"Sorry," I said.
Emily turned to Sydney and frowned. They'd been introduced, but no more. "Why are you here?" Emily didn't have to say what she
really meant. She wanted to know why a human was here. "Are you a feeder?"
"No!" exclaimed Sydney, jumping up from her spot beside me on the loveseat. I had never seen her filled with such outrage and
disgust. "Say that again, and I'll walk right out of here! I'm an Alchemist."
She was met with blank stares, and I pulled Sydney back down. "Easy, girl. I don't think they don't know what Alchemists are."
Secretly, I was glad. When I'd first discovered the Alchemists, I'd felt like I was the last person in the world to find out. It was nice to
know others were out of the loop too. Keeping things simple for now, I explained to Emily, "Sydney's been helping us."
Tears brimmed in Emily's blue eyes as she turned back to her cousin. Emily Mastrano was one of the most stunning women I'd ever
met. Even tears were beautiful on her. "It's really you, isn't it? They brought you back to me. Oh God." Emily rose and walked over to
hold her cousin in a deep embrace. "I've missed you so much. I can't believe this."
I almost felt like crying, too, but sternly reminded myself that we had come with a mission. I knew how startling this all was. We had
just turned the Mastrano family 's world upside down . . . and I was about to complicate things even more. I hated to do it. I wished they
could have the time they needed to adjust, to celebrate the miracle of having Sonya back. But the clock at Court—and on my life—was
ticking.
"We brought her . . ." I said at last. "But there's another reason we're here."
I don't know what tone my voice conveyed, but Emily stiffened and stepped back from Sonya, sitting down beside her husband.
Somehow, in that moment, I think she knew why we were here. I could see in her eyes that she was afraid—as if she'd been dreading
this type of visit for years, as if she'd imagined it a hundred times.
I pushed forward. "We know . . . we know about Eric Dragomir."
"No," said Emily, her voice an odd mixture of harshness and desperateness. Her obstinate manner was remarkably similar to
Sonya's initial refusal to aid us. "No. We are not doing this."
The instant I'd seen Jill, the instant I'd recognized those eyes, I'd known we had the right place. Emily's words—more importantly, her
lack of a denial—confirmed it.
"We have to," I said. "This is serious."
Emily turned to Sonya. "You promised! You promised you wouldn't tell!"
"I didn't," said Sonya, but her face wore its earlier doubt.
"She didn't," I said firmly, hoping to reassure them both. "It's hard to explain . . . but she kept her promise."
"No," repeated Emily. "This isn't happening. We cannot talk about this."
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"What . . . what's going on?" demanded John. Anger kindled in his eyes. He didn't like seeing strangers upset his wife.
I directed my words to Emily. "We have to talk about this. Please. We need your help. We need her help." I gestured to Jill.
"What do you mean?" asked Jill. That earlier eager spark was gone, cooled by her mother's reaction.
"It's about your—" I came to a stop. I'd rushed into this, ready to find Lissa's sibling—her sister, we now knew—with little thought of
the implications. I should have known this would be a secret from everyone—including the child in question. I hadn't considered what a
shock this would be to her. And this wasn't just some random stranger. This was Jill. Jill. My friend. The girl who was like a little sister
to all of us, the one we looked out for. What was I about to do to her? Looking at John, I realized things were worse still. Did Jill think he
was her father? This family was about to be shaken to its core—and I was responsible.
"Don't!" cried Emily, jumping up again. "Get out! All of you! I don't want you here!"
"Mrs. Mastrano . . ." I began. "You can't pretend this isn't real. You have to face it."
"No!" she pointed to the door. "Get out! Get out, or I'll . . . I'll call the police! Or the guardians! You . . ." Realization flashed over her
now that the initial shock of seeing Sonya had faded. Victor wasn't the only criminal Moroi would be on guard for. "You're a fugitive! A
murderer!"
"She is not!" said Jill, leaning forward. "I told you, Mom. I told you before it was a mistake—"
"Get out," repeated Emily.
"Sending us away won't change the truth," I said, forcing myself to stay calm.
"Will someone please tell me what the hell is going on?" John's face was flushed red, angry and defensive. "If I don't have an
answer within thirty seconds, I'm calling the guardians and the police."
I looked over at Jill and couldn't speak. I didn't know how to say what I needed to, at least not tactfully. Sydney, however, didn't have
that problem.
"He's not your father," she said bluntly, pointing at John.
There was a slight pause in the room. Jill almost looked disappointed, like she'd hoped for more exciting news.
"I know that. He's my stepdad. Or, well, my dad as far as I'm concerned."
Emily sank back on the couch, burying her face in her hands. She seemed to be crying, but I was pretty sure she could jump up at
any moment and call the authorities. We had to get through this fast, no matter how painful.
"Right. He's not your biological father," I said, looking steadily at Jill. The eyes. How had I never noticed the eyes? "Eric Dragomir
is."
Emily made a low keening sound. "No," she begged. "Please don't do this."
John's anger morphed back to the confusion that seemed to be so in fashion in this room. "What?"
"That . . . no." Jill slowly shook her head. "That's impossible. My father was just . . . just some guy who ran out on us."
In some ways, that wasn't far from the truth, I supposed. "It was Eric Dragomir," I said. "You're part of their family. Lissa's sister.
You're . . ." I startled myself, realizing I had to look at Jill in a whole new way. "You're royalty."
Jill was always full of energy and optimism, operating in the world with a naive hope and charm. But now her face was grim and
sober, making her look older than her fifteen years. "No. This is a joke. My dad was a lowlife. I'm not . . . no. Rose, stop."
"Emily." I flinched at the sound of Sonya's voice, surprised to hear her speak. I was more surprised at her expression. Authoritative.
Serious. Determined. Sonya was younger than Emily by—what? Ten years, if I had to guess. But Sonya had fixed her cousin with a
stare that made Emily look like a naughty child. "Emily, it's time to give this up. You have to tell her. For God's sake, you have to tell
John. You can't keep this buried anymore."
Emily looked up and met Sonya's eyes. "I can't tell. You know what will happen . . . I can't do that to her."
"None of us know what will happen," said Sonya. "But things will get worse if you don't take control now."
After a long moment, Emily finally looked away, staring at the floor. The sad, sad look on her face broke my heart. And not just mine.
"Mom?" asked Jill, voice trembling. "What's happening? This is all a big mix-up, right?"
Emily sighed and looked up at her daughter. "No. You are Eric Dragomir's daughter. Rose is right." John made a small, strangled
sound but didn't interrupt his wife. She squeezed his hand again. "What I told you both over the years . . . it was true. Mostly. We did
just have a brief . . . relationship. Not a cheap one, exactly. But brief." She paused and glanced over at John this time, her expression
softening. "I told you . . ."
He nodded. "And I told you the past didn't matter to me. Never affected how I felt about you, about Jill. But I never imagined . . ."
"Me neither," she agreed. "I didn't even know who he was when we first met. It was back when I lived in Las Vegas and had my first
job, dancing in a show at the Witching Hour. "
I felt my eyes go wide. No one seemed to notice. The Witching Hour. My friends and I had been to that casino while hunting for
Robert, and a man there had made a joke about Lissa's father being interested in showgirls. I knew Emily worked in a Detroit ballet
company now; it was why they lived in Michigan. Never would I have guessed that she'd started as a feather-and-sequin-clad dancer in
a Las Vegas show. But why not? She would have had to start somewhere, and her tall, graceful frame would lend itself well to any type
of dancing.
"He was so sweet . . . and so sad," Emily continued. "His father had just died, and he'd come to sort of drown his sorrows. I
understood how a death would devastate him, but now . . . well, I really understand. It was another loss to his family. The numbers were
dropping." She frowned thoughtfully and then shrugged. "He was a good man, and I think he truly loved his wife. But he was in a dark,
low place. I don't think he was using me. He cared about me, though I doubt what happened between us would have in other
circumstances. Anyway, I was fine with the way things ended and was content to move on with my life . . . until Jill came along. I
contacted Eric because I thought he should know—though I made it clear I didn't expect anything from him. And at that point, knowing
who he was, I didn't want anything. If I'd let him, I think he would have acknowledged you, had a role in your life." Emily's eyes were on
Jill now. "But I've seen what that world is like. Court life is politics and lies and backstabbing. In the end, the only thing I'd accept from
him was money. I still didn't want that. I didn't want to feel like I was blackmailing him—but I did want to make sure your future was
secure."
I spoke without thinking. "You don't really live like you're using that money." I regretted the words as soon as they were out. Their
home was perfectly nice, hardly the depths of poverty. But it also didn't match the funds I'd seen moved around in those bank accounts.
"I'm not," said Emily. "It's on hand for emergencies, of course, but mostly I set it all aside for Jill, for her future. To do whatever she
wants."
"What do you mean?" asked Jill, aghast. "What kind of money are you talking about?"
"You're an heiress," I said. "And royalty."
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"I'm not any of those things," she said. She was frantic now, looking around at all of us. She reminded me of a deer, ready to bolt.
"There's a mistake. You've all made some mistake."
Emily stood up and walked over to Jill's chair, kneeling on the floor before it. Emily clasped her daughter's hand. "It is all true. And
I'm sorry you have to find out like this. But it doesn't change anything. Our lives aren't going to change. We'll go on just like we have
before."
A range of emotions raced over Jill's features—especially fear and confusion—but she leaned down and buried her face against
her mother's shoulder in acceptance. "Okay."
It was a touching moment, and again, I almost felt like crying. I'd had my own share of family drama and parental issues. Like before,
I wanted the Mastranos to have this moment—but they couldn't.
"You can't," I told them. "You can't go on like before. Jill . . . Jill has to go to Court."
Emily jerked away from Jill and stared at me. Only a second ago, Emily had been full of grief and distress. Now, I saw intense anger
and ferocity. Her blue eyes were stormy, fixing me with a sharp glare. "No. She is not going there. She is never going there."
Jill had already visited Court before, but both Emily and I knew that I wasn't referring to some casual sightseeing trip. Jill had to go
with her true identity. Well—maybe true wasn't the right word. Illicit royalty wasn't part of her nature, at least not yet. She was who she'd
always been, but her name had changed. That change had to be acknowledged, and the Moroi Court would be shaken.
"She has to," I urged. "The Court's getting corrupted, and the Dragomir family has to play its part to help fix things. Lissa has no
power alone, not without a family quorum. All the other royals . . . they're trampling her. They're going to push laws that won't help any of
us."
Emily still knelt by the chair, as though shielding Jill from my words. "And that's exactly why Jill can't go. It's why I wouldn't let Eric
acknowledge her. I don't want Jill involved. That place is poison. Tatiana's murder is proof." Emily paused and gave me a sharp look,
reminding me that I was the chief suspect. Apparently we weren't past that yet. "All those royals . . . they're vicious. I don't want Jill
turning into one of them. I won 't let her turn into one of them."
"Not all royals are like that," I argued. "Lissa's not. She's trying to change the system."
Emily gave me a bitter smile. "And how do you think the others feel about her reform? I'm sure there are royals who are happy to
see her silenced—royals who wouldn't like to see her family reemerge. I told you: Eric was a good man. Sometimes I don't think it's a