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作者:美-纳西姆·尼古拉斯·塔勒布/译者:万丹 当前章节:15423 字 更新时间:2026-6-15 20:55

into a Platonified, reductive statement. I am amazed that the "empirics,"

skeptical about links between anatomy and function, had such insight—

no wonder their school played a very small part in intellectual history. As

a skeptical empiricist I prefer the experiments of empirical psychology to

the theories-based MRI scans of neurobiologists, even if the former appear

less "scientific" to the public.

How to Avert the Narrative Faliacy

I'll conclude by saying that our misunderstanding of the Black Swan

can be largely attributed to our using System 1, i.e., narratives, and the

sensational—as well as the emotional—which imposes on us a wrong map

of the likelihood of events. On a day-to-day basis, we are not introspective

enough to realize that we understand what is going on a little less than

warranted from a dispassionate observation of our experiences. We also

tend to forget about the notion of Black Swans immediately after one

occurs—since they are too abstract for us—focusing, rather, on the precise

and vivid events that easily come to our minds. We do worry about Black

Swans, just the wrong ones.

Let me bring Mediocristan into this. In Mediocristan, narratives seem

to work—the past is likely to yield to our inquisition. But not in Extremistan,

where you do not have repetition, and where you need to remain

suspicious of the sneaky past and avoid the easy and obvious narrative.

Given that I have lived largely deprived of information, I've often felt

that I inhabit a different planet than my peers, which can sometimes be ex8

4 UMBERTO E C O ' S A N T I U B R A RY

tremely painful. It's like they have a virus controlling their brains that prevents

them from seeing things going forward—the Black Swan around the

corner.

The way to avoid the ills of the narrative fallacy is to favor experimentation

over storytelling, experience over history, and clinical knowledge

over theories. Certainly the newspaper cannot perform an experiment, but

it can choose one report over another—there is plenty of empirical research

to present and interpret from—as I am doing in this book. Being

empirical does not mean running a laboratory in one's basement: it is just

a mind-set that favors a certain class of knowledge over others. I do not

forbid myself from using the word cause, but the causes I discuss are either

bold speculations (presented as such) or the result of experiments, not stories.

Another approach is to predict and keep a tally of the predictions.

Finally, there may be a way to use a narrative—but for a good purpose.

Only a diamond can cut a diamond; we can use our ability to convince

with a story that conveys the right message—what storytellers seem to do.

So far we have discussed two internal mechanisms behind our blindness to

Black Swans, the confirmation bias and the narrative fallacy. The next

chapters will look into an external mechanism: a defect in the way we receive

and interpret recorded events, and a defect in the way we act on

them.

Chapter Seven

LIVING IN THE

ANTECHAMBER OF HOPE

How to avoid watercoolers—Select your brother-in-law—Yevgenia's favorite

book—What deserts can and cannot deliver—On the avoidance of hope—

El desierto de los tartaros—The virtues of slow motion

Assume that, like Yevgenia, your activities depend on a Black Swan

surprise—i.e., you are a reverse turkey. Intellectual, scientific, and artistic

activities belong to the province of Extremistan, where there is a severe

concentration of success, with a very small number of winners claiming a

large share of the pot. This seems to apply to all professional activities I

find nondull and "interesting" (I am still looking for a single counterexample,

a nondull activity that belongs to Mediocristan).

Acknowledging the role of this concentration of success, and acting

accordingly, causes us to be punished twice: we live in a society where the

reward mechanism is based on the illusion of the regular; our hormonal

reward system also needs tangible and steady results. It too thinks that the

world is steady and well behaved—it falls for the confirmation error. The

world has changed too fast for our genetic makeup. We are alienated from

our environment.

8 6 UMBERTO E C O ' S A N T I L I B R A RY

PEER CRUELTY

Every morning you leave your cramped apartment in Manhattan's East

Village to go to your laboratory at the Rockefeller University in the East

Sixties. You return in the late evening, and people in your social network

ask you if you had a good day, just to be polite. At the laboratory, people

are more tactful. Of course you did not have a good day; you found nothing.

You are not a watch repairman. Your finding nothing is very valuable,

since it is part of the process of discovery—hey, you know where not to

look. Other researchers, knowing your results, would avoid trying your

special experiment, provided a journal is thoughtful enough to consider

your "found nothing" as information and publish it.

Meanwhile your brother-in-law is a salesman for a Wall Street firm,

and keeps getting large commissions—large and steady commissions. "He

is doing very well," you hear, particularly from your father-in-law, with a

small pensive nanosecond of silence after the utterance—which makes you

realize that he just made a comparison. It was involuntary, but he made

one.

Holidays can be terrible. You run into your brother-in-law at family reunions

and, invariably, detect unmistakable signs of frustration on the

part of your wife, who, briefly, fears that she married a loser, before remembering

the logic of your profession. But she has to fight her first impulse.

Her sister will not stop talking about their renovations, their new

wallpaper. Your wife will be a little more silent than usual on the drive

home. This sulking will be made slightly worse because the car you are

driving is rented, since you cannot afford to garage a car in Manhattan.

What should you do? Move to Australia and thereby make family reunions

less frequent, or switch brothers-in-laws by marrying someone

with a less "successful" brother?

Or should you dress like a hippie and become defiant? That may work

for an artist, but not so easily for a scientist or a businessman. You are

trapped.

You work on a project that does not deliver immediate or steady results;

all the while, people around you work on projects that do. You are

in trouble. Such is the lot of scientists, artists, and researchers lost in society

rather than living in an insulated community or an artist colony.

Positive lumpy outcomes, for which we either collect big or get nothing,

prevail in numerous occupations, those invested with a sense of mission,

LIVING IN T H E A N T E C H A M B E R OF HOPE 87

such as doggedly pursuing (in a smelly laboratory) the elusive cure for cancer,

writing a book that will change the way people view the world (while

living hand to mouth), making music, or painting miniature icons on subway

trains and considering it a higher form of art despite the diatribes of

the antiquated "scholar" Harold Bloom.

If you are a researcher, you will have to publish inconsequential articles

in "prestigious" publications so that others say hello to you once in a

while when you run into them at conferences.

If you run a public-corporation, things were great for you before you

had shareholders, when you and your partners were the sole owners,

along with savvy venture capitalists who understood uneven results and

the lumpy nature of economic life. But now you have a slow-thinking

thirty-year-old security analyst at a downtown Manhattan firm who

"judges" your results and reads too much into them. He likes routine rewards,

and the last thing you can deliver are routine rewards.

Many people labor in life under the impression that they are doing

something right, yet they may not show solid results for a long time. They

need a capacity for continuously adjourned gratification to survive a

steady diet of peer cruelty without becoming demoralized. They look like

idiots to their cousins, they look like idiots to their peers, they need

courage to continue. No confirmation comes to them, no validation, no

fawning students, no Nobel, no Shnobel. "How was your year?" brings

them a small but containable spasm of pain deep inside, since almost all of

their years will seem wasted to someone looking at their life from the outside.

Then bang, the lumpy event comes that brings the grand vindication.

Or it may never come.

Believe me, it is tough to deal with the social consequences of the appearance

of continuous failure. We are social animals; hell is other people.

Where the Relevant Is the Sensational

Our intuitions are not cut out for nonlinearities. Consider our life in a

primitive environment where process and result are closely connected.

You are thirsty; drinking brings you adequate satisfaction. Or even in a

not-so-primitive environment, when you engage in building, say, a bridge

or a stone house, more work will lead to more apparent results, so your

mood is propped up by visible continuous feedback.

In a primitive environment, the relevant is the sensational. This applies

to our knowledge. When we try to collect information about the world

8 8 UMBERTO E C O ' S A N T I U B R A RY

around us, we tend to be guided by our biology, and our attention flows

effortlessly toward the sensational—not the relevant so much as the sensational.

Somehow the guidance system has gone wrong in the process of

our coevolution with our habitat—it was transplanted into a world in

which the relevant is often boring, nonsensational.

Furthermore, we think that if, say, two variables are causally linked,

then a steady input in one variable should always yield a result in the other

one. Our emotional apparatus is designed for linear causality. For instance,

if you study every day, you expect to learn something in proportion

to your studies. If you feel that you are not going anywhere, your

emotions will cause you to become demoralized. But modern reality rarely

gives us the privilege of a satisfying, linear, positive progression: you may

think about a problem for a year and learn nothing; then, unless you are

disheartened by the emptiness of the results and give up, something will

come to you in a flash.

Researchers spent some time dealing with this notion of gratification;

neurology has been enlightening us about the tension between the notions

of immediate rewards and delayed ones. Would you like a massage today,

or two next week? Well, the news is that the logical part of our mind, that

"higher" one, which distinguishes us from animals, can override our animal

instinct, which asks for immediate rewards. So we are a little better

than animals, after all—but perhaps not by much. And not all of the time.

Nonlinearities

The situation can get a little more tragic—the world is more nonlinear

than we think, and than scientists would like to think.

With linearities, relationships between variables are clear, crisp, and

constant, therefore Platonically easy to grasp in a single sentence, such as

"A 10 percent increase in money in the bank corresponds to a 10 percent

increase in interest income and a 5 percent increase in obsequiousness on

the part of the personal banker." If you have more money in the bank, you

get more interest. Nonlinear relationships can vary; perhaps the best way

to describe them is to say that they cannot be expressed verbally in a way

that does justice to them. Take the relationship between pleasure and

drinking water. If you are in a state of painful thirst, then a bottle of water

increases your well-being significantly. More water means more pleasure.

But what if I gave you a cistern of water? Clearly your well-being becomes

LIVING IN T H E A N T E C H A M B E R OF HOPE 8 9

rapidly insensitive to further quantities. As a matter of fact, if I gave you

the choice between a bottle or a cistern you would prefer the bottle—so

your enjoyment declines with additional quantities.

These nonlinear relationships are ubiquitous in life. Linear relationships

are truly the exception; we only focus on them in classrooms and

textbooks because they are easier to understand. Yesterday afternoon I

tried to take a fresh look around me to catalog what I could see during my

day that was linear. I could not find anything, no more than someone

hunting for squares or triangles could find them in the rain forest—or, as

we will see in Part Three, any more than someone looking for bell-shape

randomness finding it in socioeconomic phenomena.

You play tennis every day with no improvement, then suddenly you

start beating the pro.

Your child does not seem to have a learning impediment, but he does

not seem to want to speak. The schoolmaster pressures you to start considering

"other options," namely therapy. You argue with her to no avail

(she is supposed to be the "expert"). Then, suddenly, the child starts composing

elaborate sentences, perhaps a bit too elaborate for his age group.

I will repeat that linear progression, a Platonic idea, is not the norm.

Process over Results

We favor the sensational and the extremely visible. This affects the way we

judge heroes. There is little room in our consciousness for heroes who do

not deliver visible results—or those heroes who focus on process rather

than results.

However, those who claim that they value process over result are not

telling the whole truth, assuming of course that they are members of the

human species. We often hear the semi-lie that writers do not write for

glory, that artists create for the sake of art, because the activity is "its own

reward." True, these activities can generate a steady flow of autosatisfaction.

But this does not mean that artists do not crave some form of attention,

or that they would not be better off if they got some publicity; it does

not mean that writers do not wake up early Saturday morning to check if

The New York Times Book Review has featured their work, even if it is a

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