"I hate that son of a bitch," Yossarian growled.
The argument with Clevinger had begun a few minutes earlier when Yossarian had been unable to find a machine gun. It was a busy night. The bar was busy, the crap table was busy, the ping-gong table was busy. The people Yossarian wanted to machine-gun were busy at the bar singing sentimental old favorites that nobody else ever tired of. Instead of machine-gunning them, he brought his heel down hard on the ping-pong ball that came rolling toward him off the paddle of one of the two officers playing.
"That Yossarian," the two officers laughed, shaking their heads, and got another ball from the box on the shelf.
"That Yossarian," Yossarian answered them.
"Yossarian," Nately whispered cautioningly.
"You see what I mean?" asked Clevinger.
The officers laughed again when they heard Yossarian mimicking them. "That Yossarian," they said more loudly.
"That Yossarian," Yossarian echoed.
"Yossarian, please," Nately pleaded.
"You see what I mean?" asked Clevinger. "He has antisocial aggressions."
"Oh, shut up," Dunbar told Clevinger. Dunbar liked Clevinger because Clevinger annoyed him and made the time go slow.
"Appleby isn't even here," Clevinger pointed out triumphantly to Yossarian.
"Who said anything about Appleby?" Yossarian wanted to know.
"Colonel Cathcart isn't here, either."
"Who said anything about Colonel Cathcart?"
"What son of a bitch do you hate, then?"
"What son of a bitch is here?"
"I'm not going to argue with you," Clevinger decided. "You don't know who you hate."
"Whoever's trying to poison me," Yossarian told him.
"Nobody's trying to poison you."
"They poisoned my food twice, didn't they? Didn't they put poison in my food during Ferrara and during the Great Big Siege of Bologna?"
"They put poison in everybody's food," Clevinger explained.
"And what difference does that make?"
"And it wasn't even poison!" Clevinger cried heatedly, growing more emphatic as he grew more confused.
As far back as Yossarian could recall, he explained to Clevinger with a patient smile, somebody was always hatching a plot to kill him. There were people who cared for him and people who didn't, and those who didn't hated him and were out to get him. They hated him because he was Assyrian. But they couldn't touch him, he told Clevinger, because he had a sound mind in a pure body and was as strong as an ox. They couldn't touch him because he was Tarzan, Mandrake, Flash Gordon. He was Bill Shakespeare. He was Cain, Ulysses, the Flying Dutchman; he was Lot in Sodom, Deirdre of the Sorrows, Sweeney in the nightingales among trees. He was miracle ingredient Z-247. He was--
"Crazy!" Clevinger interrupted, shrieking. "That's what you are! Crazy!"
"--immense. I'm a real, slam-bang, honest-to-goodness, three-fisted humdinger. I'm a bona fide supraman."
"Superman?" Clevinger cried. "Superman?"
"Supraman," Yossarian corrected.
"Hey, fellas, cut it out," Nately begged with embarrassment. "Everybody's looking at us."
"You're crazy," Clevinger shouted vehemently, his eyes filling with tears. "You've got a Jehovah complex."
"I think everyone is Nathaniel."
Clevinger arrested himself in mid-declamation, suspiciously. "Who's Nathaniel?"
"Nathaniel who?" inquired Yossarian innocently.
Clevinger skirted the trap neatly. "You think everybody is Jehovah. You're no better than Raskolnkov--"
"Who?"
"--yes, Raskolnikov, who--"
"Raskolnikov!"
"--who -- I mean it -- who felt he could justify killing an old woman--"
"No better than?"
"--yes, justify, that's right -- with an ax! And I can prove it to you!" Gasping furiously for air, Clevinger enumerated Yossarian's symptoms: an unreasonable belief that everybody around him was crazy, a homicidal impulse to machine-gun strangers, retrospective falsification, an unfounded suspicion that people hated him and were conspiring to kill him.
But Yossarian knew he was right, because, as he explained to Clevinger, to the best of his knowledge he had never been wrong. Everywhere he looked was a nut, and it was all a sensible young gentleman like himself could do to maintain his perspective amid so much madness. And it was urgent that he did, for he knew his life was in peril.
Yossarian eyed everyone he saw warily when he returned to the squadron from the hospital. Milo was away, too, in Smyrna for the fig harvest. The mess hall ran smoothly in Milo's absence. Yossarian had responded ravenously to the pungent aroma of spicy lamb while he was still in the cab of the ambulance bouncing down along the knotted road that lay like a broken suspender between the hospital and the squadron. There was shish-kabob for lunch, huge, savory hunks of spitted meat sizzling like the devil over charcoal after marinating seventy-two hours in a secret mixture Milo had stolen from a crooked trader in the Levant, served with Iranian rice and asparagus tips Parmesan, followed by cherries jubilee for dessert and then steaming cups of fresh coffee with Benedictine and brandy. The meal was served in enormous helpings on damask tablecloths by the skilled Italian waiters Major --- de Coverley had kidnaped from the mainland and given to Milo.
Yossarian gorged himself in the mess hall until he thought he would explode and then sagged back in a contented stupor, his mouth filmy with a succulent residue. None of the officers in the squadron had ever eaten so well as they ate regularly in Milo's mess hall, and Yossarian wondered awhile if it wasn't perhaps all worth it. But then he burped and remembered that they were trying to kill him, and he sprinted out of the mess hall wildly and ran looking for Doc Daneeka to have himself taken off combat duty and sent home. He found Doc Daneeka in sunlight, sitting on a high stool outside his tent.
"Fifty missions," Doc Daneeka told him, shaking his head. "The colonel wants fifty missions."
"But I've only got forty-four!"
Doc Daneeka was unmoved. He was a sad, birdlike man with the spatulate face and scrubbed, tapering features of a well-groomed rat.
"Fifty missions," he repeated, still shaking his head. "The colonel wants fifty missions."
3 HAVERMEYER
Actually, no one was around when Yossarian returned from the hospital but Orr and the dead man in Yossarian's tent. The dead man in Yossarian's tent was a pest, and Yossarian didn't like him, even though he had never seen him. Having him lying around all day annoyed Yossarian so much that he had gone to the orderly room several times to complain to Sergeant Towser, who refused to admit that the dead man even existed, which, of course, he no longer did. It was still more frustrating to try to appeal directly to Major Major, the long and bony squadron commander, who looked a little bit like Henry Fonda in distress and went jumping out the window of his office each time Yossarian bullied his way past Sergeant Towser to speak to him about it. The dead man in Yossarian's tent was simply not easy to live with. He even disturbed Orr, who was not easy to live with, either, and who, on the day Yossarian came back, was tinkering with the faucet that fed gasoline into the stove he had started building while Yossarian was in the hospital.
"What are you doing?" Yossarian asked guardedly when he entered the tent, although he saw at once.
"There's a leak here," Orr said. "I'm trying to fix it."
"Please stop it," said Yossarian. "You're making me nervous."
"When I was a kid," Orr replied, "I used to walk around all day with crab apples in my cheeks. One in each cheek."
Yossarian put aside the musette bag from which he had begun removing his toilet articles and braced himself suspiciously. A minute passed. "Why?" he found himself forced to ask finally.
Orr tittered triumphantly. "Because they're better than horse chestnuts," he answered.
Orr was kneeling on the floor of the tent. He worked without pause, taking the faucet apart, spreading all the tiny pieces out carefully, counting and then studying each one interminably as though he had never seen anything remotely similar before, and then reassembling the whole apparatus, over and over and over and over again, with no loss of patience or interest, no sign of fatigue, no indication of ever concluding. Yossarian watched him tinkering and felt certain he would be compelled to murder him in cold blood if he did not stop. His eyes moved toward the hunting knife that had been slung over the mosquito-net bar by the dead man the day he arrived. The knife hung beside the dead man's empty leather gun holster, from which Havermeyer had stolen the gun.
"When I couldn't get crab apples," Orr continued, "I used horse chestnuts. Horse chestnuts are about the same size as crab apples and actually have a better shape, although the shape doesn't matter a bit."
"Why did you walk around with crab apples in your cheeks?" Yossarian asked again. "That's what I asked."
"Because they've got a better shape than horse chestnuts," Orr answered. "I just told you that."
"Why," swore Yossarian at him approvingly, "you evil-eyed, mechanically-aptituded, disaffiliated son of a bitch, did you walk around with anything in your cheeks?"
"I didn't," Orr said, "walk around with anything in my cheeks. I walked around with crab apples in my cheeks. When I couldn't get crab apples I walked around with horse chestnuts. In my cheeks."
Orr giggled. Yossarian made up his mind to keep his mouth shut and did. Orr waited. Yossarian waited longer.
"One in each cheek," Orr said.
"Why?"
Orr pounced. "Why what?"
Yossarian shook his head, smiling, and refused to say.
"It's a funny thing about this valve," Orr mused aloud.
"What is?" Yossarian asked.
"Because I wanted--"
Yossarian knew. "Jesus Christ! Why did you want--"
"--apple cheeks."
"--apple cheeks?" Yossarian demanded.
"I wanted apple cheeks," Orr repeated. "Even when I was a kid I wanted apple cheeks someday, and I decided to work at it until I got them, and by God, I did work at it until I got them, and that's how I did it, with crab apples in my cheeks all day long." He giggled again. "One in each cheek."
"Why did you want apple cheeks?"
"I didn't want apple cheeks," Orr said. "I wanted big cheeks. I didn't care about the color so much, but I wanted them big. I worked at it just like one of those crazy guys you read about who go around squeezing rubber balls all day long just to strengthen their hands. In fact, I was one of those crazy guys. I used to walk around all day with rubber balls in my hands, too."
"Why?"
"Why what?"
"Why did you walk around all day with rubber balls in your hands?"
"Because rubber balls--" said Orr.
"--are better than crab apples?"
Orr sniggered as he shook his head. "I did it to protect my good reputation in case anyone ever caught me walking around with crab apples in my cheeks. With rubber balls in my hands I could deny there were crab apples in my cheeks. Every time someone asked me why I was walking around with crab apples in my cheeks, I'd just open my hands and show them it was rubber balls I was walking around with, not crab apples, and that they were in my hands, not my cheeks. It was a good story. But I never knew if it got across or not, since it's pretty tough to make people understand you when you're talking to them with two crab apples in your cheeks."
Yossarian found it pretty tough to understand him then, and he wondered once again if Orr wasn't talking to him with the tip of his tongue in one of his apple cheeks.
Yossarian decided not to utter another word. It would be futile. He knew Orr, and he knew there was not a chance in hell of finding out from him then why he had wanted big cheeks. It would do no more good to ask than it had done to ask him why that whore had kept beating him over the head with her shoe that morning in Rome in the cramped vestibule outside the open door of Nately's whore's kid sister's room. She was a tall, strapping girl with long hair and incandescent blue veins converging populously beneath her cocoa-colored skin where the flesh was most tender, and she kept cursing and shrieking and jumping high up into the air on her bare feet to keep right on hitting him on the top of his head with the spiked heel of her shoe. They were both naked, and raising a rumpus that brought everyone in the apartment into the hall to watch, each couple in a bedroom doorway, all of them naked except the aproned and sweatered old woman, who clucked reprovingly, and the lecherous, dissipated old man, who cackled aloud hilariously through the whole episode with a kind of avid and superior glee. The girl shrieked and Orr giggled. Each time she landed with the heel of her shoe, Orr giggled louder, infuriating her still further so that she flew up still higher into the air for another shot at his noodle, her wondrously full breasts soaring all over the place like billowing pennants in a strong wind and her buttocks and strong thighs shim-sham-shimmying this way and that way like some horrifying bonanza. She shrieked and Orr giggled right up to the time she shrieked and knocked him cold with a good solid crack on the temple that made him stop giggling and sent him off to the hospital in a stretcher with a hole in his head that wasn't very deep and a very mild concussion that kept him out of combat only twelve days.
Nobody could find out what had happened, not even the cackling old man and clucking old woman, who were in a position to find out everything that happened in that vast and endless brothel with its multitudinous bedrooms on facing sides of the narrow hallways going off in opposite directions from the spacious sitting room with its shaded windows and single lamp. Every time she met Orr after that, she'd hoist her skirts up over her tight white elastic panties and, jeering coarsely, bulge her firm, round belly out at him, cursing him contemptuously and then roaring with husky laughter as she saw him giggle fearfully and take refuge behind Yossarian. Whatever he had done or tried to do or failed to do behind the closed door of Nately's whore's kid sister's room was still a secret. The girl wouldn't tell Nately's whore or any of the other whores or Nately or Yossarian. Orr might tell, but Yossarian had decided not to utter another word.
