饭饭TXT > 海外名作 > 《夜与日(英文版)》作者:[英]弗吉尼亚·伍尔芙【完结】 > 书香门第◇[夜与日].(Night.and.Day).(英)弗吉尼亚·伍尔芙.文字版.txt

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作者:英-弗吉尼亚·伍尔芙 当前章节:15361 字 更新时间:2026-6-15 22:18

that Katharine was in a state which gave her, alternately,

the most exquisite pleasure and the most profound alarm.

She could not help ejaculating at last:

“It’s all done in five minutes at a Registry Office nowadays,

if you think the Church service a little florid—which

it is, though there are noble things in it.”

“But we don’t want to be married,” Katharine replied

emphatically, and added, “Why, after all, isn’t it perfectly

possible to live together without being married?”

Again Mrs. Hilbery looked discomposed, and, in her

trouble, took up the sheets which were lying upon the

table, and began turning them over this way and that,

and muttering to herself as she glanced:

“A plus B minus C equals ‘x y z’. It’s so dreadfully ugly,

Katharine. That’s what I feel—so dreadfully ugly.”

Katharine took the sheets from her mother’s hand and

began shuffling them absent-mindedly together, for her

fixed gaze seemed to show that her thoughts were intent

upon some other matter.

“Well, I don’t know about ugliness,” she said at length.

“But he doesn’t ask it of you?” Mrs. Hilbery exclaimed.

“Not that grave young man with the steady brown eyes?”

“He doesn’t ask anything—we neither of us ask anything.”

“If I could help you, Katharine, by the memory of what

I felt—”

“Yes, tell me what you felt.”

Mrs. Hilbery, her eyes growing blank, peered down the

enormously long corridor of days at the far end of which

the little figures of herself and her husband appeared

fantastically attired, clasping hands upon a moonlit beach,

with roses swinging in the dusk.

“We were in a little boat going out to a ship at night,”

she began. “The sun had set and the moon was rising

over our heads. There were lovely silver lights upon the

waves and three green lights upon the steamer in the

middle of the bay. Your father’s head looked so grand

against the mast. It was life, it was death. The great sea

was round us. It was the voyage for ever and ever.”

The ancient fairy-tale fell roundly and harmoniously upon

Katharine’s ears. Yes, there was the enormous space of

the sea; there were the three green lights upon the

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steamer; the cloaked figures climbed up on deck. And so,

voyaging over the green and purple waters, past the cliffs

and the sandy lagoons and through pools crowded with

the masts of ships and the steeples of churches—here

they were. The river seemed to have brought them and

deposited them here at this precise point. She looked

admiringly at her mother, that ancient voyager.

“Who knows,” exclaimed Mrs. Hilbery, continuing her

reveries, “where we are bound for, or why, or who has

sent us, or what we shall find—who knows anything,

except that love is our faith—love—” she crooned, and

the soft sound beating through the dim words was heard

by her daughter as the breaking of waves solemnly in

order upon the vast shore that she gazed upon. She would

have been content for her mother to repeat that word

almost indefinitely—a soothing word when uttered by

another, a riveting together of the shattered fragments

of the world. But Mrs. Hilbery, instead of repeating the

word love, said pleadingly:

“And you won’t think those ugly thoughts again, will

you, Katharine?” at which words the ship which Katharine

had been considering seemed to put into harbor and have

done with its seafaring. Yet she was in great need, if not

exactly of sympathy, of some form of advice, or, at least,

of the opportunity of setting forth her problems before a

third person so as to renew them in her own eyes.

“But then,” she said, ignoring the difficult problem of

ugliness, “you knew you were in love; but we’re different.

It seems,” she continued, frowning a little as she tried to

fix the difficult feeling, “as if something came to an end

suddenly—gave out—faded—an illusion—as if when we

think we’re in love we make it up—we imagine what

doesn’t exist. That’s why it’s impossible that we should

ever marry. Always to be finding the other an illusion,

and going off and forgetting about them, never to be

certain that you cared, or that he wasn’t caring for some

one not you at all, the horror of changing from one state

to the other, being happy one moment and miserable the

next—that’s the reason why we can’t possibly marry. At

the same time,” she continued, “we can’t live without

each other, because—” Mrs. Hilbery waited patiently for

the sentence to be completed, but Katharine fell silent

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and fingered her sheet of figures.

“We have to have faith in our vision,” Mrs. Hilbery resumed,

glancing at the figures, which distressed her

vaguely, and had some connection in her mind with the

household accounts, “otherwise, as you say—” She cast

a lightning glance into the depths of disillusionment which

were, perhaps, not altogether unknown to her.

“Believe me, Katharine, it’s the same for every one—

for me, too—for your father,” she said earnestly, and

sighed. They looked together into the abyss and, as the

elder of the two, she recovered herself first and asked:

“But where is Ralph? Why isn’t he here to see me?”

Katharine’s expression changed instantly.

“Because he’s not allowed to come here,” she replied

bitterly.

Mrs. Hilbery brushed this aside.

“Would there be time to send for him before luncheon?”

she asked.

Katharine looked at her as if, indeed, she were some

magician. Once more she felt that instead of being a

grown woman, used to advise and command, she was

only a foot or two raised above the long grass and the

little flowers and entirely dependent upon the figure of

indefinite size whose head went up into the sky, whose

hand was in hers, for guidance.

“I’m not happy without him,” she said simply.

Mrs. Hilbery nodded her head in a manner which indicated

complete understanding, and the immediate conception

of certain plans for the future. She swept up her

flowers, breathed in their sweetness, and, humming a

little song about a miller’s daughter, left the room.

The case upon which Ralph Denham was engaged that

afternoon was not apparently receiving his full attention,

and yet the affairs of the late John Leake of Dublin

were sufficiently confused to need all the care that a

solicitor could bestow upon them, if the widow Leake

and the five Leake children of tender age were to receive

any pittance at all. But the appeal to Ralph’s humanity

had little chance of being heard to-day; he was no longer

a model of concentration. The partition so carefully erected

between the different sections of his life had been broken

down, with the result that though his eyes were fixed

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upon the last Will and Testament, he saw through the

page a certain drawing-room in Cheyne Walk.

He tried every device that had proved effective in the

past for keeping up the partitions of the mind, until he

could decently go home; but a little to his alarm he found

himself assailed so persistently, as if from outside, by

Katharine, that he launched forth desperately into an

imaginary interview with her. She obliterated a bookcase

full of law reports, and the corners and lines of the room

underwent a curious softening of outline like that which

sometimes makes a room unfamiliar at the moment of

waking from sleep. By degrees, a pulse or stress began to

beat at regular intervals in his mind, heaping his thoughts

into waves to which words fitted themselves, and without

much consciousness of what he was doing, he began

to write on a sheet of draft paper what had the appearance

of a poem lacking several words in each line. Not

many lines had been set down, however, before he threw

away his pen as violently as if that were responsible for

his misdeeds, and tore the paper into many separate

pieces. This was a sign that Katharine had asserted her

self and put to him a remark that could not be met poetically.

Her remark was entirely destructive of poetry, since

it was to the effect that poetry had nothing whatever to

do with her; all her friends spent their lives in making up

phrases, she said; all his feeling was an illusion, and next

moment, as if to taunt him with his impotence, she had

sunk into one of those dreamy states which took no account

whatever of his existence. Ralph was roused by his

passionate attempts to attract her attention to the fact

that he was standing in the middle of his little private

room in Lincoln’s Inn Fields at a considerable distance

from Chelsea. The physical distance increased his desperation.

He began pacing in circles until the process

sickened him, and then took a sheet of paper for the

composition of a letter which, he vowed before he began

it, should be sent that same evening.

It was a difficult matter to put into words; poetry would

have done it better justice, but he must abstain from

poetry. In an infinite number of half-obliterated scratches

he tried to convey to her the possibility that although

human beings are woefully ill-adapted for communica

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Night and Day

tion, still, such communion is the best we know; moreover,

they make it possible for each to have access to

another world independent of personal affairs, a world of

law, of philosophy, or more strangely a world such as he

had had a glimpse of the other evening when together

they seemed to be sharing something, creating something,

an ideal—a vision flung out in advance of our

actual circumstances. If this golden rim were quenched,

if life were no longer circled by an illusion (but was it an

illusion after all?), then it would be too dismal an affair

to carry to an end; so he wrote with a sudden spurt of

conviction which made clear way for a space and left at

least one sentence standing whole. Making every allowance

for other desires, on the whole this conclusion appeared

to him to justify their relationship. But the conclusion

was mystical; it plunged him into thought. The

difficulty with which even this amount was written, the

inadequacy of the words, and the need of writing under

them and over them others which, after all, did no better,

led him to leave off before he was at ail satisfied

with his production, and unable to resist the conviction

that such rambling would never be fit for Katharine’s eye.

He felt himself more cut off from her than ever. In idleness,

and because he could do nothing further with words,

he began to draw little figures in the blank spaces, heads

meant to resemble her head, blots fringed with flames

meant to represent—perhaps the entire universe. From

this occupation he was roused by the message that a

lady wished to speak to him. He had scarcely time to run

his hands through his hair in order to look as much like a

solicitor as possible, and to cram his papers into his

pocket, already overcome with shame that another eye

should behold them, when he realized that his preparations

were needless. The lady was Mrs. Hilbery.

“I hope you’re not disposing of somebody’s fortune in a

hurry,” she remarked, gazing at the documents on his

table, “or cutting off an entail at one blow, because I

want to ask you to do me a favor. And Anderson won’t

keep his horse waiting. (Anderson is a perfect tyrant, but

he drove my dear father to the Abbey the day they buried

him.) I made bold to come to you, Mr. Denham, not exactly

in search of legal assistance (though I don’t know

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who I’d rather come to, if I were in trouble), but in order

to ask your help in settling some tiresome little domestic

affairs that have arisen in my absence. I’ve been to

Stratford-on-Avon (I must tell you all about that one of

these days), and there I got a letter from my sister-inlaw,

a dear kind goose who likes interfering with other

people’s children because she’s got none of her own. (We’re

dreadfully afraid that she’s going to lose the sight of one

of her eyes, and I always feel that our physical ailments

are so apt to turn into mental ailments. I think Matthew

Arnold says something of the same kind about Lord Byron.)

But that’s neither here nor there.”

The effect of these parentheses, whether they were introduced

for that purpose or represented a natural instinct

on Mrs. Hilbery’s part to embellish the bareness of

her discourse, gave Ralph time to perceive that she possessed

all the facts of their situation and was come, somehow,

in the capacity of ambassador.

“I didn’t come here to talk about Lord Byron,” Mrs.

Hilbery continued, with a little laugh, “though I know

that both you and Katharine, unlike other young people

of your generation, still find him worth reading.” She

paused. “I’m so glad you’ve made Katharine read poetry,

Mr. Denham!” she exclaimed, “and feel poetry, and look

poetry! She can’t talk it yet, but she will—oh, she will!”

Ralph, whose hand was grasped and whose tongue almost

refused to articulate, somehow contrived to say that there

were moments when he felt hopeless, utterly hopeless, though

he gave no reason for this statement on his part.

“But you care for her?” Mrs. Hilbery inquired.

“Good God!” he exclaimed, with a vehemence which

admitted of no question.

“It’s the Church of England service you both object to?”

Mrs. Hilbery inquired innocently.

“I don’t care a damn what service it is,” Ralph replied.

“You would marry her in Westminster Abbey if the worst

came to the worst?” Mrs. Hilbery inquired.

“I would marry her in St. Paul’s Cathedral,” Ralph replied.

His doubts upon this point, which were always

roused by Katharine’s presence, had vanished completely,

and his strongest wish in the world was to be with her

immediately, since every second he was away from her he

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