第 28 页

"Oh, well. Let it go," Brett said. "It doesn't matter now."

We rode in a taxi down to the Palace Hotel, left the bags, arranged for berths on the Sud Express for the night, and went into the bar of the hotel for a cocktail. We sat on high stools at the bar while the barman shook the Martinis in a large nickelled shaker.

"It's funny what a wonderful gentility you get in the bar of a big hotel," I said.

"Barmen and jockeys are the only people who are polite any more."

"No matter how vulgar a hotel is, the bar is always nice."

"It's odd."

"Bartenders have always been fine."

"You know," Brett said, "it's quite true. He is only nineteen. Isn't it amazing?"

We touched the two glasses as they stood side by side on the bar. They were coldly beaded. Outside the curtained window was the summer heat of Madrid.

"I like an olive in a Martini," I said to the barman.

"Right you are, sir. There you are."

"Thanks."

"I should have asked, you know."

The barman went far enough up the bar so that he would not hear our conversation. Brett had sipped from the Martini as it stood, on the wood. Then she picked it up. Her hand was steady enough to lift it after that first sip.

"It's good. Isn't it a nice bar?"

"They're all nice bars."

"You know I didn't believe it at first. He was born in 1905. I was in school in Paris, then. Think of that."

"Anything you want me to think about it?"

"Don't be an ass. _Would_ you buy a lady a drink?"

"We'll have two more Martinis."

"As they were before, sir?"

"They were very good." Brett smiled at him.

"Thank you, ma'am."

"Well, bung-o," Brett said.

"Bung-o!"

"You know," Brett said, "he'd only been with two women before. He never cared about anything but bull-fighting."

"He's got plenty of time."

"I don't know. He thinks it was me. Not the show in general."

"Well, it was you."

"Yes. It was me."

"I thought you weren't going to ever talk about it."

"How can I help it?"

"You'll lose it if you talk about it."

"I just talk around it. You know I feel rather damned good, Jake."

"You should."

"You know it makes one feel rather good deciding not to be a bitch."

"Yes."

"It's sort of what we have instead of God."

"Some people have God," I said. "Quite a lot."

"He never worked very well with me."

"Should we have another Martini?"

The barman shook up two more Martinis and poured them out into fresh glasses.

"Where will we have lunch?" I asked Brett. The bar was cool. You could feel the heat outside through the window.

"Here?" asked Brett.

"It's rotten here in the hotel. Do you know a place called Botin's?" I asked the barman.

"Yes, sir. Would you like to have me write out the address?"

"Thank you."

We lunched up-stairs at Botin's. It is one of the best restaurants in the world. We had roast young suckling pig and drank _rioja alta_. Brett did not eat much. She never ate much. I ate a very big meal and drank three bottles of _rioja alta_.

"How do you feel, Jake?" Brett asked. "My God! what a meal you've eaten."

"I feel fine. Do you want a dessert?"

"Lord, no."

Brett was smoking.

"You like to eat, don't you?" she said.

"Yes," I said. "I like to do a lot of things."

"What do you like to do?"

"Oh," I said, "I like to do a lot of things. Don't you want a dessert?"

"You asked me that once," Brett said.

"Yes," I said. "So I did. Let's have another bottle of _rioja alta_."

"It's very good."

"You haven't drunk much of it," I said.

"I have. You haven't seen."

"Let's get two bottles," I said. The bottles came. I poured a little in my glass, then a glass for Brett, then filled my glass. We touched glasses.

"Bung-o!" Brett said. I drank my glass and poured out another. Brett put her hand on my arm.

"Don't get drunk, Jake," she said. "You don't have to."

"How do you know?"

"Don't," she said. "You'll be all right."

"I'm not getting drunk," I said. "I'm just drinking a little wine. I like to drink wine."

"Don't get drunk," she said. "Jake, don't get drunk."

"Want to go for a ride?" I said. "Want to ride through the town?"

"Right," Brett said. "I haven't seen Madrid. I should see Madrid."

"I'll finish this," I said.

Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via.

"Oh, Jake," Brett said, "we could have had such a damned good time together."

Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly pressing Brett against me.

"Yes," I said. "Isn't it pretty to think so?"

THE END

ABOUT THE AUTHOR

ERNEST HEMINGWAY was born in Oak Park, Illinois, in 1899, and began his writing career for The Kansas City Star in 1917. During the First World War he volunteered as an ambulance driver on the Italian front but was invalided home, having been seriously wounded while serving with the infantry. In 1921 Hemingway settled in Paris, where he became part of the expatriate circle of Gertrude Stein, F. Scott Fitzgerald, Ezra Pound, and Ford Madox Ford. His first book, Three Stories and Ten Poems, was published in Paris in 1923 and was followed by the short story selection In Our Time, which marked his American debut in 1925. With the appearance of The Sun Also Rises in 1926, Hemingway became not only the voice of the "lost generation" but the preeminent writer of his time. This was followed by Men Without Women in 1927, when Hemingway returned to the United States, and his novel of the Italian front, A Farewell to Arms (1929). In the 1930s, Hemingway settled in Key West, and later in Cuba, but he traveled widely--to Spain, Italy, and Africa--and wrote about his experiences in Death in the Afternoon (1932), his classic treatise on bullfighting, and Green Hills of Africa (1935), an account of big-game hunting in Africa. Later he reported on the Spanish Civil War, which became the background for his brilliant war novel, For Whom the Bell Tolls (1939), hunted U-boats in the Caribbean, and covered the European front during the Second World War. Hemingway's most popular work, The Old Man and the Sea, was awarded the Pulitzer Prize in 1953, and in 1954 Hemingway won the Nobel Prize in Literature "for his powerful, style-forming mastery of the art of narration." One of the most important influences on the development of the short story and novel in American fiction, Hemingway has seized the imagination of the American public like no other twentieth-century author. He died, by suicide, in Ketchum, Idaho, in 1961. His other works include The Torrents of Spring (1926), Winner Take Nothing (1933), To Have and Have No (1937), The Fifth Column and the First Forty-Nine Stories (1938), Across the River and Into the Trees (1950), and posthumously, A Moveable Feast (1964), Islands in the Stream (1970), The Dangerous Summer (1985), and The Garden of Eden (1986).

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