饭饭TXT > 海外名作 > 《嘉莉妹妹/Sister Carrie》作者:[美]德莱塞【完结】 > Sister Carrie.txt

第 47 页

作者:美-德莱塞 当前章节:15367 字 更新时间:2026-6-15 18:50

"Now, don't forget about that," said one of the mannish women.

"I won't," said the portly woman. "Let's see," she added, "where are you the first week in February?"

"Pittsburg," said the woman.

"I'll write you there."

"All right," said the other, and the two passed out.

Instantly the portly lady's face became exceedingly sober and shrewd. She turned about and fixed on Carrie a very searching eye.

"Well," she said, "young woman, what can I do for you?"

"Are you Mrs. Bermudez?"

"Yes."

"Well," said Carrie, hesitating how to begin, "do you get places for persons upon the stage?"

"Yes."

"Could you get me one?"

"Have you ever had any experience?"

"A very little," said Carrie.

"Whom did you play with?"

"Oh, with no one," said Carrie. "It was just a show gotten-"

"Oh, I see," said the woman, interrupting her. "No, I don't know of anything now."

Carrie's countenance fell.

"You want to get some New York experience," concluded the affable Mrs. Bermudez. "We'll take your name, though."

Carrie stood looking while the lady retired to her office.

"What is your address?" inquired a young lady behind the counter, taking up the curtailed conversation.

"Mrs. George Wheeler," said Carrie, moving over to where she was writing. The woman wrote her address in full and then allowed her to depart at her leisure.

She encountered a very similar experience in the office of Mr. Jenks, only he varied it by saying at the close: "If you could play at some local house, or had a programme with your name on it, I might do something."

In the third place the individual asked:

"What sort of work do you want to do?"

"What do you mean?" said Carrie.

"Well, do you want to get in a comedy or on the vaudeville stage or in the chorus?"

"Oh, I'd like to get a part in a play," said Carrie.

"Well," said the man, "it'll cost you something to do that."

"How much?" said Carrie, who, ridiculous as it may seem, had not thought of this before.

"Well, that's for you to say," he answered shrewdly.

Carrie looked at him curiously. She hardly knew how to continue the inquiry.

"Could you get me a part if I paid?"

"If we didn't you'd get your money back."

"Oh," she said.

The agent saw he was dealing with an inexperienced soul, and continued accordingly.

"You'd want to deposit fifty dollars, anyway. No agent would trouble about you for less than that."

Carrie saw a light.

"Thank you," she said. "I'll think about it."

She started to go, and then bethought herself.

"How soon would I get a place?" she asked.

"Well, that's hard to say," said the man. "You might get one in a week, or it might be a month. You'd get the first thing that we thought you could do."

"I see," said Carrie, and then, half-smiling to be agreeable, she walked out.

The agent studied a moment, and then said to himself:

"It's funny how anxious these women are to get on the stage."

Carrie found ample food for reflection in the fifty-dollar proposition. "Maybe they'd take my money and not give me anything," she thought. She had some jewelry -- a diamond ring and pin and several other pieces. She could get fifty dollars for those if she went to a pawnbroker.

Hurstwood was home before her. He had not thought she would be so long seeking.

"Well?" he said, not venturing to ask what news.

"I didn't find out anything to-day," said Carrie, taking off her gloves. "They all want money to get you a place."

"How much?" asked Hurstwood.

"Fifty dollars."

"They don't want anything, do they?"

"Oh, they're like everybody else. You can't tell whether they'd ever get you anything after you did pay them."

"Well, I wouldn't put up fifty on that basis," said Hurstwood, as if he were deciding, money in hand.

"I don't know," said Carrie. "I think I'll try some of the managers."

Hurstwood heard this, dead to the horror of it. He rocked a little to and fro, and chewed at his finger. It seemed all very natural in such extreme states. He would do better later on.

Chapter 38

IN ELF LAND DISPORTING: THE GRIM WORLD WITHOUT

When Carrie renewed her search, as she did the next day, going to the Casino, she found that in the opera chorus, as in other fields, employment is difficult to secure. Girls who can stand in a line and look pretty are as numerous as labourers who can swing a pick. She found there was no discrimination between one and the other of applicants, save as regards a conventional standard of prettiness and form. Their own opinion or knowledge of their ability went for nothing.

"Where shall I find Mr. Gray?" she asked of a sulky doorman at the stage entrance of the Casino.

"You can't see him now; he's busy."

"Do you know when I can see him?"

"Got an appointment with him?"

"No."

"Well, you'll have to call at his office."

"Oh, dear!" exclaimed Carrie. "Where is his office?"

He gave her the number.

She knew there was no need of calling there now. He would not be in. Nothing remained but to employ the intermediate hours in search.

The dismal story of ventures in other places is quickly told. Mr. Daly saw no one save by appointment. Carrie waited an hour in a dingy office, quite in spite of obstacles, to learn this fact of the placid, indifferent Mr. Dorney.

"You will have to write and ask him to see you."

So she went away.

At the Empire Theatre she found a hive of peculiarly listless and indifferent individuals. Everything ornately upholstered, everything carefully finished, everything remarkably reserved.

At the Lyceum she entered one of those secluded, under-stairway closets, berugged and bepanneled, which causes one to feel the greatness of all positions of authority. Here was reserve itself done into a box-office clerk, a doorman, and an assistant, glorying in their fine positions.

"Ah, be very humble now -- very humble indeed. Tell us what it is you require. Tell it quickly, nervously, and without a vestige of self-respect. If no trouble to us in any way, we may see what we can do."

This was the atmosphere of the Lyceum -- the attitude, for that matter, of every managerial office in the city. These little proprietors of businesses are lords indeed on their own ground.

Carrie came away wearily, somewhat more abashed for her pains.

Hurstwood heard the details of the weary and unavailing search that evening.

"I didn't get to see any one," said Carrie. "I just walked, and walked, and waited around."

Hurstwood only looked at her.

"I suppose you have to have some friends before you can get in," she added, disconsolately.

Hurstwood saw the difficulty of this thing, and yet it did not seem so terrible. Carrie was tired and dispirited, but now she could rest. Viewing the world from his rocking-chair, its bitterness did not seem to approach so rapidly. To-morrow was another day.

To-morrow came, and the next, and the next.

Carrie saw the manager at the Casino once.

"Come around," he said, "the first of next week. I may make some changes then."

He was a large and corpulent individual, surfeited with good clothes and good eating, who judged women as another would horseflesh. Carrie was pretty and graceful. She might be put in even if she did not have any experience. One of the proprietors had suggested that the chorus was a little weak on looks.

The first of next week was some days off yet. The first of the month was drawing near. Carrie began to worry as she had never worried before.

"Do you really look for anything when you go out?" she asked Hurstwood one morning as a climax to some painful thoughts of her own.

"Of course I do," he said pettishly, troubling only a little over the disgrace of the insinuation.

"I'd take anything," she said, "for the present. It will soon be the first of the month again."

She looked the picture of despair.

Hurstwood quit reading his paper and changed his clothes.

"He would look for something," he thought. "He would go and see if some brewery couldn't get him in somewhere. Yes, he would take a position as bartender, if he could get it."

It was the same sort of pilgrimage he had made before. One or two slight rebuffs, and the bravado disappeared.

"No use," he thought. "I might as well go on back home."

Now that his money was so low, he began to observe his clothes and feel that even his best ones were beginning to look commonplace. This was a bitter thought.

Carrie came in after he did.

"I went to see some of the variety managers," she said, aimlessly. "You have to have an act. They don't want anybody that hasn't."

"I saw some of the brewery people to-day," said Hurstwood. "One man told me he'd try to make a place for me in two or three weeks."

In the face of so much distress on Carrie's part, he had to make some showing, and it was thus he did so. It was lassitude's apology to energy.

Monday Carrie went again to the Casino.

"Did I tell you to come around to-day?" said the manager, looking her over as she stood before him.

"You said the first of the week," said Carrie, greatly abashed.

"Ever had any experience?" he asked again, almost severely.

Carrie owned to ignorance.

He looked her over again as he stirred among some papers. He was secretly pleased with this pretty, disturbed-looking young woman. "Come around to the theatre to-morrow morning."

Carrie's heart bounded to her throat.

"I will," she said with difficulty. She could see he wanted her, and turned to go.

"Would he really put her to work? Oh, blessed fortune, could it be?"

Already the hard rumble of the city through the open windows became pleasant.

A sharp voice answered her mental interrogation, driving away all immediate fears on that score.

"Be sure you're there promptly," the manager said roughly. "You'll be dropped if you're not."

Carrie hastened away. She did not quarrel now with Hurstwood's idleness. She had a place -- she had a place! This sang in her ears.

In her delight she was almost anxious to tell Hurstwood. But, as she walked homeward, and her survey of the facts of the case became larger, she began to think of the anomaly of her finding work in several weeks and his lounging in idleness for a number of months.

"Why don't he get something?" she openly said to herself. "If I can he surely ought to. It wasn't very hard for me."

She forgot her youth and her beauty. The handicap of age she did not, in her enthusiasm, perceive.

Thus, ever, the voice of success.

Still, she could not keep her secret. She tried to be calm and indifferent, but it was a palpable sham.

"Well?" he said, seeing her relieved face.

"I have a place."

"You have?" he said, breathing a better breath.

"Yes."

"What sort of a place is it?" he asked, feeling in his veins as if now he might get something good also.

"In the chorus," she answered.

"Is it the Casino show you told me about?"

"Yes," she answered. "I begin rehearsing tomorrow."

There was more explanation volunteered by Carrie, because she was happy. At last Hurstwood said:

"Do you know how much you'll get?"

"No, I didn't want to ask," said Carrie. "I guess they pay twelve or fourteen dollars a week."

"About that, I guess," said Hurstwood.

There was a good dinner in the flat that evening, owing to the mere lifting of the terrible strain. Hurstwood went out for a shave, and returned with a fair-sized sirloin steak.

"Now, to-morrow," he thought, "I'll look around myself," and with renewed hope he lifted his eyes from the ground.

On the morrow Carrie reported promptly and was given a place in the line. She saw a large, empty, shadowy play-house, still redolent of the perfumes and blazonry of the night, and notable for its rich, oriental appearance. The wonder of it awed and delighted her. Blessed be its wondrous reality. How hard she would try to be worthy of it. It was above the common mass, above idleness, above want, above insignificance. People came to it in finery and carriages to see. It was ever a center of light and mirth. And here she was of it. Oh, if she could only remain, how happy would be her days!

"What is your name?" said the manager, who was conducting the drill.

"Madenda," she replied, instantly mindful of the name Drouet had selected in Chicago. "Carrie Madenda."

"Well, now, Miss Madenda," he said, very affably, as Carrie thought, "you go over there."

Then he called to a young woman who was already of the company:

"Miss Clark, you pair with Miss Madenda."

This young lady stepped forward, so that Carrie saw where to go, and the rehearsal began.

Carrie soon found that while this drilling had some slight resemblance to the rehearsals as conducted at Avery Hall, the attitude of the manager was much more pronounced. She had marvelled at the insistence and superior airs of Mr. Millice, but the individual conducting here had the same insistence, coupled with almost brutal roughness. As the drilling proceeded, he seemed to wax exceedingly wroth over trifles, and to increase his lung power in proportion. It was very evident that he had a great contempt for any assumption of dignity or innocence on the part of these young women.

"Clark," he would call -- meaning, of course, Miss Clark -- "why don't you catch step there?"

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