饭饭TXT > 海外名作 > 《The Art of War/孙子兵法(英文版)》作者:[春秋]孙子【完结】 > 【书香门第☆凌落】《孙子兵法》[英文版] 作者:孙子 【完结】.txt

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作者:春秋-孙子 当前章节:15400 字 更新时间:2026-6-19 10:46

undisciplined."

Teng Ming-shih informs us that the surname "Sun" was

bestowed on Sun Wu's grandfather by Duke Ching of Ch`i [547-490

B.C.]. Sun Wu's father Sun P`ing, rose to be a Minister of State

in Ch`i, and Sun Wu himself, whose style was Ch`ang-ch`ing, fled

to Wu on account of the rebellion which was being fomented by the

kindred of T`ien Pao. He had three sons, of whom the second,

named Ming, was the father of Sun Pin. According to this account

then, Pin was the grandson of Wu, which, considering that Sun

Pin's victory over Wei was gained in 341 B.C., may be dismissed

as chronological impossible. Whence these data were obtained by

Teng Ming-shih I do not know, but of course no reliance whatever

can be placed in them.

An interesting document which has survived from the close of

the Han period is the short preface written by the Great Ts`ao

Ts`ao, or Wei Wu Ti, for his edition of Sun Tzu. I shall give it

in full: --

I have heard that the ancients used bows and arrows to

their advantage. [10] The SHU CHU mentions "the army" among

the "eight objects of government." The I CHING says:

"'army' indicates firmness and justice; the experienced

leader will have good fortune." The SHIH CHING says: "The

King rose majestic in his wrath, and he marshaled his

troops." The Yellow Emperor, T`ang the Completer and Wu Wang

all used spears and battle-axes in order to succor their

generation. The SSU-MA FA says: "If one man slay another of

set purpose, he himself may rightfully be slain." He who

relies solely on warlike measures shall be exterminated; he

who relies solely on peaceful measures shall perish.

Instances of this are Fu Ch`ai [11] on the one hand and Yen

Wang on the other. [12] In military matters, the Sage's rule

is normally to keep the peace, and to move his forces only

when occasion requires. He will not use armed force unless

driven to it by necessity.

Many books have I read on the subject of war and

fighting; but the work composed by Sun Wu is the profoundest

of them all. [Sun Tzu was a native of the Ch`i state, his

personal name was Wu. He wrote the ART OF WAR in 13 chapters

for Ho Lu, King of Wu. Its principles were tested on women,

and he was subsequently made a general. He led an army

westwards, crushed the Ch`u state and entered Ying the

capital. In the north, he kept Ch`i and Chin in awe. A

hundred years and more after his time, Sun Pin lived. He was

a descendant of Wu.] [13] In his treatment of deliberation

and planning, the importance of rapidity in taking the field,

[14] clearness of conception, and depth of design, Sun Tzu

stands beyond the reach of carping criticism. My

contemporaries, however, have failed to grasp the full

meaning of his instructions, and while putting into practice

the smaller details in which his work abounds, they have

overlooked its essential purport. That is the motive which

has led me to outline a rough explanation of the whole.

One thing to be noticed in the above is the explicit

statement that the 13 chapters were specially composed for King

Ho Lu. This is supported by the internal evidence of I. ss. 15,

in which it seems clear that some ruler is addressed.

In the bibliographic section of the HAN SHU, there is an

entry which has given rise to much discussion: "The works of Sun

Tzu of Wu in 82 P`IEN (or chapters), with diagrams in 9 CHUAN."

It is evident that this cannot be merely the 13 chapters known to

Ssu-ma Ch`ien, or those we possess today. Chang Shou-chieh

refers to an edition of Sun Tzu's ART OF WAR of which the "13

chapters" formed the first CHUAN, adding that there were two

other CHUAN besides. This has brought forth a theory, that the

bulk of these 82 chapters consisted of other writings of Sun Tzu

-- we should call them apocryphal -- similar to the WEN TA, of

which a specimen dealing with the Nine Situations [15] is

preserved in the T`UNG TIEN, and another in Ho Shin's commentary.

It is suggested that before his interview with Ho Lu, Sun Tzu had

only written the 13 chapters, but afterwards composed a sort of

exegesis in the form of question and answer between himself and

the King. Pi I-hsun, the author of the SUN TZU HSU LU, backs

this up with a quotation from the WU YUEH CH`UN CH`IU: "The King

of Wu summoned Sun Tzu, and asked him questions about the art of

war. Each time he set forth a chapter of his work, the King

could not find words enough to praise him." As he points out, if

the whole work was expounded on the same scale as in the above-

mentioned fragments, the total number of chapters could not fail

to be considerable. Then the numerous other treatises attributed

to Sun Tzu might be included. The fact that the HAN CHIH

mentions no work of Sun Tzu except the 82 P`IEN, whereas the Sui

and T`ang bibliographies give the titles of others in addition to

the "13 chapters," is good proof, Pi I-hsun thinks, that all of

these were contained in the 82 P`IEN. Without pinning our faith

to the accuracy of details supplied by the WU YUEH CH`UN CH`IU,

or admitting the genuineness of any of the treatises cited by Pi

I-hsun, we may see in this theory a probable solution of the

mystery. Between Ssu-ma Ch`ien and Pan Ku there was plenty of

time for a luxuriant crop of forgeries to have grown up under the

magic name of Sun Tzu, and the 82 P`IEN may very well represent a

collected edition of these lumped together with the original

work. It is also possible, though less likely, that some of them

existed in the time of the earlier historian and were purposely

ignored by him. [16]

Tu Mu's conjecture seems to be based on a passage which

states: "Wei Wu Ti strung together Sun Wu's Art of War," which

in turn may have resulted from a misunderstanding of the final

words of Ts`ao King's preface. This, as Sun Hsing-yen points

out, is only a modest way of saying that he made an explanatory

paraphrase, or in other words, wrote a commentary on it. On the

whole, this theory has met with very little acceptance. Thus,

the SSU K`U CH`UAN SHU says: "The mention of the 13 chapters in

the SHIH CHI shows that they were in existence before the HAN

CHIH, and that latter accretions are not to be considered part of

the original work. Tu Mu's assertion can certainly not be taken

as proof."

There is every reason to suppose, then, that the 13 chapters

existed in the time of Ssu-ma Ch`ien practically as we have them

now. That the work was then well known he tells us in so many

words. "Sun Tzu's 13 Chapters and Wu Ch`i's Art of War are the

two books that people commonly refer to on the subject of

military matters. Both of them are widely distributed, so I will

not discuss them here." But as we go further back, serious

difficulties begin to arise. The salient fact which has to be

faced is that the TSO CHUAN, the greatest contemporary record,

makes no mention whatsoever of Sun Wu, either as a general or as

a writer. It is natural, in view of this awkward circumstance,

that many scholars should not only cast doubt on the story of Sun

Wu as given in the SHIH CHI, but even show themselves frankly

skeptical as to the existence of the man at all. The most

powerful presentment of this side of the case is to be found in

the following disposition by Yeh Shui-hsin: [17] --

It is stated in Ssu-ma Ch`ien's history that Sun Wu was

a native of the Ch`i State, and employed by Wu; and that in

the reign of Ho Lu he crushed Ch`u, entered Ying, and was a

great general. But in Tso's Commentary no Sun Wu appears at

all. It is true that Tso's Commentary need not contain

absolutely everything that other histories contain. But Tso

has not omitted to mention vulgar plebeians and hireling

ruffians such as Ying K`ao-shu, [18] Ts`ao Kuei, [19], Chu

Chih-wu and Chuan She-chu [20]. In the case of Sun Wu, whose

fame and achievements were so brilliant, the omission is much

more glaring. Again, details are given, in their due order,

about his contemporaries Wu Yuan and the Minister P`ei. [21]

Is it credible that Sun Wu alone should have been passed

over?

In point of literary style, Sun Tzu's work belongs to

the same school as KUAN TZU, [22] LIU T`AO, [23] and the YUEH

YU [24] and may have been the production of some private

scholar living towards the end of the "Spring and Autumn" or

the beginning of the "Warring States" period. [25] The story

that his precepts were actually applied by the Wu State, is

merely the outcome of big talk on the part of his followers.

From the flourishing period of the Chou dynasty [26]

down to the time of the "Spring and Autumn," all military

commanders were statesmen as well, and the class of

professional generals, for conducting external campaigns, did

not then exist. It was not until the period of the "Six

States" [27] that this custom changed. Now although Wu was

an uncivilized State, it is conceivable that Tso should have

left unrecorded the fact that Sun Wu was a great general and

yet held no civil office? What we are told, therefore, about

Jang-chu [28] and Sun Wu, is not authentic matter, but the

reckless fabrication of theorizing pundits. The story of Ho

Lu's experiment on the women, in particular, is utterly

preposterous and incredible.

Yeh Shui-hsin represents Ssu-ma Ch`ien as having said that

Sun Wu crushed Ch`u and entered Ying. This is not quite correct.

No doubt the impression left on the reader's mind is that he at

least shared in these exploits. The fact may or may not be

significant; but it is nowhere explicitly stated in the SHIH CHI

either that Sun Tzu was general on the occasion of the taking of

Ying, or that he even went there at all. Moreover, as we know

that Wu Yuan and Po P`ei both took part in the expedition, and

also that its success was largely due to the dash and enterprise

of Fu Kai, Ho Lu's younger brother, it is not easy to see how yet

another general could have played a very prominent part in the

same campaign.

Ch`en Chen-sun of the Sung dynasty has the note: --

Military writers look upon Sun Wu as the father of their

art. But the fact that he does not appear in the TSO CHUAN,

although he is said to have served under Ho Lu King of Wu,

makes it uncertain what period he really belonged to.

He also says: --

The works of Sun Wu and Wu Ch`i may be of genuine

antiquity.

It is noticeable that both Yeh Shui-hsin and Ch`en Chen-sun,

while rejecting the personality of Sun Wu as he figures in Ssu-ma

Ch`ien's history, are inclined to accept the date traditionally

assigned to the work which passes under his name. The author of

the HSU LU fails to appreciate this distinction, and consequently

his bitter attack on Ch`en Chen-sun really misses its mark. He

makes one of two points, however, which certainly tell in favor

of the high antiquity of our "13 chapters." "Sun Tzu," he says,

"must have lived in the age of Ching Wang [519-476], because he

is frequently plagiarized in subsequent works of the Chou, Ch`in

and Han dynasties." The two most shameless offenders in this

respect are Wu Ch`i and Huai-nan Tzu, both of them important

historical personages in their day. The former lived only a

century after the alleged date of Sun Tzu, and his death is known

to have taken place in 381 B.C. It was to him, according to Liu

Hsiang, that Tseng Shen delivered the TSO CHUAN, which had been

entrusted to him by its author. [29] Now the fact that

quotations from the ART OF WAR, acknowledged or otherwise, are to

be found in so many authors of different epochs, establishes a

very strong anterior to them all, -- in other words, that Sun

Tzu's treatise was already in existence towards the end of the

5th century B.C. Further proof of Sun Tzu's antiquity is

furnished by the archaic or wholly obsolete meanings attaching to

a number of the words he uses. A list of these, which might

perhaps be extended, is given in the HSU LU; and though some of

the interpretations are doubtful, the main argument is hardly

affected thereby. Again, it must not be forgotten that Yeh Shui-

hsin, a scholar and critic of the first rank, deliberately

pronounces the style of the 13 chapters to belong to the early

part of the fifth century. Seeing that he is actually engaged in

an attempt to disprove the existence of Sun Wu himself, we may be

sure that he would not have hesitated to assign the work to a

later date had he not honestly believed the contrary. And it is

precisely on such a point that the judgment of an educated

Chinaman will carry most weight. Other internal evidence is not

far to seek. Thus in XIII. ss. 1, there is an unmistakable

allusion to the ancient system of land-tenure which had already

passed away by the time of Mencius, who was anxious to see it

revived in a modified form. [30] The only warfare Sun Tzu knows

is that carried on between the various feudal princes, in which

armored chariots play a large part. Their use seems to have

entirely died out before the end of the Chou dynasty. He speaks

as a man of Wu, a state which ceased to exist as early as 473

B.C. On this I shall touch presently.

But once refer the work to the 5th century or earlier, and

the chances of its being other than a bona fide production are

sensibly diminished. The great age of forgeries did not come

until long after. That it should have been forged in the period

immediately following 473 is particularly unlikely, for no one,

as a rule, hastens to identify himself with a lost cause. As for

Yeh Shui-hsin's theory, that the author was a literary recluse,

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