饭饭TXT > 海外名作 > 《黑天鹅》作者:[美]纳西姆·尼古拉斯·塔勒布/译者:万丹【完结】 > 英文版.txt

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作者:美-纳西姆·尼古拉斯·塔勒布/译者:万丹 当前章节:15396 字 更新时间:2026-6-15 20:55

of the third round to go to the fourth round, thus doubling the number of

alternatives.) Of these combinations, only one will be up forty, and only

one will be down forty. The rest will hover around the middle, here zero.

We can already see that in this type of randomness extremes are exceedingly

rare. One in 1,099,511,627,776 is up forty out of forty tosses.

If you perform the exercise of forty flips once per hour, the odds of getting

40 ups in a row are so small that it would take quite a bit of forty-flip trials

to see it. Assuming you take a few breaks to eat, argue with your

friends and roommates, have a beer, and sleep, you can expect to wait

close to four million lifetimes to get a 40-up outcome (or a 40-down outcome)

just once. And consider the following. Assume you play one additional

round, for a total of 4 1 ; to get 41 straight heads would take eight

million lifetimes! Going from 40 to 41 halves the odds. This is a key at2

4 8 THOSE GRAY SWANS OF EXTREMISTAN

FIGURE 9: NUMBERS OF WINS TOSSED

Result of forty tosses. We see the proto-bell curve emerging.

tribute of the nonscalable framework to analyzing randomness: extreme

deviations decrease at an increasing rate. You can expect to toss 50 heads

in a row once in four billion lifetimes!

We are not yet fully in a Gaussian bell curve, but we are getting dangerously

close. This is still proto-Gaussian, but you can see the gist. (Actually,

you will never encounter a Gaussian in its purity since it is a Platonic

form—you just get closer but cannot attain it.) However, as you can see in

Figure 9, the familiar bell shape is starting to emerge.

How do we get even closer to the perfect Gaussian bell curve? By refining

the flipping process. We can either flip 40 times for $1 a flip or

4,000 times for ten cents a flip, and add up the results. Your expected risk

is about the same in both situations—and that is a trick. The equivalence

in the two sets of flips has a little nonintuitive hitch. We multiplied the

number of bets by 100, but divided the bet size by 10—don't look for a

reason now, just assume that they are "equivalent." The overall risk is

equivalent, but now we have opened up the possibility of winning or losing

400 times in a row. The odds are about one in 1 with 120 zeroes after

it, that is, one in 1,000,000,000,000,000,000,000,000,000,000,000,000,

000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,

000,000,000,000,000,000,000,000,000,000,000,000 times.

Continue the process for a while. We go from 40 tosses for $1 each to

4,000 tosses for 10 cents, to 400,000 tosses for 1 cent, getting close and

closer to a Gaussian. Figure 10 shows results spread between -40 and 40,

namely eighty plot points. The next one would bring that up to 8,000

points.

T H E B E L L C U R V E , T H A T G R E A T I N T E L L E C T U A L F R A U D 2 49

FIGURE 10: A MORE ABSTRACT VERSION: PLATO'S CURVE

An infinite number of tosses.

Let's keep going. We can flip 4,000 times staking a tenth of a penny.

How about 400,000 times at 1/1000 of a penny? As a Platonic form, the

pure Gaussian curve is principally what happens when he have an infinity

of tosses per round, with each bet infinitesimally small. Do not bother trying

to visualize the results, or even make sense out of them. We can no

longer talk about an "infinitesimal" bet size (since we have an infinity of

these, and we are in what mathematicians call a continuous framework).

The good news is that there is a substitute.

We have moved from a simple bet to something completely abstract.

We have moved from observations into the realm of mathematics. In

mathematics things have a purity to them.

Now, something completely abstract is not supposed to exist, so please

do not even make an attempt to understand Figure 10. Just be aware of its

use. Think of it as a thermometer: you are not supposed to understand

what the temperature means in order to talk about it. You just need to

know the correspondence between temperature and comfort (or some

other empirical consideration). Sixty degrees corresponds to pleasant

weather; ten below is not something to look forward to. You don't necessarily

care about the actual speed of the collisions among particles that

more technically explains temperature. Degrees are, in a way, a means for

your mind to translate some external phenomena into a number. Likewise,

the Gaussian bell curve is set so that 68.2 percent of the observations fall

between minus one and plus one standard deviations away from the average.

I repeat: do not even try to understand whether standard deviation is

average deviation—it is not, and a large (too large) number of people

2 5 0 THOSE GRAY SWANS OF EXTREMISTAN

using the word standard deviation do not understand this point. Standard

deviation is just a number that you scale things to, a matter of mere correspondence

if phenomena were Gaussian.

These standard deviations are often nicknamed "sigma." People also

talk about "variance" (same thing: variance is the square of the sigma, i.e.,

of the standard deviation).

Note the symmetry in the curve. You get the same results whether the

sigma is positive or negative. The odds of falling below -4 sigmas are the

same as those of exceeding 4 sigmas, here 1 in 32,000 times.

As the reader can see, the main point of the Gaussian bell curve is, as I

have been saying, that most observations hover around the mediocre, the

mean, while the odds of a deviation decline faster and faster (exponentially)

as you move away from the mean. If you need to retain one single

piece of information, just remember this dramatic speed of decrease in the

odds as you move away from the average. Outliers are increasingly unlikely.

You can safely ignore them.

This property also generates the supreme law of Mediocristan: given

the paucity of large deviations, their contribution to the total will be vanishingly

small.

In the height example earlier in this chapter, I used units of deviations

of ten centimeters, showing how the incidence declined as the height increased.

These were one sigma deviations; the height table also provides

an example of the operation of "scaling to a sigma" by using the sigma as

a unit of measurement.

Those Comforting Assumptions

Note the central assumptions we made in the coin-flip game that led to the

proto-Gaussian, or mild randomness.

First central assumption: the flips are independent of one another. The

coin has no memory. The fact that you got heads or tails on the previous

flip does not change the odds of your getting heads or tails on the next

one. You do not become a "better" coin flipper over time. If you introduce

memory, or skills in flipping, the entire Gaussian business becomes shaky.

Recall our discussions in Chapter 14 on preferential attachment and

cumulative advantage. Both theories assert that winning today makes you

more likely to win in the future. Therefore, probabilities are dependent on

history, and the first central assumption leading to the Gaussian bell curve

T H E B E L L C U R V E , T H A T G R E A T I N T E L L E C T U A L F R A U D 251

fails in reality. In games, of course, past winnings are not supposed to

translate into an increased probability of future gains—but not so in real

life, which is why I worry about teaching probability from games. But

when winning leads to more winning, you are far more likely to see forty

wins in a row than with a proto-Gaussian.

Second central assumption: no "wild" jump. The step size in the building

block of the basic random walk is always known, namely one step.

There is no uncertainty as to the size of the step. We did not encounter situations

in which the move varied wildly.

Remember that if either of these two central assumptions is not met,

your moves (or coin tosses) will not cumulatively lead to the bell curve.

Depending on what happens, they can lead to the wild Mandelbrotianstyle

scale-invariant randomness.

"The Ubiquity of the Gaussian"

One of the problems I face in life is that whenever I tell people that the

Gaussian bell curve is not ubiquitous in real life, only in the minds of statisticians,

they require me to "prove it"—which is easy to do, as we will

see in the next two chapters, yet nobody has managed to prove the opposite.

Whenever I suggest a process that is not Gaussian, I am asked to justify

my suggestion and to, beyond the phenomena, "give them the theory

behind it." We saw in Chapter 14 the rich-get-richer models that were

proposed in order to justify not using a Gaussian. Modelers were forced

to spend their time writing theories on possible Jnodels that generate the

scalable—as if they needed to be apologetic about it. Theory shmeory! I

have an epistemological problem with that, with the need to justify the

world's failure to resemble an idealized model that someone blind to reality

has managed to promote.

My technique, instead of studying the possible models generating

non-bell curve randomness, hence making the same errors of blind theorizing,

is to do the opposite: to know the bell curve as intimately as I can

and identify where it can and cannot hold. I know where Mediocristan is.

To me it is frequently (nay, almost always) the users of the bell curve who

do not understand it well, and have to justify it, and not the opposite.

This ubiquity of the Gaussian is not a property of the world, but a

problem in our minds, stemming from the way we look at it.

2 5 2 THOSE GRAY SWANS OF EXTREMISTAN

The next chapter will address the scale invariance of nature and address

the properties of the fractal. The chapter after that will probe the misuse

of the Gaussian in socioeconomic life and "the need to produce theories."

I sometimes get a little emotional because I've spent a large part of my

life thinking about this problem. Since I started thinking about it, and conducting

a variety of thought experiments as I have above, I have not for

the life of me been able to find anyone around me in the business and statistical

world who was intellectually consistent in that he both accepted

the Black Swan and rejected the Gaussian and Gaussian tools. Many people

accepted my Black Swan idea but could not take it to its logical conclusion,

which is that you cannot use one single measure for randomness

called standard deviation (and call it "risk"); you cannot expect a simple

answer to characterize uncertainty. To go the extra step requires courage,

commitment, an ability to connect the dots, a desire to understand randomness

fully. It also means not accepting other people's wisdom as

gospel. Then I started finding physicists who had rejected the Gaussian

tools but fell for another sin: gullibility about precise predictive models,

mostly elaborations around the preferential attachment of Chapter 14—

another form of Platonicity. I could not find anyone with depth and scientific

technique who looked at the world of randomness and understood its

nature, who looked at calculations as an aid, not a principal aim. It took

me close to a decade and a half to find that thinker, the man who made

many swans gray: Mandelbrot—the great Beno?t Mandelbrot.

THE AESTHETICS OF RANDOMNESS

Mandelbrot's library—Was Galileo blind?—Pearls to swine—Self-affinity—How

the world can be complicated in a simple way, or, perhaps, simple in a very

complicated way

THE POET OF RANDOMNESS

It was a melancholic afternoon when I smelled the old books in Beno?t

Mandelbrot's library. This was on a hot day in August 2005, and the heat

exacerbated the musty odor of the glue of old French books bringing on

powerful olfactory nostalgia. I usually succeed in repressing such nostalgic

excursions, but not when they sneak up on me as music or smell. The odor

of Mandelbrot's books was that of French literature, of my parents' library,

of the hours spent in bookstores and libraries when I was a teenager

when many books around me were (alas) in French, when I thought that

Literature was above anything and everything. (I haven't been in contact

with many French books since my teenage days.) However abstract I

wanted it to be, Literature had a physical embodiment, it had a smell, and

this was it.

The afternoon was also gloomy because Mandelbrot was moving

away, exactly when I had become entitled to call him at crazy hours just

because I had a question, such as why people didn't realize that the 80/20

2 5 4 THOSE GRAY SWANS OF EXTREMISTAN

could be 50/01. Mandelbrot had decided to move to the Boston area, not

to retire, but to work for a research center sponsored by a national laboratory.

Since he was moving to an apartment in Cambridge, and leaving

his oversize house in the Westchester suburbs of New York, he had invited

me to come take my pick of his books.

Even the titles of the books had a nostalgic ring. I filled up a box with

French titles, such as a 1949 copy of Henri Bergson's Matière et mémoire,

which it seemed Mandelbrot bought when he was a student (the smell!).

After having mentioned his name left and right throughout this book,

I will finally introduce Mandelbrot, principally as the first person with an

academic title with whom I ever spoke about randomness without feeling

defrauded. Other mathematicians of probability would throw at me theorems

with Russian names such as "Sobolev," "Kolmogorov," Wiener measure,

without which they were lost; they had a hard time getting to the

heart of the subject or exiting their little box long enough to consider its

empirical flaws. With Mandelbrot, it was different: it was as if we both

originated from the same country, meeting after years of frustrating exile,

and were finally able to speak in our mother tongue without straining. He

is the only flesh-and-bones teacher I ever had—my teachers are usually

books in my library. I had way too little respect for mathematicians dealing

with uncertainty and statistics to consider any of them my teachers—

in my mind mathematicians, trained for certainties, had no business

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