饭饭TXT > 海外名作 > 《夜与日(英文版)》作者:[英]弗吉尼亚·伍尔芙【完结】 > 书香门第◇[夜与日].(Night.and.Day).(英)弗吉尼亚·伍尔芙.文字版.txt

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作者:英-弗吉尼亚·伍尔芙 当前章节:15362 字 更新时间:2026-6-15 22:18

the fifth chapter of her grandfather’s biography. Beginning

with a perfectly frivolous jest, Mrs. Hilbery had

evolved a theory that Anne Hathaway had a way, among

other things, of writing Shakespeare’s sonnets; the idea,

struck out to enliven a party of professors, who forwarded

a number of privately printed manuals within the next

few days for her instruction, had submerged her in a flood

of Elizabethan literature; she had come half to believe in

her joke, which was, she said, at least as good as other

people’s facts, and all her fancy for the time being centered

upon Stratford-on-Avon. She had a plan, she told

Katharine, when, rather later than usual, Katharine came

into the room the morning after her walk by the river, for

visiting Shakespeare’s tomb. Any fact about the poet had

become, for the moment, of far greater interest to her

than the immediate present, and the certainty that there

was existing in England a spot of ground where

Shakespeare had undoubtedly stood, where his very bones

lay directly beneath one’s feet, was so absorbing to her

on this particular occasion that she greeted her daughter

with the exclamation:

“D’you think he ever passed this house?”

The question, for the moment, seemed to Katharine to

have reference to Ralph Denham.

“On his way to Blackfriars, I mean,” Mrs. Hilbery continued,

“for you know the latest discovery is that he owned

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a house there.”

Katharine still looked about her in perplexity, and Mrs.

Hilbery added:

“Which is a proof that he wasn’t as poor as they’ve

sometimes said. I should like to think that he had enough,

though I don’t in the least want him to be rich.”

Then, perceiving her daughter’s expression of perplexity,

Mrs. Hilbery burst out laughing.

“My dear, I’m not talking about YOUR William, though

that’s another reason for liking him. I’m talking, I’m thinking,

I’m dreaming of MY William—William Shakespeare,

of course. Isn’t it odd,” she mused, standing at the window

and tapping gently upon the pane, “that for all one

can see, that dear old thing in the blue bonnet, crossing

the road with her basket on her arm, has never heard

that there was such a person? Yet it all goes on: lawyers

hurrying to their work, cabmen squabbling for their fares,

little boys rolling their hoops, little girls throwing bread

to the gulls, as if there weren’t a Shakespeare in the

world. I should like to stand at that crossing all day long

and say: ‘People, read Shakespeare!’”

Katharine sat down at her table and opened a long

dusty envelope. As Shelley was mentioned in the course

of the letter as if he were alive, it had, of course, considerable

value. Her immediate task was to decide whether

the whole letter should be printed, or only the paragraph

which mentioned Shelley’s name, and she reached out for

a pen and held it in readiness to do justice upon the

sheet. Her pen, however, remained in the air. Almost surreptitiously

she slipped a clean sheet in front of her, and

her hand, descending, began drawing square boxes halved

and quartered by straight lines, and then circles which

underwent the same process of dissection.

“Katharine! I’ve hit upon a brilliant idea!” Mrs. Hilbery

exclaimed—”to lay out, say, a hundred pounds or so on

copies of Shakespeare, and give them to working men.

Some of your clever friends who get up meetings might

help us, Katharine. And that might lead to a playhouse,

where we could all take parts. You’d be Rosalind—but

you’ve a dash of the old nurse in you. Your father’s Hamlet,

come to years of discretion; and I’m—well, I’m a bit

of them all; I’m quite a large bit of the fool, but the fools

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Night and Day

in Shakespeare say all the clever things. Now who shall

William be? A hero? Hotspur? Henry the Fifth? No, William’s

got a touch of Hamlet in him, too. I can fancy that William

talks to himself when he’s alone. Ah, Katharine, you

must say very beautiful things when you’re together!”

she added wistfully, with a glance at her daughter, who

had told her nothing about the dinner the night before.

“Oh, we talk a lot of nonsense,” said Katharine, hiding

her slip of paper as her mother stood by her, and spreading

the old letter about Shelley in front of her.

“It won’t seem to you nonsense in ten years’ time,”

said Mrs. Hilbery. “Believe me, Katharine, you’ll look back

on these days afterwards; you’ll remember all the silly

things you’ve said; and you’ll find that your life has been

built on them. The best of life is built on what we say

when we’re in love. It isn’t nonsense, Katharine,” she

urged, “it’s the truth, it’s the only truth.”

Katharine was on the point of interrupting her mother,

and then she was on the point of confiding in her. They

came strangely close together sometimes. But, while she

hesitated and sought for words not too direct, her mother

had recourse to Shakespeare, and turned page after page,

set upon finding some quotation which said all this about

love far, far better than she could. Accordingly, Katharine

did nothing but scrub one of her circles an intense black

with her pencil, in the midst of which process the telephone-

bell rang, and she left the room to answer it.

When she returned, Mrs. Hilbery had found not the passage

she wanted, but another of exquisite beauty as she

justly observed, looking up for a second to ask Katharine

who that was?

“Mary Datchet,” Katharine replied briefly.

“Ah—I half wish I’d called you Mary, but it wouldn’t

have gone with Hilbery, and it wouldn’t have gone with

Rodney. Now this isn’t the passage I wanted. (I never can

find what I want.) But it’s spring; it’s the daffodils; it’s

the green fields; it’s the birds.”

She was cut short in her quotation by another imperative

telephone-bell. Once more Katharine left the room.

“My dear child, how odious the triumphs of science are!”

Mrs. Hilbery exclaimed on her return. “They’ll be linking

us with the moon next—but who was that?”

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Virginia Woolf

“William,” Katharine replied yet more briefly.

“I’ll forgive William anything, for I’m certain that there

aren’t any Williams in the moon. I hope he’s coming to

luncheon?”

“He’s coming to tea.”

“Well, that’s better than nothing, and I promise to leave

you alone.”

“There’s no need for you to do that,” said Katharine.

She swept her hand over the faded sheet, and drew

herself up squarely to the table as if she refused to waste

time any longer. The gesture was not lost upon her mother.

It hinted at the existence of something stern and unapproachable

in her daughter’s character, which struck chill

upon her, as the sight of poverty, or drunkenness, or the

logic with which Mr. Hilbery sometimes thought good to

demolish her certainty of an approaching millennium

struck chill upon her. She went back to her own table,

and putting on her spectacles with a curious expression

of quiet humility, addressed herself for the first time that

morning to the task before her. The shock with an unsympathetic

world had a sobering effect on her. For once,

her industry surpassed her daughter’s. Katharine could

not reduce the world to that particular perspective in

which Harriet Martineau, for instance, was a figure of

solid importance, and possessed of a genuine relationship

to this figure or to that date. Singularly enough, the

sharp call of the telephone-bell still echoed in her ear,

and her body and mind were in a state of tension, as if,

at any moment, she might hear another summons of

greater interest to her than the whole of the nineteenth

century. She did not clearly realize what this call was to

be; but when the ears have got into the habit of listening,

they go on listening involuntarily, and thus Katharine

spent the greater part of the morning in listening to a

variety of sounds in the back streets of Chelsea. For the

first time in her life, probably, she wished that Mrs. Hilbery

would not keep so closely to her work. A quotation from

Shakespeare would not have come amiss. Now and again

she heard a sigh from her mother’s table, but that was

the only proof she gave of her existence, and Katharine

did not think of connecting it with the square aspect of

her own position at the table, or, perhaps, she would

267

Night and Day

have thrown her pen down and told her mother the reason

of her restlessness. The only writing she managed to accomplish

in the course of the morning was one letter, addressed

to her cousin, Cassandra Otway—a rambling letter,

long, affectionate, playful and commanding all at once.

She bade Cassandra put her creatures in the charge of a

groom, and come to them for a week or so. They would go

and hear some music together. Cassandra’s dislike of rational

society, she said, was an affectation fast hardening

into a prejudice, which would, in the long run, isolate her

from all interesting people and pursuits. She was finishing

the sheet when the sound she was anticipating all the

time actually struck upon her ears. She jumped up hastily,

and slammed the door with a sharpness which made Mrs.

Hilbery start. Where was Katharine off to? In her preoccupied

state she had not heard the bell.

The alcove on the stairs, in which the telephone was

placed, was screened for privacy by a curtain of purple

velvet. It was a pocket for superfluous possessions, such

as exist in most houses which harbor the wreckage of

three generations. Prints of great-uncles, famed for their

prowess in the East, hung above Chinese teapots, whose

sides were riveted by little gold stitches, and the precious

teapots, again, stood upon bookcases containing

the complete works of William Cowper and Sir Walter Scott.

The thread of sound, issuing from the telephone, was

always colored by the surroundings which received it, so

it seemed to Katharine. Whose voice was now going to

combine with them, or to strike a discord?

“Whose voice?” she asked herself, hearing a man inquire,

with great determination, for her number. The unfamiliar

voice now asked for Miss Hilbery. Out of all the welter of

voices which crowd round the far end of the telephone,

out of the enormous range of possibilities, whose voice,

what possibility, was this? A pause gave her time to ask

herself this question. It was solved next moment.

“I’ve looked out the train… . Early on Saturday afternoon

would suit me best… . I’m Ralph Denham… . But

I’ll write it down… .”

With more than the usual sense of being impinged upon

the point of a bayonet, Katharine replied:

“I think I could come. I’ll look at my engagements… .

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Virginia Woolf

Hold on.”

She dropped the machine, and looked fixedly at the

print of the great-uncle who had not ceased to gaze,

with an air of amiable authority, into a world which, as

yet, beheld no symptoms of the Indian Mutiny. And yet,

gently swinging against the wall, within the black tube,

was a voice which recked nothing of Uncle James, of China

teapots, or of red velvet curtains. She watched the oscillation

of the tube, and at the same moment became conscious

of the individuality of the house in which she stood;

she heard the soft domestic sounds of regular existence

upon staircases and floors above her head, and movements

through the wall in the house next door. She had

no very clear vision of Denham himself, when she lifted

the telephone to her lips and replied that she thought

Saturday would suit her. She hoped that he would not say

good-bye at once, although she felt no particular anxiety

to attend to what he was saying, and began, even while

he spoke, to think of her own upper room, with its books,

its papers pressed between the leaves of dictionaries,

and the table that could be cleared for work. She re

placed the instrument, thoughtfully; her restlessness was

assuaged; she finished her letter to Cassandra without

difficulty, addressed the envelope, and fixed the stamp

with her usual quick decision.

A bunch of anemones caught Mrs. Hilbery’s eye when

they had finished luncheon. The blue and purple and white

of the bowl, standing in a pool of variegated light on a

polished Chippendale table in the drawing-room window,

made her stop dead with an exclamation of pleasure.

“Who is lying ill in bed, Katharine?” she demanded.

“Which of our friends wants cheering up? Who feels that

they’ve been forgotten and passed over, and that nobody

wants them? Whose water rates are overdue, and the cook

leaving in a temper without waiting for her wages? There

was somebody I know—” she concluded, but for the moment

the name of this desirable acquaintance escaped

her. The best representative of the forlorn company whose

day would be brightened by a bunch of anemones was, in

Katharine’s opinion, the widow of a general living in the

Cromwell Road. In default of the actually destitute and

starving, whom she would much have preferred, Mrs.

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Night and Day

Hilbery was forced to acknowledge her claims, for though

in comfortable circumstances, she was extremely dull,

unattractive, connected in some oblique fashion with literature,

and had been touched to the verge of tears, on

one occasion, by an afternoon call.

It happened that Mrs. Hilbery had an engagement elsewhere,

so that the task of taking the flowers to the

Cromwell Road fell upon Katharine. She took her letter to

Cassandra with her, meaning to post it in the first pillar-

box she came to. When, however, she was fairly out of

doors, and constantly invited by pillar-boxes and post-

offices to slip her envelope down their scarlet throats,

she forbore. She made absurd excuses, as that she did

not wish to cross the road, or that she was certain to

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