饭饭TXT > 海外名作 > 《夜与日(英文版)》作者:[英]弗吉尼亚·伍尔芙【完结】 > 书香门第◇[夜与日].(Night.and.Day).(英)弗吉尼亚·伍尔芙.文字版.txt

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作者:英-弗吉尼亚·伍尔芙 当前章节:15390 字 更新时间:2026-6-15 22:18

footsteps of the couple were distinctly heard in the silence,

Denham could not help picturing to himself some

change in their conversation. The effect of the light and

shadow, which seemed to increase their height, was to

make them mysterious and significant, so that Denham

had no feeling of irritation with Katharine, but rather a

half-dreamy acquiescence in the course of the world. Yes,

she did very well to dream about—but Sandys had sud

denly begun to talk. He was a solitary man who had made

his friends at college and always addressed them as if

they were still undergraduates arguing in his room, though

many months or even years had passed in some cases

between the last sentence and the present one. The

method was a little singular, but very restful, for it seemed

to ignore completely all accidents of human life, and to

span very deep abysses with a few simple words.

On this occasion he began, while they waited for a

minute on the edge of the Strand:

“I hear that Bennett has given up his theory of truth.”

Denham returned a suitable answer, and he proceeded

to explain how this decision had been arrived at, and

what changes it involved in the philosophy which they

both accepted. Meanwhile Katharine and Rodney drew

further ahead, and Denham kept, if that is the right expression

for an involuntary action, one filament of his

mind upon them, while with the rest of his intelligence

he sought to understand what Sandys was saying.

As they passed through the courts thus talking, Sandys

laid the tip of his stick upon one of the stones forming a

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Virginia Woolf

time-worn arch, and struck it meditatively two or three

times in order to illustrate something very obscure about

the complex nature of one’s apprehension of facts. During

the pause which this necessitated, Katharine and

Rodney turned the corner and disappeared. For a moment

Denham stopped involuntarily in his sentence, and continued

it with a sense of having lost something.

Unconscious that they were observed, Katharine and

Rodney had come out on the Embankment. When they

had crossed the road, Rodney slapped his hand upon the

stone parapet above the river and exclaimed:

“I promise I won’t say another word about it, Katharine!

But do stop a minute and look at the moon upon the

water.”

Katharine paused, looked up and down the river, and

snuffed the air.

“I’m sure one can smell the sea, with the wind blowing

this way,” she said.

They stood silent for a few moments while the river

shifted in its bed, and the silver and red lights which

were laid upon it were torn by the current and joined

together again. Very far off up the river a steamer hooted

with its hollow voice of unspeakable melancholy, as if

from the heart of lonely mist-shrouded voyagings.

“Ah!” Rodney cried, striking his hand once more upon

the balustrade, “why can’t one say how beautiful it all is?

Why am I condemned for ever, Katharine, to feel what I

can’t express? And the things I can give there’s no use in

my giving. Trust me, Katharine,” he added hastily, “I won’t

speak of it again. But in the presence of beauty—look at

the iridescence round the moon!—one feels—one feels—

Perhaps if you married me—I’m half a poet, you see, and

I can’t pretend not to feel what I do feel. If I could

write—ah, that would be another matter. I shouldn’t

bother you to marry me then, Katharine.”

He spoke these disconnected sentences rather abruptly,

with his eyes alternately upon the moon and upon the

stream.

“But for me I suppose you would recommend marriage?”

said Katharine, with her eyes fixed on the moon.

“Certainly I should. Not for you only, but for all women.

Why, you’re nothing at all without it; you’re only half

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Night and Day

alive; using only half your faculties; you must feel that

for yourself. That is why—” Here he stopped himself, and

they began to walk slowly along the Embankment, the

moon fronting them.

“With how sad steps she climbs the sky,

How silently and with how wan a face,”

Rodney quoted.

“I’ve been told a great many unpleasant things about

myself to-night,” Katharine stated, without attending to

him. “Mr. Denham seems to think it his mission to lecture

me, though I hardly know him. By the way, William,

you know him; tell me, what is he like?”

William drew a deep sigh.

“We may lecture you till we’re blue in the face—”

“Yes—but what’s he like?”

“And we write sonnets to your eyebrows, you cruel practical

creature. Denham?” he added, as Katharine remained

silent. “A good fellow, I should think. He cares, naturally,

for the right sort of things, I expect. But you mustn’t

marry him, though. He scolded you, did he—what did he

say?”

“What happens with Mr. Denham is this: He comes to

tea. I do all I can to put him at his ease. He merely sits

and scowls at me. Then I show him our manuscripts. At

this he becomes really angry, and tells me I’ve no business

to call myself a middle-class woman. So we part in a

huff; and next time we meet, which was to-night, he

walks straight up to me, and says, ‘Go to the Devil!’ That’s

the sort of behavior my mother complains of. I want to

know, what does it mean?”

She paused and, slackening her steps, looked at the

lighted train drawing itself smoothly over Hungerford

Bridge.

“It means, I should say, that he finds you chilly and

unsympathetic.”

Katharine laughed with round, separate notes of genuine

amusement.

“It’s time I jumped into a cab and hid myself in my own

house,” she exclaimed.

“Would your mother object to my being seen with you?

54

Virginia Woolf

No one could possibly recognize us, could they?” Rodney

inquired, with some solicitude.

Katharine looked at him, and perceiving that his solicitude

was genuine, she laughed again, but with an ironical

note in her laughter.

“You may laugh, Katharine, but I can tell you that if

any of your friends saw us together at this time of night

they would talk about it, and I should find that very

disagreeable. But why do you laugh?”

“I don’t know. Because you’re such a queer mixture, I

think. You’re half poet and half old maid.”

“I know I always seem to you highly ridiculous. But I

can’t help having inherited certain traditions and trying

to put them into practice.”

“Nonsense, William. You may come of the oldest family

in Devonshire, but that’s no reason why you should mind

being seen alone with me on the Embankment.”

“I’m ten years older than you are, Katharine, and I know

more of the world than you do.”

“Very well. Leave me and go home.”

Rodney looked back over his shoulder and perceived

that they were being followed at a short distance by a

taxicab, which evidently awaited his summons. Katharine

saw it, too, and exclaimed:

“Don’t call that cab for me, William. I shall walk.”

“Nonsense, Katharine; you’ll do nothing of the kind. It’s

nearly twelve o’clock, and we’ve walked too far as it is.”

Katharine laughed and walked on so quickly that both

Rodney and the taxicab had to increase their pace to

keep up with her.

“Now, William,” she said, “if people see me racing along

the Embankment like this they will talk. You had far better

say good-night, if you don’t want people to talk.”

At this William beckoned, with a despotic gesture, to

the cab with one hand, and with the other he brought

Katharine to a standstill.

“Don’t let the man see us struggling, for God’s sake!”

he murmured. Katharine stood for a moment quite still.

“There’s more of the old maid in you than the poet,”

she observed briefly.

William shut the door sharply, gave the address to the

driver, and turned away, lifting his hat punctiliously high

55

Night and Day

in farewell to the invisible lady.

He looked back after the cab twice, suspiciously, half

expecting that she would stop it and dismount; but it

bore her swiftly on, and was soon out of sight. William

felt in the mood for a short soliloquy of indignation, for

Katharine had contrived to exasperate him in more ways

than one.

“Of all the unreasonable, inconsiderate creatures I’ve

ever known, she’s the worst!” he exclaimed to himself,

striding back along the Embankment. “Heaven forbid that

I should ever make a fool of myself with her again. Why,

I’d sooner marry the daughter of my landlady than

Katharine Hilbery! She’d leave me not a moment’s peace—

and she’d never understand me—never, never, never!”

Uttered aloud and with vehemence so that the stars of

Heaven might hear, for there was no human being at hand,

these sentiments sounded satisfactorily irrefutable.

Rodney quieted down, and walked on in silence, until he

perceived some one approaching him, who had something,

either in his walk or his dress, which proclaimed

that he was one of William’s acquaintances before it was

possible to tell which of them he was. It was Denham

who, having parted from Sandys at the bottom of his

staircase, was now walking to the Tube at Charing Cross,

deep in the thoughts which his talk with Sandys had suggested.

He had forgotten the meeting at Mary Datchet’s

rooms, he had forgotten Rodney, and metaphors and Elizabethan

drama, and could have sworn that he had forgotten

Katharine Hilbery, too, although that was more disputable.

His mind was scaling the highest pinnacles of

its alps, where there was only starlight and the untrodden

snow. He cast strange eyes upon Rodney, as they encountered

each other beneath a lamp-post.

“Ha!” Rodney exclaimed.

If he had been in full possession of his mind, Denham

would probably have passed on with a salutation. But

the shock of the interruption made him stand still, and

before he knew what he was doing, he had turned and

was walking with Rodney in obedience to Rodney’s invitation

to come to his rooms and have something to drink.

Denham had no wish to drink with Rodney, but he followed

him passively enough. Rodney was gratified by this

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Virginia Woolf

obedience. He felt inclined to be communicative with

this silent man, who possessed so obviously all the good

masculine qualities in which Katharine now seemed lamentably

deficient.

“You do well, Denham,” he began impulsively, “to have

nothing to do with young women. I offer you my experience—

if one trusts them one invariably has cause to

repent. Not that I have any reason at this moment,” he

added hastily, “to complain of them. It’s a subject that

crops up now and again for no particular reason. Miss

Datchet, I dare say, is one of the exceptions. Do you like

Miss Datchet?”

These remarks indicated clearly enough that Rodney’s

nerves were in a state of irritation, and Denham speedily

woke to the situation of the world as it had been one

hour ago. He had last seen Rodney walking with Katharine.

He could not help regretting the eagerness with which

his mind returned to these interests, and fretted him with

the old trivial anxieties. He sank in his own esteem. Reason

bade him break from Rodney, who clearly tended to

become confidential, before he had utterly lost touch

with the problems of high philosophy. He looked along

the road, and marked a lamp-post at a distance of some

hundred yards, and decided that he would part from

Rodney when they reached this point.

“Yes, I like Mary; I don’t see how one could help liking

her,” he remarked cautiously, with his eye on the lamppost.

“Ah, Denham, you’re so different from me. You never

give yourself away. I watched you this evening with

Katharine Hilbery. My instinct is to trust the person I’m

talking to. That’s why I’m always being taken in, I suppose.”

Denham seemed to be pondering this statement of

Rodney’s, but, as a matter of fact, he was hardly conscious

of Rodney and his revelations, and was only concerned

to make him mention Katharine again before they

reached the lamp-post.

“Who’s taken you in now?” he asked. “Katharine

Hilbery?”

Rodney stopped and once more began beating a kind of

rhythm, as if he were marking a phrase in a symphony,

57

Night and Day

upon the smooth stone balustrade of the Embankment.

“Katharine Hilbery,” he repeated, with a curious little

chuckle. “No, Denham, I have no illusions about that

young woman. I think I made that plain to her to-night.

But don’t run away with a false impression,” he continued

eagerly, turning and linking his arm through Denham’s,

as though to prevent him from escaping; and, thus compelled,

Denham passed the monitory lamp-post, to which,

in passing, he breathed an excuse, for how could he break

away when Rodney’s arm was actually linked in his? “You

must not think that I have any bitterness against her—

far from it. It’s not altogether her fault, poor girl. She

lives, you know, one of those odious, self-centered lives—

at least, I think them odious for a woman—feeding her

wits upon everything, having control of everything, getting

far too much her own way at home—spoilt, in a

sense, feeling that every one is at her feet, and so not

realizing how she hurts—that is, how rudely she behaves

to people who haven’t all her advantages. Still, to do her

justice, she’s no fool,” he added, as if to warn Denham

not to take any liberties. “She has taste. She has sense.

She can understand you when you talk to her. But she’s a

woman, and there’s an end of it,” he added, with another

little chuckle, and dropped Denham’s arm.

“And did you tell her all this to-night?” Denham asked.

“Oh dear me, no. I should never think of telling Katharine

the truth about herself. That wouldn’t do at all. One has

to be in an attitude of adoration in order to get on with

Katharine.

“Now I’ve learnt that she’s refused to marry him why

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