they were photographed like this together and in how many papers it would be
syndicated.
He saw Dominique once. She was leaving the city for the summer. Dominique was
disappointing. She congratulated him, quite correctly; but she looked at him as
she had always looked, as if nothing had happened. Of all architectural
publications, her column had been the only one that had never mentioned the
Cosmo-Slotnick competition or its winner.
"I’m going to Connecticut," she told him. "I’m taking over Father’s place down
there for the summer. He’s letting me have it all to myself. No, Peter, you
can’t come to visit me. Not even once. I’m going there so I won’t have to see
anybody." He was disappointed, but it did not spoil the triumph of his days. He
was not afraid of Dominique any longer. He felt confident that he could bring
her to change her attitude, that he would see the change when she came back in
the fall.
But there was one thing which did spoil his triumph; not often and not too
loudly. He never tired of hearing what was said about him; but he did not like
to hear too much about his building. And when he had to hear it, he did not mind
the comments on "the masterful blending of the modern with the traditional" in
its facade; but when they spoke of the plan--and they spoke so much of the
plan--when he heard about "the brilliant skill and simplicity...the clean,
ruthless efficiency...the ingenious economy of space..." when he heard it and
thought of...He did not think it. There were no words in his brain. He would not
allow them. There was only a heavy, dark feeling--and a name.
For two weeks after the award he pushed this thing out of his mind, as a thing
unworthy of his concern, to be buried as his doubting, humble past was buried.
All winter long he had kept his own sketches of the building with the pencil
lines cut across them by another’s hands; on the evening of the award he had
burned them; it was the first thing he had done.
But the thing would not leave him. Then he grasped suddenly that it was not a
vague threat, but a practical danger; and he lost all fear of it. He could deal
with a practical danger, he could dispose of it quite simply. He chuckled with
relief, he telephoned Roark’s office, and made an appointment to see him.
He went to that appointment confidently. For the first time in his life he felt
free of the strange uneasiness which he had never been able to explain or escape
in Roark’s presence. He felt safe now. He was through with Howard Roark.
#
Roark sat at the desk in his office, waiting. The telephone had rung once, that
morning, but it had been only Peter Keating asking for an appointment. He had
forgotten now that Keating was coming. He was waiting for the telephone. He had
become dependent on that telephone in the last few weeks. He was to hear at any
moment about his drawings for the Manhattan Bank Company.
His rent on the office was long since overdue. So was the rent on the room where
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he lived. He did not care about the room; he could tell the landlord to wait;
the landlord waited; it would not have mattered greatly if he had stopped
waiting. But it mattered at the office. He told the rental agent that he would
have to wait; he did not ask for the delay; he only said flatly, quietly, that
there would be a delay, which was all he knew how to do. But his knowledge that
he needed his alms from the rental agent, that too much depended on it, and made
it sound like begging in his own mind. That was torture. All right, he thought,
it’s torture. What of it?
The telephone bill was overdue for two months. He had received the final
warning. The telephone was to be disconnected in a few days. He had to wait. So
much could happen in a few days.
The answer of the bank board, which Weidler had promised him long ago, had been
postponed from week to week. The board could reach no decision; there had been
objectors and there had been violent supporters; there had been conferences;
Weidler told him eloquently little, but he could guess much; there had been days
of silence, of silence in the office, of silence in the whole city, of silence
within him. He waited.
He sat, slumped across the desk, his face on his arm, his fingers on the stand
of the telephone. He thought dimly that he should not sit like that; but he felt
very tired today. He thought that he should take his hand off that phone; but he
did not move it. Well, yes, he depended on that phone, he could smash it, but he
would still depend on it; he and every breath in him and every bit of him. His
fingers rested on the stand without moving. It was this and the mail; he had
lied to himself also about the mail; he had lied when he had forced himself not
to leap, as a rare letter fell through the slot in the door, not to run forward,
but to wait, to stand looking at me white envelope on the floor, then to walk to
it slowly and pick it up. The slot in the door and the telephone--there was
nothing else left to him of the world.
He raised his head, as he thought of it, to look down at the door, at the foot
of the door. There was nothing. It was late in the afternoon, probably past the
time of the last delivery. He raised his wrist to glance at his watch; he saw
his bare wrist; the watch had been pawned. He turned to the window; there was a
clock he could distinguish on a distant tower; it was half past four; there
would be no other delivery today.
He saw that his hand was lifting the telephone receiver. His fingers were
dialing the number.
"No, not yet," Weidler’s voice told him over the wire. "We had that meeting
scheduled for yesterday, but it had to be called off....I’m keeping after them
like a bulldog....I can promise you that we’ll have a definite answer tomorrow.
I can almost promise you. If not tomorrow, then it will have to wait over the
week end, but by Monday I promise it for certain....You’ve been wonderfully
patient with us, Mr. Roark. We appreciate it." Roark dropped the receiver. He
closed his eyes. He thought he would allow himself to rest, just to rest blankly
like this for a few minutes, before he would begin to think of what the date on
the telephone notice had been and in what way he could manage to last until
Monday.
"Hello, Howard," said Peter Keating.
He opened his eyes. Keating had entered and stood before him, smiling. He wore a
light tan spring coat, thrown open, the loops of its belt like handles at his
sides, a blue cornflower in his buttonhole. He stood, his legs apart, his fists
on his hips, his hat on the back of his head, his black curls so bright and
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crisp over his pale forehead that one expected to see drops of spring dew
glistening on them as on the cornflower.
"Hello, Peter," said Roark.
Keating sat down comfortably, took his hat off, dropped it in the middle of the
desk, and clasped one hand over each knee with a brisk little slap.
"Well, Howard, things are happening, aren’t they?"
"Congratulations."
"Thanks. What’s the matter, Howard? You look like hell. Surely, you’re not
overworking yourself, from what I hear?"
This was not the manner he had intended to assume. He had planned the interview
to be smooth and friendly. Well, he decided, he’d switch back to that later. But
first he had to show that he was not afraid of Roark, that he’d never be afraid
again.
"No, I’m not overworking."
"Look, Howard, why don’t you drop it?"
That was something he had not intended saying at all. His mouth remained open a
little, in astonishment.
"Drop what?"
"The pose. Oh, the ideals, if you prefer. Why don’t you come down to earth? Why
don’t you start working like everybody else? Why don’t you stop being a damn
fool?" He felt himself rolling down a hill, without brakes. He could not stop.
"What’s the matter, Peter?"
"How do you expect to get along in the world? You have to live with people, you
know. There are only two ways. You can join them or you can fight them. But you
don’t seem to be doing either."
"No. Not either."
"And people don’t want you. They don’t want you! Aren’t you afraid?"
"No."
"You haven’t worked for a year. And you won’t. Who’ll ever give you work? You
might have a few hundreds left--and then it’s the end."
"That’s wrong, Peter. I have fourteen dollars left, and fifty-seven cents."
"Well? And look at me! I don’t care if it’s crude to say that myself. That’s not
the point. I’m not boasting. It doesn’t matter who says it. But look at me!
Remember how we started? Then look at us now. And then think that it’s up to
you. Just drop that fool delusion that you’re better than everybody else--and go
to work. In a year, you’ll have an office that’ll make you blush to think of
this dump. You’ll have people running after you, you’ll have clients, you’ll
have friends, you’ll have an army of draftsmen to order around!...Hell! Howard,
it’s nothing to me--what can it mean to me?--but this time I’m not fishing for
anything for myself, in fact I know that you’d make a dangerous competitor, but
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I’ve got to say this to you. Just think, Howard, think of it! You’ll be rich,
you’ll be famous, you’ll be respected, you’ll be praised, you’ll be
admired--you’ll be one of us!...Well?...Say something! Why don’t you say
something?"
He saw that Roark’s eyes were not empty and scornful, but attentive and
wondering. It was close to some sort of surrender for Roark, because he had not
dropped the iron sheet in his eyes, because he allowed his eyes to be puzzled
and curious--and almost helpless.
"Look, Peter. I believe you. I know that you have nothing to gain by saying
this. I know more than that. I know that you don’t want me to succeed--it’s all
right, I’m not reproaching you, I’ve always known it--you don’t want me ever to
reach these things you’re offering me. And yet you’re pushing me on to reach
them, quite sincerely. And you know that if I take your advice, I’ll reach them.
And it’s not love for me, because that wouldn’t make you so angry--and so
frightened....Peter, what is it that disturbs you about me as I am?"
"I don’t know..." whispered Rearing.
He understood that it was a confession, that answer of his, and a terrifying
one. He did not know the nature of what he had confessed and he felt certain
that Roark did not know it either. But the thing had been bared; they could not
grasp it, but they felt its shape. And it made them sit silently, facing each
other, in astonishment, in resignation.
"Pull yourself together, Peter," said Roark gently, as to a comrade. "We’ll
never speak of that again."
Then Keating said suddenly, his voice clinging in relief to the bright vulgarity
of its new tone:
"Aw hell, Howard, I was only talking good plain horse sense. Now if you wanted
to work like a normal person--"
"Shut up!" snapped Roark.
Keating leaned back, exhausted. He had nothing else to say. He had forgotten
what he had come here to discuss.
"Now," said Roark, "what did you want to tell me about the competition?"
Keating jerked forward. He wondered what had made Roark guess that. And then it
became easier, because he forgot the rest in a sweeping surge of resentment.
"Oh, yes!" said Keating crisply, a bright edge of irritation in the sound of his
voice. "Yes, I did want to speak to you about that. Thanks for reminding me. Of
course, you’d guess it, because you know that I’m not an ungrateful swine. I
really came here to thank you, Howard. I haven’t forgotten that you had a share
in that building, you did give me some advice on it. I’d be the first one to
give you part of the credit."
"That’s not necessary."
"Oh, it’s not that I’d mind, but I’m sure you wouldn’t want me to say anything
about it. And I’m sure you don’t want to say anything yourself, because you know
how it is, people are so funny, they misinterpret everything in such a stupid
way....But since I’m getting part of the award money, I thought it’s only fair
to let you have some of it. I’m glad that it comes at a time when you need it so
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badly."
He produced his billfold, pulled from it a check he had made out in advance and
put it down on the desk. It read: "Pay to the order of Howard Roark--the sum of
five hundred dollars."
"Thank you, Peter," said Roark, taking the check.
Then he turned it over, took his fountain pen, wrote on the back: "Pay to the
order of Peter Keating," signed and handed the check to Keating.
"And here’s my bribe to you, Peter," he said. "For the same purpose. To keep
your mouth shut."
Keating stared at him blankly.
"That’s all I can offer you now," said Roark. "You can’t extort anything from me
at present, but later, when I’ll have money, I’d like to ask you please not to
blackmail me. I’m telling you frankly that you could. Because I don’t want
anyone to know that I had anything to do with that building."
He laughed at the slow look of comprehension on Keating’s face.
"No?" said Roark. "You don’t want to blackmail me on that?...Go home, Peter.
You’re perfectly safe. I’ll never say a word about it. It’s yours, the building
and every girder of it and every foot of plumbing and every picture of your face
in the papers."
Then Keating jumped to his feet. He was shaking.
"God damn you!" he screamed. "God damn you! Who do you think you are? Who told
you that you could do this to people? So you’re too good for that building? You
want to make me ashamed of it? You rotten, lousy, conceited bastard! Who are
you? You don’t even have the wits to know that you’re a flop, an incompetent, a
beggar, a failure, a failure, a failure! And you stand there pronouncing