"You ought to have a piano here, Drouet," said Hurstwood, smiling at Carrie, on the evening in question, "so that your wife could play."
Drouet had not thought of that.
"So we ought," he observed readily.
"Oh, I don't play," ventured Carrie.
"It isn't very difficult," returned Hurstwood. "You could do very well in a few weeks."
He was in the best form for entertaining this evening. His clothes were particularly new and rich in appearance. The coat lapels stood out with that medium stiffness which excellent cloth possesses. The vest was of a rich Scotch plaid, set with a double row of round mother-of-pearl buttons. His cravat was a shiny combination of silken threads, not loud, not inconspicuous. What he wore did not strike the eye so forcibly as that which Drouet had on, but Carrie could see the elegance of the material. Hurstwood's shoes were of soft, black calf, polished only to a dull shine. Drouet wore patent leather but Carrie could not help feeling that there was a distinction in favour of the soft leather, where all else was so rich. She noticed these things almost unconsciously. They were things which would naturally flow from the situation. She was used to Drouet's appearance.
"Suppose we have a little game of euchre?" suggested Hurstwood, after a light round of conversation. He was rather dexterous in avoiding everything that would suggest that he knew anything of Carrie's past. He kept away from personalities altogether, and confined himself to those things which did not concern individuals at all. By his manner, he put Carrie at her ease, and by his deference and pleasantries he amused her. He pretended to be seriously interested in all she said.
"I don't know how to play," said Carrie.
"Charlie, you are neglecting a part of your duty," he observed to Drouet most affably. "Between us, though," he went on, "we can show you."
By his tact he made Drouet feel that he admired his choice. There was something in his manner that showed that he was pleased to be there. Drouet felt really closer to him than ever before. It gave him more respect for Carrie. Her appearance came into a new light, under Hurstwood's appreciation. The situation livened considerably.
"Now, let me see," said Hurstwood, looking over Carrie's shoulder very deferentially. "What have you?" He studied for a moment. "That's rather good," he said.
"You're lucky. Now, I'll show you how to trounce your husband. You take my advice."
"Here," said Drouet, "if you two are going to scheme together, I won't stand a ghost of a show. Hurstwood's a regular sharp."
"No, it's your wife. She brings me luck. Why shouldn't she win?"
Carrie looked gratefully at Hurstwood, and smiled at Drouet. The former took the air of a mere friend. He was simply there to enjoy himself. Anything that Carrie did was pleasing to him, nothing more.
"There," he said, holding back one of his own good cards, and giving Carrie a chance to take a trick. "I count that clever playing for a beginner."
The latter laughed gleefully as she saw the hand coming her way. It was as if she were invincible when Hurstwood helped her.
He did not look at her often. When he did, it was with a mild light in his eye. Not a shade was there of anything save geniality and kindness. He took back the shifty, clever gleam, and replaced it with one of innocence. Carrie could not guess but that it was pleasure with him in the immediate thing. She felt that he considered she was doing a great deal.
"It's unfair to let such playing go without earning something," he said after a time, slipping his finger into the little coin pocket of his coat. "Let's play for dimes."
"All right," said Drouet, fishing for bills.
Hurstwood was quicker. His fingers were full of new ten-cent pieces. "Here we are," he said, supplying each one with a little stack.
"Oh, this is gambling," smiled Carrie. "It's bad."
"No," said Drouet, "only fun. If you never play for more than that, you will go to Heaven."
"Don't you moralise," said Hurstwood to Carrie gently, "until you see what becomes of the money."
Drouet smiled.
"If your husband gets them, he'll tell you how bad it is."
Drouet laughed loud.
There was such an ingratiating tone about Hurstwood's voice, the insinuation was so perceptible that even Carrie got the humour of it.
"When do you leave?" said Hurstwood to Drouet.
"On Wednesday," he replied.
"It's rather hard to have your husband running about like that, isn't it?" said Hurstwood, addressing Carrie.
"She's going along with me this time," said Drouet.
"You must both go with me to the theatre before you go."
"Certainly," said Drouet. "Eh, Carrie?"
"I'd like it ever so much," she replied.
Hurstwood did his best to see that Carrie won the money. He rejoiced in her success, kept counting her winnings, and finally gathered and put them in her extended hand. They spread a little lunch, at which he served the wine, and afterwards he used fine tact in going.
"Now," he said, addressing first Carrie and then Drouet with his eyes, "you must be ready at 7.30. I'll come and get you."
They went with him to the door and there was his cab waiting, its red lamps gleaming cheerfully in the shadow.
"Now," he observed to Drouet, with a tone of good-fellowship, "when you leave your wife alone, you must let me show her around a little. It will break up her loneliness."
"Sure," said Drouet, quite pleased at the attention shown.
"You're so kind," observed Carrie.
"Not at all," said Hurstwood, "I would want your husband to do as much for me."
He smiled and went lightly away. Carrie was thoroughly impressed. She had never come in contact with such grace. As for Drouet, he was equally pleased.
"There's a nice man," he remarked to Carrie, as they returned to their cosey chamber. "A good friend of mine, too."
"He seems to be," said Carrie.
Chapter 11
THE PERSUASION OF FASHION--FEELING GUARDS O'ER ITS OWN
Carrie was an apt student of fortune's ways--of fortune's superficialities. Seeing a thing, she would immediately set to inquiring how she would look, properly related to it. Be it known that this is not fine feeling, it is not wisdom. The greatest minds are not so afflicted; and on the contrary, the lowest order of mind is not so disturbed. Fine clothes to her were a vast persuasion; they spoke tenderly and Jesuitically for themselves. When she came within earshot of their pleading, desire in her bent a willing ear. The voice of the so-called inanimate! Who shall translate for us the language of the stones?
"My dear," said the lace collar she secured from Partridge's, "I fit you beautifully; don't give me up."
"Ah, such little feet," said the leather of the soft new shoes; "how effectively I cover them. What a pity they should ever want my aid."
Once these things were in her hand, on her person, she might dream of giving them up; the method by which they came might intrude itself so forcibly that she would ache to be rid of the thought of it, but she would not give them up. "Put on the old clothes--that torn pair of shoes," was called to her by her conscience in vain. She could possibly have conquered the fear of hunger and gone back; the thought of hard work and a narrow round of suffering would, under the last pressure of conscience, have yielded, but spoil her appearance?--be old-clothed and poor-appearing?--never!
Drouet heightened her opinion on this and allied subjects in such a manner as to weaken her power of resisting their influence. It is so easy to do this when the thing opined is in the line of what we desire. In his hearty way, he insisted upon her good looks. He looked at her admiringly, and she took it at its full value. Under the circumstances, she did not need to carry herself as pretty women do. She picked that knowledge up fast enough for herself. Drouet had a habit, characteristic of his kind, of looking after stylishly dressed or pretty women on the street and remarking upon them. He had just enough of the feminine love of dress to be a good judge--not of intellect, but of clothes. He saw how they set their little feet, how they carried their chins, with what grace and sinuosity they swung their bodies. A dainty, self-conscious swaying of the hips by a woman was to him as alluring as the glint of rare wine to a toper. He would turn and follow the disappearing vision with his eyes. He would thrill as a child with the unhindered passion that was in him. He loved the thing that women love in themselves, grace. At this, their own shrine, he knelt with them, an ardent devotee.
"Did you see that woman who went by just now?" he said to Carrie on the first day they took a walk together. "Fine stepper, wasn't she?"
Carrie looked, and observed the grace commended.
"Yes, she is," she returned, cheerfully, a little suggestion of possible defect in herself awakening in her mind. If that was so fine, she must look at it more closely. Instinctively, she felt a desire to imitate it. Surely she could do that too.
When one of her mind sees many things emphasized and re-emphasized and admired, she gathers the logic of it and applies accordingly. Drouet was not shrewd enough to see that this was not tactful. He could not see that it would be better to make her feel that she was competing with herself, not others better than herself. He would not have done it with an older, wiser woman, but in Carrie he saw only the novice. Less clever than she, he was naturally unable to comprehend her sensibility. He went on educating and wounding her, a thing rather foolish in one whose admiration for his pupil and victim was apt to grow.
Carrie took the instructions affably. She saw what Drouet liked; in a vague way she saw where he was weak. It lessens a woman's opinion of a man when she learns that his admiration is so pointedly and generously distributed. She sees but one object of supreme compliment in this world, and that is herself. If a man is to succeed with many women, he must be all in all to each.
In her own apartments Carrie saw things which were lessons in the same school.
In the same house with her lived an official of one of the theatres, Mr. Frank A. Hale, manager of the Standard, and his wife, a pleasing-looking brunette of thirty-five. They were people of a sort very common in America today, who live respectably from hand to mouth. Hale received a salary of forty-five dollars a week. His wife, quite attractive, affected the feeling of youth, and objected to that sort of home life which means the care of a house and the raising of a family. Like Drouet and Carrie, they also occupied three rooms on the floor above.
Not long after she arrived Mrs. Hale established social relations with her, and together they went about. For a long time this was her only companionship, and the gossip of the manager's wife formed the medium through which she saw the world. Such trivialities, such praises of wealth, such conventional expression of morals as sifted through this passive creature's mind, fell upon Carrie and for the while confused her.
On the other hand, her own feelings were a corrective influence. The constant drag to something better was not to be denied. By those things which address the heart was she steadily recalled. In the apartments across the hall were a young girl and her mother. They were from Evansville, Indiana, the wife and daughter of a railroad treasurer. The daughter was here to study music, the mother to keep her company.
Carrie did not make their acquaintance, but she saw the daughter coming in and going out. A few times she had seen her at the piano in the parlour, and not infrequently had heard her play. This young woman was particularly dressy for her station, and wore a jewelled ring or two which flashed upon her white fingers as she played.
Now Carrie was affected by music. Her nervous composition responded to certain strains, much as certain strings of a harp vibrate when a corresponding key of a piano is struck. She was delicately moulded in sentiment, and answered with vague ruminations to certain wistful chords. They awoke longings for those things which she did not have. They caused her to cling closer to things she possessed. One short song the young lady played in a most soulful and tender mood. Carrie heard it through the open door from the parlour below. It was at that hour between afternoon and night when, for the idle, the wanderer, things are apt to take on a wistful aspect. The mind wanders forth on far journeys and returns with sheaves of withered and departed joys. Carrie sat at her window looking out. Drouet had been away since ten in the morning. She had amused herself with a walk, a book by Bertha M. Clay which Drouet had left there, though she did not wholly enjoy the latter, and by changing her dress for the evening. Now she sat looking out across the park as wistful and depressed as the nature which craves variety and life can be under such circumstances. As she contemplated her new state, the strain from the parlour below stole upward. With it her thoughts became coloured and enmeshed. She reverted to the things which were best and saddest within the small limit of her experience. She became for the moment a repentant.
While she was in this mood Drouet came in, bringing with him an entirely different atmosphere. It was dusk and Carrie had neglected to light the lamp. The fire in the grate, too, had burned low.
"Where are you, Cad?" he said, using a pet name he had given her.
"Here," she answered.
There was something delicate and lonely in her voice, but he could not hear it. He had not the poetry in him that would seek a woman out under such circumstances and console her for the tragedy of life. Instead, he struck a match and lighted the gas.
"Hello," he exclaimed, "you've been crying."
Her eyes were still wet with a few vague tears.
"Pshaw," he said, "you don't want to do that."
He took her hand, feeling in his good-natured egotism that it was probably lack of his presence which had made her lonely.
"Come on, now," he went on; "it's all right. Let's waltz a little to that music."
