饭饭TXT > 海外名作 > 《夜与日(英文版)》作者:[英]弗吉尼亚·伍尔芙【完结】 > 书香门第◇[夜与日].(Night.and.Day).(英)弗吉尼亚·伍尔芙.文字版.txt

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作者:英-弗吉尼亚·伍尔芙 当前章节:15396 字 更新时间:2026-6-15 22:18

level, so toneless, so devoid of joy or energy. At any rate

William made no answer. She waited stoically. A moment

later he stepped briskly from his dressing-room, and observed

that if she wanted to buy more oysters he thought

he knew where they could find a fishmonger’s shop still

open. She breathed deeply a sigh of relief.

Extract from a letter sent a few days later by Mrs. Hilbery

to her sister-in-law, Mrs. Milvain:

“ … How stupid of me to forget the name in my telegram.

Such a nice, rich, English name, too, and, in addition,

he has all the graces of intellect; he has read literally

everything. I tell Katharine, I shall always put him on

my right side at dinner, so as to have him by me when

people begin talking about characters in Shakespeare.

They won’t be rich, but they’ll be very, very happy. I was

sitting in my room late one night, feeling that nothing

nice would ever happen to me again, when I heard

Katharine outside in the passage, and I thought to my

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self, ‘Shall I call her in?’ and then I thought (in that

hopeless, dreary way one does think, with the fire going

out and one’s birthday just over), ‘Why should I lay my

troubles on her?’ But my little self-control had its reward,

for next moment she tapped at the door and came in, and

sat on the rug, and though we neither of us said anything,

I felt so happy all of a second that I couldn’t help

crying, ‘Oh, Katharine, when you come to my age, how I

hope you’ll have a daughter, too!’ You know how silent

Katharine is. She was so silent, for such a long time, that

in my foolish, nervous state I dreaded something, I don’t

quite know what. And then she told me how, after all,

she had made up her mind. She had written. She expected

him to-morrow. At first I wasn’t glad at all. I didn’t

want her to marry any one; but when she said, ‘It will

make no difference. I shall always care for you and father

most,’ then I saw how selfish I was, and I told her she

must give him everything, everything, everything! I told

her I should be thankful to come second. But why, when

everything’s turned out just as one always hoped it would

turn out, why then can one do nothing but cry, nothing

but feel a desolate old woman whose life’s been a failure,

and now is nearly over, and age is so cruel? But Katharine

said to me, ‘I am happy. I’m very happy.’ And then I

thought, though it all seemed so desperately dismal at

the time, Katharine had said she was happy, and I should

have a son, and it would all turn out so much more wonderfully

than I could possibly imagine, for though the

sermons don’t say so, I do believe the world is meant for

us to be happy in. She told me that they would live quite

near us, and see us every day; and she would go on with

the Life, and we should finish it as we had meant to.

And, after all, it would be far more horrid if she didn’t

marry—or suppose she married some one we couldn’t

endure? Suppose she had fallen in love with some one

who was married already?

“And though one never thinks any one good enough for

the people one’s fond of, he has the kindest, truest instincts,

I’m sure, and though he seems nervous and his

manner is not commanding, I only think these things

because it’s Katharine. And now I’ve written this, it comes

over me that, of course, all the time, Katharine has what

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Night and Day

he hasn’t. She does command, she isn’t nervous; it comes

naturally to her to rule and control. It’s time that she

should give all this to some one who will need her when

we aren’t there, save in our spirits, for whatever people

say, I’m sure I shall come back to this wonderful world

where one’s been so happy and so miserable, where, even

now, I seem to see myself stretching out my hands for

another present from the great Fairy Tree whose boughs

are still hung with enchanting toys, though they are rarer

now, perhaps, and between the branches one sees no

longer the blue sky, but the stars and the tops of the

mountains.

“One doesn’t know any more, does one? One hasn’t any

advice to give one’s children. One can only hope that

they will have the same vision and the same power to

believe, without which life would be so meaningless. That

is what I ask for Katharine and her husband.”

CHAPTER XII

Is Mr. Hilbery at home, or Mrs. Hilbery?” Denham asked,

of the parlor-maid in Chelsea, a week later.

“No, sir. But Miss Hilbery is at home,” the girl answered.

Ralph had anticipated many answers, but not this one,

and now it was unexpectedly made plain to him that it

was the chance of seeing Katharine that had brought him

all the way to Chelsea on pretence of seeing her father.

He made some show of considering the matter, and was

taken upstairs to the drawing-room. As upon that first

occasion, some weeks ago, the door closed as if it were a

thousand doors softly excluding the world; and once more

Ralph received an impression of a room full of deep shadows,

firelight, unwavering silver candle flames, and empty

spaces to be crossed before reaching the round table in

the middle of the room, with its frail burden of silver

trays and china teacups. But this time Katharine was there

by herself; the volume in her hand showed that she expected

no visitors.

Ralph said something about hoping to find her father.

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Virginia Woolf

“My father is out,” she replied. “But if you can wait, I

expect him soon.”

It might have been due merely to politeness, but Ralph

felt that she received him almost with cordiality. Perhaps

she was bored by drinking tea and reading a book all

alone; at any rate, she tossed the book on to a sofa with

a gesture of relief.

“Is that one of the moderns whom you despise?” he

asked, smiling at the carelessness of her gesture.

“Yes,” she replied. “I think even you would despise him.”

“Even I?” he repeated. “Why even I?”

“You said you liked modern things; I said I hated them.”

This was not a very accurate report of their conversation

among the relics, perhaps, but Ralph was flattered

to think that she remembered anything about it.

“Or did I confess that I hated all books?” she went on,

seeing him look up with an air of inquiry. “I forget—”

“Do you hate all books?” he asked.

“It would be absurd to say that I hate all books when

I’ve only read ten, perhaps; but—’ Here she pulled herself

up short.

“Well?”

“Yes, I do hate books,” she continued. “Why do you

want to be for ever talking about your feelings? That’s

what I can’t make out. And poetry’s all about feelings—

novels are all about feelings.”

She cut a cake vigorously into slices, and providing a

tray with bread and butter for Mrs. Hilbery, who was in

her room with a cold, she rose to go upstairs.

Ralph held the door open for her, and then stood with

clasped hands in the middle of the room. His eyes were

bright, and, indeed, he scarcely knew whether they beheld

dreams or realities. All down the street and on the

doorstep, and while he mounted the stairs, his dream of

Katharine possessed him; on the threshold of the room

he had dismissed it, in order to prevent too painful a

collision between what he dreamt of her and what she

was. And in five minutes she had filled the shell of the

old dream with the flesh of life; looked with fire out of

phantom eyes. He glanced about him with bewilderment

at finding himself among her chairs and tables; they were

solid, for he grasped the back of the chair in which

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Night and Day

Katharine had sat; and yet they were unreal; the atmosphere

was that of a dream. He summoned all the faculties

of his spirit to seize what the minutes had to give

him; and from the depths of his mind there rose unchecked

a joyful recognition of the truth that human nature surpasses,

in its beauty, all that our wildest dreams bring us

hints of.

Katharine came into the room a moment later. He stood

watching her come towards him, and thought her more

beautiful and strange than his dream of her; for the real

Katharine could speak the words which seemed to crowd

behind the forehead and in the depths of the eyes, and

the commonest sentence would be flashed on by this

immortal light. And she overflowed the edges of the dream;

he remarked that her softness was like that of some vast

snowy owl; she wore a ruby on her finger.

“My mother wants me to tell you,” she said, “that she

hopes you have begun your poem. She says every one

ought to write poetry… . All my relations write poetry,”

she went on. “I can’t bear to think of it sometimes—

because, of course, it’s none of it any good. But then one

needn’t read it—”

“You don’t encourage me to write a poem,” said Ralph.

“But you’re not a poet, too, are you?” she inquired,

turning upon him with a laugh.

“Should I tell you if I were?”

“Yes. Because I think you speak the truth,” she said,

searching him for proof of this apparently, with eyes now

almost impersonally direct. It would be easy, Ralph

thought, to worship one so far removed, and yet of so

straight a nature; easy to submit recklessly to her, without

thought of future pain.

“Are you a poet?” she demanded. He felt that her question

had an unexplained weight of meaning behind it, as

if she sought an answer to a question that she did not

ask.

“No. I haven’t written any poetry for years,” he replied.

“But all the same, I don’t agree with you. I think it’s the

only thing worth doing.”

“Why do you say that?” she asked, almost with impatience,

tapping her spoon two or three times against the

side of her cup.

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Virginia Woolf

“Why?” Ralph laid hands on the first words that came

to mind. “Because, I suppose, it keeps an ideal alive which

might die otherwise.”

A curious change came over her face, as if the flame of

her mind were subdued; and she looked at him ironically

and with the expression which he had called sad before,

for want of a better name for it.

“I don’t know that there’s much sense in having ideals,”

she said.

“But you have them,” he replied energetically. “Why do we

call them ideals? It’s a stupid word. Dreams, I mean—”

She followed his words with parted lips, as though to

answer eagerly when he had done; but as he said, “Dreams,

I mean,” the door of the drawing-room swung open, and

so remained for a perceptible instant. They both held

themselves silent, her lips still parted.

Far off, they heard the rustle of skirts. Then the owner

of the skirts appeared in the doorway, which she almost

filled, nearly concealing the figure of a very much smaller

lady who accompanied her.

“My aunts!” Katharine murmured, under her breath. Her

tone had a hint of tragedy in it, but no less, Ralph thought,

than the situation required. She addressed the larger lady

as Aunt Millicent; the smaller was Aunt Celia, Mrs. Milvain,

who had lately undertaken the task of marrying Cyril to

his wife. Both ladies, but Mrs. Cosham (Aunt Millicent) in

particular, had that look of heightened, smoothed,

incarnadined existence which is proper to elderly ladies

paying calls in London about five o’clock in the afternoon.

Portraits by Romney, seen through glass, have something

of their pink, mellow look, their blooming softness,

as of apricots hanging upon a red wall in the afternoon

sun. Mrs. Cosham was so appareled with hanging muffs,

chains, and swinging draperies that it was impossible to

detect the shape of a human being in the mass of brown

and black which filled the arm-chair. Mrs. Milvain was a

much slighter figure; but the same doubt as to the precise

lines of her contour filled Ralph, as he regarded them,

with dismal foreboding. What remark of his would ever

reach these fabulous and fantastic characters?—for there

was something fantastically unreal in the curious swayings

and noddings of Mrs. Cosham, as if her equipment in

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Night and Day

cluded a large wire spring. Her voice had a high-pitched,

cooing note, which prolonged words and cut them short

until the English language seemed no longer fit for common

purposes. In a moment of nervousness, so Ralph

thought, Katharine had turned on innumerable electric

lights. But Mrs. Cosham had gained impetus (perhaps her

swaying movements had that end in view) for sustained

speech; and she now addressed Ralph deliberately and

elaborately.

“I come from Woking, Mr. Popham. You may well ask

me, why Woking? and to that I answer, for perhaps the

hundredth time, because of the sunsets. We went there

for the sunsets, but that was five-and-twenty years ago.

Where are the sunsets now? Alas! There is no sunset now

nearer than the South Coast.” Her rich and romantic notes

were accompanied by a wave of a long white hand, which,

when waved, gave off a flash of diamonds, rubies, and

emeralds. Ralph wondered whether she more resembled

an elephant, with a jeweled head-dress, or a superb cockatoo,

balanced insecurely upon its perch, and pecking capriciously

at a lump of sugar.

“Where are the sunsets now?” she repeated. “Do you

find sunsets now, Mr. Popham?”

“I live at Highgate,” he replied.

“At Highgate? Yes, Highgate has its charms; your Uncle

John lived at Highgate,” she jerked in the direction of

Katharine. She sank her head upon her breast, as if for a

moment’s meditation, which past, she looked up and observed:

“I dare say there are very pretty lanes in Highgate.

I can recollect walking with your mother, Katharine,

through lanes blossoming with wild hawthorn. But where

is the hawthorn now? You remember that exquisite description

in De Quincey, Mr. Popham?—but I forget, you,

in your generation, with all your activity and enlightenment,

at which I can only marvel”—here she displayed

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