She now became quite happy. The motor-car ran on, the afternoon was soft and dim. She talked with lively interest, analysing people and their motives-Gudrun, Gerald. He answered vaguely. He was not very much interested any more in personalities and in people-people were all different, but they were all enclosed nowadays in a definite limitation, he said; there were only about two great ideas, two great streams of activity remaining, with various forms of reaction therefrom. The reactions were all varied in various people, but they followed a few great laws, and intrinsically there was no difference. They acted and reacted involuntarily according to a few great laws, and once the laws, the great principles, were known, people were no longer mystically interesting. They were all essentially alike, the differences were only variations on a theme. None of them transcended the given terms.
Ursula did not agree-people were still an adventure to her-but-perhaps not as much as she tried to persuade herself. Perhaps there was something mechanical, now, in her interest. Perhaps also her interest was destructive, her analysing was a real tearing to pieces. There was an under-space in her where she did not care for people and their idiosyncracies, even to destroy them. She seemed to touch for a moment this undersilence in herself, she became still, and she turned for a moment purely to Birkin.
'Won't it be lovely to go home in the dark?' she said. 'We might have tea rather late-shall we?-and have high tea? Wouldn't that be rather nice?'
'I promised to be at Shortlands for dinner,' he said.
'But-it doesn't matter-you can go tomorrow-'
'Hermione is there,' he said, in rather an uneasy voice. 'She is going away in two days. I suppose I ought to say good-bye to her. I shall never see her again.'
Ursula drew away, closed in a violent silence. He knitted his brows, and his eyes began to sparkle again in anger.
'You don't mind, do you?' he asked irritably.
'No, I don't care. Why should I? Why should I mind?' Her tone was jeering and offensive.
'That's what I ask myself,' he said; 'why SHOULD you mind! But you seem to.' His brows were tense with violent irritation.
'I ASSURE you I don't, I don't mind in the least. Go where you belong-it's what I want you to do.'
'Ah you fool!' he cried, 'with your "go where you belong." It's finished between Hermione and me. She means much more to YOU, if it comes to that, than she does to me. For you can only revolt in pure reaction from her-and to be her opposite is to be her counterpart.'
'Ah, opposite!' cried Ursula. 'I know your dodges. I am not taken in by your word-twisting. You belong to Hermione and her dead show. Well, if you do, you do. I don't blame you. But then you've nothing to do with me.
In his inflamed, overwrought exasperation, he stopped the car, and they sat there, in the middle of the country lane, to have it out. It was a crisis of war between them, so they did not see the ridiculousness of their situation.
'If you weren't a fool, if only you weren't a fool,' he cried in bitter despair, 'you'd see that one could be decent, even when one has been wrong. I WAS wrong to go on all those years with Hermione—it was a deathly process. But after all, one can have a little human decency. But no, you would tear my soul out with your jealousy at the very mention of Hermione's name.'
'I jealous! I—jealous! You ARE mistaken if you think that. I'm not jealous in the least of Hermione, she is nothing to me, not THAT!' And Ursula snapped her fingers. 'No, it's you who are a liar. It's you who must return, like a dog to his vomit. It is what Hermione STANDS FOR that I HATE. I HATE it. It is lies, it is false, it is death. But you want it, you can't help it, you can't help yourself. You belong to that old, deathly way of living—then go back to it. But don't come to me, for I've nothing to do with it.'
And in the stress of her violent emotion, she got down from the car and went to the hedgerow, picking unconsciously some flesh-pink spindleberries, some of which were burst, showing their orange seeds.
'Ah, you are a fool,' he cried, bitterly, with some contempt.
'Yes, I am. I AM a fool. And thank God for it. I'm too big a fool to swallow your cleverness. God be praised. You go to your women—go to them—they are your sort—you've always had a string of them trailing after you—and you always will. Go to your spiritual brides—but don't come to me as well, because I'm not having any, thank you. You're not satisfied, are you? Your spiritual brides can't give you what you want, they aren't common and fleshy enough for you, aren't they? So you come to me, and keep them in the background! You will marry me for daily use. But you'll keep yourself well provided with spiritual brides in the background. I know your dirty little game.' Suddenly a flame ran over her, and she stamped her foot madly on the road, and he winced, afraid that she would strike him. 'And I, I'M not spiritual enough, I'M not as spiritual as that Hermione—!' Her brows knitted, her eyes blazed like a tiger's. 'Then go to her, that's all I say, GO to her, GO. Ha, she spiritual—SPIRITUAL, she! A dirty materialist as she is. SHE spiritual? What does she care for, what is her spirituality? What IS it?' Her fury seemed to blaze out and burn his face. He shrank a little. 'I tell you it's DIRT, DIRT, and nothing BUT dirt. And it's dirt you want, you crave for it. Spiritual! Is THAT spiritual, her bullying, her conceit, her sordid materialism? She's a fishwife, a fishwife, she is such a materialist. And all so sordid. What does she work out to, in the end, with all her social passion, as you call it. Social passion—what social passion has she?—show it me!—where is it? She wants petty, immediate POWER, she wants the illusion that she is a great woman, that is all. In her soul she's a devilish unbeliever, common as dirt. That's what she is at the bottom. And all the rest is pretence—but you love it. You love the sham spirituality, it's your food. And why? Because of the dirt underneath. Do you think I don't know the foulness of your sex life—and her's?—I do. And it's that foulness you want, you liar. Then have it, have it. You're such a liar.'
She turned away, spasmodically tearing the twigs of spindleberry from the hedge, and fastening them, with vibrating fingers, in the bosom of her coat.
He stood watching in silence. A wonderful tenderness burned in him, at the sight of her quivering, so sensitive fingers: and at the same time he was full of rage and callousness.
'This is a degrading exhibition,' he said coolly.
'Yes, degrading indeed,' she said. 'But more to me than to you.'
'Since you choose to degrade yourself,' he said. Again the flash came over her face, the yellow lights concentrated in her eyes.
'YOU!' she cried. 'You! You truth-lover! You purity-monger! It STINKS, your truth and your purity. It stinks of the offal you feed on, you scavenger dog, you eater of corpses. You are foul, FOUL and you must know it. Your purity, your candour, your goodness—yes, thank you, we've had some. What you are is a foul, deathly thing, obscene, that's what you are, obscene and perverse. You, and love! You may well say, you don't want love. No, you want YOURSELF, and dirt, and death—that's what you want. You are so PERVERSE, so death-eating. And then—'
'There's a bicycle coming,' he said, writhing under her loud denunciation.
She glanced down the road.
'I don't care,' she cried.
Nevertheless she was silent. The cyclist, having heard the voices raised in altercation, glanced curiously at the man, and the woman, and at the standing motor-car as he passed.
'—Afternoon,' he said, cheerfully.
'Good-afternoon,' replied Birkin coldly.
They were silent as the man passed into the distance.
A clearer look had come over Birkin's face. He knew she was in the main right. He knew he was perverse, so spiritual on the one hand, and in some strange way, degraded, on the other. But was she herself any better? Was anybody any better?
'It may all be true, lies and stink and all,' he said. 'But Hermione's spiritual intimacy is no rottener than your emotional-jealous intimacy. One can preserve the decencies, even to one's enemies: for one's own sake. Hermione is my enemy—to her last breath! That's why I must bow her off the field.'
'You! You and your enemies and your bows! A pretty picture you make of yourself. But it takes nobody in but yourself. I JEALOUS! I! What I say,' her voice sprang into flame, 'I say because it is TRUE, do you see, because you are YOU, a foul and false liar, a whited sepulchre. That's why I say it. And YOU hear it.'
'And be grateful,' he added, with a satirical grimace.
'Yes,' she cried, 'and if you have a spark of decency in you, be grateful.'
'Not having a spark of decency, however—' he retorted.
'No,' she cried, 'you haven't a SPARK. And so you can go your way, and I'll go mine. It's no good, not the slightest. So you can leave me now, I don't want to go any further with you—leave me—'
'You don't even know where you are,' he said.
'Oh, don't bother, I assure you I shall be all right. I've got ten shillings in my purse, and that will take me back from anywhere YOU have brought me to.' She hesitated. The rings were still on her fingers, two on her little finger, one on her ring finger. Still she hesitated.
'Very good,' he said. 'The only hopeless thing is a fool.'
'You are quite right,' she said.
Still she hesitated. Then an ugly, malevolent look came over her face, she pulled the rings from her fingers, and tossed them at him. One touched his face, the others hit his coat, and they scattered into the mud.
'And take your rings,' she said, 'and go and buy yourself a female elsewhere—there are plenty to be had, who will be quite glad to share your spiritual mess,—or to have your physical mess, and leave your spiritual mess to Hermione.'
With which she walked away, desultorily, up the road. He stood motionless, watching her sullen, rather ugly walk. She was sullenly picking and pulling at the twigs of the hedge as she passed. She grew smaller, she seemed to pass out of his sight. A darkness came over his mind. Only a small, mechanical speck of consciousness hovered near him.
He felt tired and weak. Yet also he was relieved. He gave up his old position. He went and sat on the bank. No doubt Ursula was right. It was true, really, what she said. He knew that his spirituality was concomitant of a process of depravity, a sort of pleasure in self-destruction. There really WAS a certain stimulant in self-destruction, for him—especially when it was translated spiritually. But then he knew it—he knew it, and had done. And was not Ursula's way of emotional intimacy, emotional and physical, was it not just as dangerous as Hermione's abstract spiritual intimacy? Fusion, fusion, this horrible fusion of two beings, which every woman and most men insisted on, was it not nauseous and horrible anyhow, whether it was a fusion of the spirit or of the emotional body? Hermione saw herself as the perfect Idea, to which all men must come: And Ursula was the perfect Womb, the bath of birth, to which all men must come! And both were horrible. Why could they not remain individuals, limited by their own limits? Why this dreadful all-comprehensiveness, this hateful tyranny? Why not leave the other being, free, why try to absorb, or melt, or merge? One might abandon oneself utterly to the MOMENTS, but not to any other being.
He could not bear to see the rings lying in the pale mud of the road. He picked them up, and wiped them unconsciously on his hands. They were the little tokens of the reality of beauty, the reality of happiness in warm creation. But he had made his hands all dirty and gritty.
There was a darkness over his mind. The terrible knot of consciousness that had persisted there like an obsession was broken, gone, his life was dissolved in darkness over his limbs and his body. But there was a point of anxiety in his heart now. He wanted her to come back. He breathed lightly and regularly like an infant, that breathes innocently, beyond the touch of responsibility.
She was coming back. He saw her drifting desultorily under the high hedge, advancing towards him slowly. He did not move, he did not look again. He was as if asleep, at peace, slumbering and utterly relaxed.
She came up and stood before him, hanging her head.
'See what a flower I found you,' she said, wistfully holding a piece of purple-red bell-heather under his face. He saw the clump of coloured bells, and the tree-like, tiny branch: also her hands, with their over-fine, over-sensitive skin.
'Pretty!' he said, looking up at her with a smile, taking the flower. Everything had become simple again, quite simple, the complexity gone into nowhere. But he badly wanted to cry: except that he was weary and bored by emotion.
Then a hot passion of tenderness for her filled his heart. He stood up and looked into her face. It was new and oh, so delicate in its luminous wonder and fear. He put his arms round her, and she hid her face on his shoulder.
It was peace, just simple peace, as he stood folding her quietly there on the open lane. It was peace at last. The old, detestable world of tension had passed away at last, his soul was strong and at ease.
She looked up at him. The wonderful yellow light in her eyes now was soft and yielded, they were at peace with each other. He kissed her, softly, many, many times. A laugh came into her eyes.
'Did I abuse you?' she asked.
He smiled too, and took her hand, that was so soft and given.
'Never mind,' she said, 'it is all for the good.' He kissed her again, softly, many times.
'Isn't it?' she said.
'Certainly,' he replied. 'Wait! I shall have my own back.'
She laughed suddenly, with a wild catch in her voice, and flung her arms around him.
'You are mine, my love, aren't you?' she cried straining him close.
'Yes,' he said, softly.
His voice was so soft and final, she went very still, as if under a fate which had taken her. Yes, she acquiesced—but it was accomplished without her acquiescence. He was kissing her quietly, repeatedly, with a soft, still happiness that almost made her heart stop beating.
