satterthwaite was not going to risk a chill. He returned to the ship room. Sir Charles stayed out on the terrace a little while longer.
When he came in, he latched the window behind him, and striding to a side table, poured himself out a whisky and soda.
“Satterthwaite,” he said, “I'm leaving here tomorrow for good.”
“What?” cried Mr. Satterthwaite, astonished.
A kind of melancholy pleasure at the effect he had produced showed for a minute on Charles Cartwright's face.
“It's the Only Thing to Do,” he said, obviously speaking in capital letters. “I shall sell this place. What it has meant to me, no one will ever know,” His voice dropped, lingeringly, effectively.
After an evening of second fiddle, Sir Charles’ egoism was taking its revenge. This was the great renunciation scene, so often played by him in sundry and divers dramas. Giving up the other man's wife; renouncing the girl he loved.
There was a brave flippancy in his voice as he went on:
“Cut your losses; it's the only way. Youth to youth. They're made for each other, those two. I shall clear out.”
“Where to?” asked Mr. Satterthwaite.
The actor made a careless gesture.
“Anywhere. What does it matter?” He added, with a slight change of voice, “Probably Monte Carlo.” And then, retrieving what his sensitive taste could not but feel to be a slight anticlimax, “In the heart of the desert or the heart of the crowd, what does it matter? The inmost core of man is solitary, alone. I have always been a lonely soul.”
It was clearly an exit line. He nodded to Mr. Satterthwaite and left the room.
Mr. Satterthwaite got up and prepared to follow his host to bed.
“But it won't be the heart of a desert,” he thought to himself, with a slight chuckle.
On the following morning. Sir Charles begged Mr. Satterthwaite to forgive him if he went up to town that day.
“Don't cut your visit short, my dear fellow. You were staying till tomorrow, and I know you're going on to the Harbertons’ at Tavistock. The car will take you there. What I feel is that having come to my decision, I mustn't look back. No, I mustn't look back.”
Sir Charles squared his shoulders with manly resolution, wrung Mr. Satterthwaite's hand with fervor and delivered him over to the capable Miss Milray.
Miss Milray seemed prepared to deal with the situation as she had dealt with any other. She expressed no surprise or emotion at Sir Charles’ overnight decision. Nor could Mr. Satterthwaite draw her out on the point. Neither sudden deaths nor sudden changes of plan could excite Miss Milray. She accepted whatever happened as a fact and proceeded with it in an efficient way. She telephoned to the house agents, dispatched wires abroad, and wrote busily on her typewriter. Mr. Satterthwaite escaped from the depressing spectacle of so much efficiency by strolling down to the quay. He was walking aimlessly along when he was seized by the arm from behind and turned to confront a white-faced girl.
“What's all this?” demanded Egg fiercely.
“All what?” parried Mr. Satterthwaite.
“It's all over the place that Sir Charles is going away - that he's going to sell Crow's Nest.”
“Quite true.”
“He is going away?”
“He's gone.”
“Oh!” Egg relinquished his arm. She looked suddenly like a very small child who has been cruelly hurt.
Mr. Satterthwaite did not know what to say.
“Where has he gone?”
“Abroad. To the South of France.”
“Oh!”
Still he did not know what to say. For clearly there was more than hero worship here.
Pitying her, he was turning over various consolatory words in his mind, when she spoke again, and startled him.
“Which of those damned women is it?” asked Egg fiercely.
Mr. Satterthwaite stared at her, his mouth fallen open in surprise. Egg took him by the arm again and shook him violently.
“You must know!” she cried. “Which of them? The gray-haired one or the other?”
“My dear, I don't know what you're talking about.”
“You do! You must! Of course, it's some woman. He liked me - I know he liked me. One of those two women the other night must have seen it, too, and determined to get him away from me. I hate women. Lousy cats. Did you see her clothes - that one with the green hair? They made me gnash my teeth with envy. A woman who has clothes like that has a pull - you can't deny it. She's quite old and ugly as sin, really, but what does it matter? She makes everyone else look like a dowdy curate's wife. Is it her? Or is it the other one with the gray hair? She's amusing - you can see that. She's got masses of S.A. and he called her Angie. It can't be the one like a wilted cabbage. Is it the smart one or is it Angie?”
“My dear, you've got the most extraordinary ideas into your head. He - er - Charles Cartwright isn't in the least interested in either of those women.”
“I don't believe you. They're interested in him anyway.”
“No, no, no, you're making a mistake. This is all imagination. I can assure you that you are laboring under a misapprehension.”
“Then why has he gone away like this?”
Mr. Satterthwaite cleared his throat.
“I fancy - he - er - thought it best.”
Egg stared at him piercingly.
“Do you mean because of me?”
“Well, something of the kind, perhaps.”
“And so he's legged it. I suppose I did show my hand a bit plainly. Men do hate being chased, don't they? Mums is right, after all. You've no idea how sweet she is when she talks about men. Always in the third person - so Victorian and polite. ‘A man hates being run after', ‘a girl should always let the man make the running.’ Don't you think it's a sweet expression - ‘make the running'? Sounds the opposite of what it means. Actually that's just what Charles has done - made the running. He's run away from me. He's afraid. And the devil of it is I can't go after him. If I did, I suppose he'd take a boat to the wilds of Africa or somewhere.”
“Hermione,” said Mr. Satterthwaite, “are you serious about Sir Charles?”
The girl flung him an impatient glance.
“Of course I am.”
“What about Oliver Manders?”
Egg dismissed Oliver Manders with an impatient whisk of the head. She was following out a train of thought of her own.
“Do you think that I might write to him? Nothing alarming. Just chatty, girlish stuff. You know, put him at his ease, so that he'd get over his scare.”
She frowned.
“What a fool I've been. Mums would have managed it much better. They knew how to do the trick, those Victorians. All blushing retreat. I've been all wrong about it. I actually thought he needed encouraging. He seemed - well, he seemed to need a bit of help. Tell me -” she turned abruptly on Mr. Satterthwaite - “did he see me do my kissing act with Oliver last night?”
“Not that I know of. When?”
“All in the moonlight. As we were going down the path. I thought he was still looking from the terrace. I thought perhaps if he saw me and Oliver - well, I thought it might wake him up a bit. Because he did like me. I could swear he liked me.”
“Wasn't that a little hard on Oliver?”
Egg shook her head decisively.
“Not in the least. Oliver thinks it's an honor for any girl to be kissed by him. It was bad for his conceit, of course, but one can't think of everything. I wanted to ginger up Charles. He's been different lately - more standoffish.”
“My dear child,” said Mr. Satterthwaite, “I don't think you realize quite why Sir Charles went away so suddenly. He thought that you cared for Oliver. He went away to save himself further pain.”
Egg whisked round. She caught hold of Mr. Satterthwaite by the shoulders and peered into his face.
“Is that true? Is that really true? The mutt! The boob! Oh!”
She released Mr. Satterthwaite suddenly and moved along beside him with a skipping motion.
