After a while Mr. World said, “Is there anything else I can do for you?”
A pause. The boy swallowed and nodded. “Something else,” he said. “Yes.”
“Would you feel more comfortable discussing it in private?”
The boy nodded again.
Mr. World walked with the kid back to his operations center: a damp cave containing a diorama of drunken pixies making moonshine with a still. A sign outside warned tourists away during renovations. The two men sat down on plastic chairs.
“How can I help you?” asked Mr. World.
“Yes. Okay. Right, two things, Okay. One. What are we waiting for? And two. Two is harder. Look. We have the guns. Right. We have the firepower. They have. They have fucking swords and knives and fucking hammers and stone axes. And like, tire irons. We have fucking smart bombs.”
“Which we will not be using,” pointed out the other man.
“I know that. You said that already. I know that. And that’s doable. But. Look, ever since I did the job on that bitch in L.A., I’ve been ...” He stopped, made a face, seemed unwilling to go on.
“You’ve been troubled?”
“Yes. Good word. Troubled. Yes. Like a home for troubled teens. Funny. Yes.”
“And what exactly is troubling you?”
“Well, we fight, we win.”
“And that is a source of trouble? I find it a matter of triumph and delight, myself.”
“But. They’ll die out anyway. They are passenger pigeons and thylacines. Yes? Who cares? This way, it’s going to be a bloodbath.”
“Ah.” Mr. World nodded.
He was following. That was good. The fat kid said, “Look, I’m not the only one who feels this way. I’ve checked with the crew at Radio Modern, and they’re all for settling this peacefully; and the intangibles are pretty much in favor of letting market forces take care of it. I’m being. You know. The voice of reason here.”
“You are indeed. Unfortunately, there is information you do not have.” The smile that followed was twisted and scarred.
The boy blinked. He said, “Mister World? What happened to your lips?”
World sighed. “The truth of the matter,” he said, “is that somebody once sewed them together. A long time ago.”
“Whoa,” said the fat kid. “Serious omertb. shit.”
“Yes. You want to know what we’re waiting for? Why we didn’t strike last night?”
The fat kid nodded. He was sweating, but it was a cold sweat.
“We didn’t strike yet, because I’m waiting for a stick.”
“A stick?”
“That’s right. A stick. And do you know what I’m going to do with the stick?”
A head shake. “Okay. I’ll bite. What?”
“I could tell you,” said Mr. World, soberly. “But then I’d have to kill you.” He winked, and the tension in the room evaporated.
The fat kid began to giggle, a low, snuffling laugh in the back of his throat and in his nose. “Okay,” he said. “Hee. Hee. Okay. Hee. Got it. Message received on Planet Technical. Loud and clear. Ixnay on the Estionsquay.”
Mr. World shook his head. He rested a hand on the fat kid’s shoulder. “Hey,” he said. “You really want to know?”
“Sure.”
“Well,” said Mr. World, “seeing that we’re friends, here’s the answer: I’m going to take the stick, and I’m going to throw it over the armies as they come together. As I throw it, it will become a spear. And then, as the spear arcs over the battle, I’m going to shout ‘I dedicate this battle to Odin.’ “
“Huh?” said the fat kid. “Why?”
“Power,” said Mr. World. He scratched his chin. “And food. A combination of the two. You see, the outcome of the battle is unimportant. What matters is the chaos, and the slaughter.”
“I don’t get it.” ‘
“Let me show you. It’ll be just like this,” said Mr. World. “Watch!” He took the wooden-bladed hunter’s knife from the pocket of his Burberry and, in one fluid movement, he slipped the blade of it into the soft flesh beneath the fat kid’s chin, and pushed hard upward, toward the brain. “I dedicate this death to Odin,” he said, as the knife sank in.
There was a leakage onto his hand of something that was not actually blood, and a sputtering sparking noise behind the fat kid’s eyes. The smell on the air was that of burning insulation wire.
The fat kid’s hand twitched spastically, and then he fell. The expression on his face was one of puzzlement and misery. “Look at him,” said Mr. World, conversationally, to the air. “He looks as if he just saw a sequence of zeroes and ones turn into a flock of brightly colored birds and fly away.”
There was no reply from the empty rock corridor.
Mr. World shouldered the body as if it weighed very little, and he opened the pixie diorama and dropped the body beside the still, covering it with its long black raincoat. He would dispose of it that evening, he decided, and he grinned his scarred grin: hiding a body on a battlefield would almost be too easy. Nobody would ever notice. Nobody would care.
For a little while there was silence in that place. And then a gruff voice, which was not Mr. World’s, cleared its throat in the shadows, and said, “Good start.”
Chapter Eighteen
They tried to stand off the soldiers, but the men fired and killed them both. So the song’s wrong about the jail, but that’s put in for poetry. You can’t always have things like they are in poetry. Poetry ain’t what you’d call truth. There ain‘t room enough in the verses.
—a singer’s commentary on “The Ballad of Sam Bass,” in A Treasury of American Folklore.
None of this can actually be happening. If it makes you more comfortable, you could simply think of it as metaphor. Religions are, by definition, metaphors, after all: God is a dream, a hope, a woman, an ironist, a father, a city, a house of many rooms, a watchmaker who left his prize chronometer in the desert, someone who loves you—even, perhaps, against all evidence, a celestial being whose only interest is to make sure your football team, army, business, or marriage thrives, prospers, and triumphs over all opposition.
Religions are places to stand and look and act, vantage points from which to view the world.
So none of this is happening. Such things could not occur. Never a word of it is literally true. Even so, the next thing that happened, happened like this:
At the foot of Lookout Mountain men and women were gathered around a small bonfire in the rain. They were standing beneath the trees, which provided poor cover, and they were arguing.
The lady Kali, with her ink-black skin and her white, sharp teeth, said, “It is time.”
Anansi, with lemon-yellow gloves and silvering hair, shook his head. “We can wait,” he said. “While we can wait, we should wait.”
There was a murmur of disagreement from the crowd.
“No, listen. He’s right,” said an old man with iron-gray hair: Czernobog. He was holding a small sledgehammer, resting the head of it on his shoulder. “They have the high ground. The weather is against us. This is madness, to begin this now.”
Something that looked a little like a wolf and a little more like a man grunted and spat on the forest floor. “When better to attack them, dedushka? Shall we wait until the weather clears, when they expect it? I say we go now, I say we move.”
“There are clouds between us and them,” pointed out Is-ten of the Hungarians. He had a fine black mustache, a large, dusty black hat, and the grin of a man who makes his living selling aluminum siding and new roofs and gutters to senior citizens but who always leaves town the ‘day after the checks clear whether the work is done or not.”
A man in an elegant suit, who had until now said nothing, put his hands together, stepped into the firelight, and made his point succinctly and clearly. There were nods and mutters of agreement.
A voice came from one of three warrior-women who comprised the Morrigan, standing so close together in the shadows that they had become an arrangement of blue-tattooed limbs and dangling crow’s wings. She said, “It doesn’t matter whether this is a good time or a bad time. This is the time. They have been killing us. Better to die together, on the attack, like gods, than to die fleeing and singly, like rats in a cellar.”
Another murmur, this time one of deep agreement. She had said it for all of them. Now was the time.
“The first head is mine,” said a very tall Chinese man, with a rope of tiny skulls around his neck. He began to walk, slowly and intently, up the mountain, shouldering a staff with a curved blade at the end of it, like a silver moon.
Even Nothing cannot last forever.
He might have been there, been Nowhere, for ten minutes or for ten thousand years. It made no difference: time was an idea for which he no longer had any need.
He could no longer remember his real name. He felt empty and cleansed, in that place that was not a place.
He was without form, and void.
He was nothing.
And into that nothing a voice said, “Ho-hoka, cousin. We got to talk.”
And something that might once have been Shadow said, “Whiskey Jack?’
“Yeah,” said Whiskey Jack, in the darkness. “You are a hard man to hunt down, when you’re dead. You didn’t go to any of the places I figured. I had to look all over before I thought of checking here. Say, you ever find your tribe?”
Shadow remembered the man and the girl in the disco beneath the spinning mirror-ball. “I guess I found my family. But no, I never found my tribe.”
“Sorry to have to disturb you.”
“Let me be. I got what I wanted. I’m done.”
“They are coming for you,” said Whiskey Jack. “They are going to revive you.”
“But I’m done,” said Shadow. “It was all over and done.”
“No such thing,” said Whiskey Jack. “Never any such thing. We’ll go to my place. You want a beer?”
He guessed he would like a beer, at that. “Sure.”
“Get me one too. There’s a cooler outside the door,” said Whiskey Jack, and he pointed. They were in his shack.
Shadow opened the door to the shack with hands he had not possessed moments before. There was a plastic cooler filled with chunks of river ice out there, and, in the ice, a dozen cans of Budweiser. He pulled out a couple of cans of beer and then sat in the doorway and looked out over the valley.
They were at the top of a hill, near a waterfall, swollen with melting snow and runoff. It fell in stages, maybe seventy feet below them, maybe a hundred. The sun reflected from the ice that sheathed the trees that overhung the waterfall basin.
“Where are we?” asked Shadow.
“Where you were last time,” said Whiskey Jack. “My place. You planning on holding on to my Bud till it warms up?”
Shadow stood up and passed him the can of beer. “You didn’t have a waterfall outside your place last time I was here,” he said.
Whiskey Jack said nothing. He popped the top of the Bud, and drank half the can in one long slow swallow. Then he said, “You remember my nephew? Henry Blue-jay? The poet? He traded his Buick for your Winnebago. Remember?”
“Sure. I didn’t know he was a poet.”
Whiskey Jack raised his chin and looked proud. “Best damn poet in America,” he said.
He drained the rest of his can of beer, belched, and got another can, while Shadow popped open his own can of beer, and the two men sat outside on a rock, by the pale green ferns, in the morning sun, and they watched the falling water and they drank their beer. There was still snow on the ground, in the places where the shadows never lifted.
The earth was muddy and wet.
“Henry was diabetic,” continued Whiskey Jack. “It happens. Too much. You people came to America, you take our sugar cane, potatoes, and corn, then you sell us potato chips and caramel popcorn, and we’re the ones who get sick.” He sipped his beer, reflecting. “He’d won a couple of prizes for his poetry. There were people in Minnesota who wanted to
‘ put his poems into a book. He was driving to Minnesota in a sports car to talk to them. He had traded your ‘Bago for a yellow Miata. The doctors said they think he went into a coma while he was driving, went off the road, ran the car into one of your road signs. Too lazy to look at where you are, to read the mountains and the clouds, you people need road signs everywhere. And so Henry Bluejay went away forever, went to live with brother Wolf. So I said, nothing keeping me there any longer. I came north. Good fishing up here.”
“I’m sorry about your nephew.”
“Me too. So now I’m living here in the north. Long way from white man’s diseases. White man’s roads. White man’s road signs. White man’s yellow Miatas. White man’s caramel popcorn.”
“White man’s beer?”
Whiskey Jack looked at the can. “When you people finally give up and go home, you can leave us the Budweiser breweries,” he said.
“Where are we’?” asked Shadow. “Am I on the tree? Am I dead? Am I here? I thought everything was finished. What’s real?”
“Yes,” said Whiskey Jack.
“ ‘Yes’? What kind of an answer is ‘Yes’?”
“It’s a good answer. True answer, too.”
Shadow said, “Are you a god as well?”
Whiskey Jack shook his head. “I’m a culture hero,” he said. “We do the same shit gods do, we just screw up more and nobody worships us. They tell stories about us, but they tell the ones that make us look bad along with the ones where we came out fairly okay.”
“I see,” said Shadow. And he did see, more or less.
“Look,” said Whiskey Jack. “This is not a good country for gods. My people figured that out early on. There are creator spirits who found the earth or made it or shit it out, but you think about it: who’s going to worship Coyote? He made love to Porcupine Woman and got his dick shot through with more needles than a pincushion. He’d argue with rocks and the rocks would win.
“So, yeah, my people figured that maybe there’s something at the back of it all, a creator, a great spirit, and so we say thank you to it, because it’s always good to say thank you. But we never built churches. We didn’t need to. The land was the church. The land was the religion. The land was older and wiser than the people who walked on it. It gave us salmon and corn and buffalo and passenger pigeons. It gave us wild rice and walleye. It gave us melon and squash and turkey. And we were the children of the land, just like the porcupine and the skunk and the blue jay.”
He finished his second beer and gestured toward the river at the bottom of the waterfall. “You follow that river for a way, you’ll get to the lakes where the wild rice grows. In wild rice time, you go out in your canoe with a friend, and you knock the wild rice into your canoe, and cook it, and store it, and it will keep you for a long time. Different places grow different foods. Go far enough south there are orange trees, lemon trees, and those squashy green guys, look like pears—”
“Avocados.”
“Avocados,” agreed Whiskey Jack. “That’s them. They don’t grow up this way. This is wild rice country. Moose country. What I’m trying to say is that America is like that. It’s not good growing country for gods. They don’t grow well here. They’re like avocados trying to grow in wild rice country.”
“They may not grow well,” said Shadow, remembering, “but they’re going to war.”
