It was with a sense of extraordinary isolation that Martin walked down Fifth Avenue. Two good things had, however, come out of his talk with Howard Oldershaw. One was the certainty of this man's friendship. The other the knowledge of the place at which Joan was staying. This last fact made him all the more anxious to get down to the cottage. Devon was only a short drive from Easthampton, and that meant the possibility of seeing and speaking to Joan. Good God, if only she could understand a little of what she meant to him, and how he craved and pined for her.
The dressmaker on the street floor of the rabbit warren had gone out of business. Failed probably, poor thing. Tootles had once said that the only people she ever saw in the shop were pressing creditors. A colored woman of bulbous proportions and stertorous breathing was giving a catlick to the dirty stairway. A smell of garlic and onions met Martin on his way to the rooms of Tootles' friend, and on the first landing he drew back to let two men pass down who looked like movie actors. They wore violet ties and tight-fitting jackets with trench belts and short trousers that should have been worn by their younger brothers. The actor on the next floor, unshaven and obviously just out of bed, was cooking breakfast in his cubby-hole. He wore the upper part of his pajamas and a pair of incredibly dirty flannel trousers. The marks of last night's grease paint were on his temples and eyebrows. He hummed a little song to the accompaniment of sizzling bacon.
When Martin knocked on the door of the apartment of the girl to whom he had never spoken except over the telephone and whose name he remembered to be Irene Stanton, a high-pitched, nasal voice cried out.
"Come right in." He went right in and was charged at by a half-bred Chow whose bark was like a gunman's laugh, and a tiny pink beast which worked itself into a state of hysterical rage. But when a high-heeled shoe was flung at them from the bedroom, followed by a volley of fruit-carrier words of the latest brand, they retired, awed and horror-stricken, to cover.
Martin found himself in a small, square living room with two windows looking over the intimate backs of other similar houses. Under the best of conditions it was not a room of very comfortable possibilities. In the hands of its present occupant, it was, to Martin's eyes, the most depressing and chaotic place he had ever seen. The cheap furniture and the cheaper wall paper went well with a long-unwhite-washed ceiling and smudged white paint. A line of empty beer bottles which stood on a mantelpiece littered with unframed photographs and dog-eared Christmas cards struck a note so blase that it might almost have been committed for a reason. On the square mission table in the center there was a lamp with a belaced pink shade at a cock-eyed angle which resembled the bonnet of a streetwalker in the early hours of the morning. An electric iron stood coldly beneath it with its wire attached to a fixture in the wall. Various garments littered the chairs and sofa, and jagged pieces of newspaper which had been worried by the dogs covered the floor.
But the young woman who shortly made her appearance was very different from the room. Her frock was neat and clean, her face most carefully made up, her shoes smart. She had a wide and winning grin, teeth that should have advertised a toothpaste, and a pair of dimples which ought to have been a valuable asset to any chorus. "Why, but you HAVE done a hustle," she said. "I haven't even had time to tidy up a bit." She cleared a chair and shook a finger at the dogs, who, sneaking out from under the sofa, were eyeing her with apprehensive affection. The Chow's mother had evidently lost her heart to a bulldog. "Excuse the look of this back attic," she added. "I've got to move, and I'm in the middle of packing."
"Of course," said Martin, eager to know why he had been sent for. "It's about Tootles, you said."
"Very much so." She sat on the edge of the table, crossed her arms, and deliberately looked Martin over with expert eyes. Knowing as much about men as a mechanic of a main-road motor-repairing shop knows about engines, her examination was acute and thorough.
Martin waited quietly, amused at her coolness, but impatient to come to cues. She was a good sort, he knew. Tootles had told him so, and he was certain that she had asked to see him out of friendship for the girl upstairs.
Her first question was almost as disconcerting and abrupt as a Zeppelin bomb. "What did you do to Tootles?"
Martin held her examining gaze. "Nothing, except give her a bit of a holiday," he said.
"I saw you go off with her that morning." She smiled and her eyes became a little more friendly. "She wrote me a letter from your place and said she'd found out what song writers meant by the word heaven."
"Did she?" said Martin. "I'm glad."
It came to her in a flash that her little pal had fallen in love with this boy and instantly she understood the mystery of Tootles' change of method and point of view--her moping, her relaxed grip on life. She meant almost nothing to the boy and knew it.
"But don't you think you might have been to see her since you brought her back?" she asked.
"I've been very worried," said Martin simply.
"Is that so?" and then, after another pause, this girl said a second astonishing thing. "I wish I didn't see in you a man who tells the truth. I wish you were just one of the ordinary sort that comes our way. I should know how to deal with you better."
"Tell me what you mean," said Martin.
"Shall I? All right, I will." She stood up with her hands on her hips. "If you'd played the usual game with little Tootles and dropped her cold, I wouldn't let you get out of this room without coming up to scratch. I'd make you cough up a good-sized check. There's such a thing as playing the game even by us strap-hangers, you know. As it is, I can see that you were on the square, that you're a bit of a poet or something and did Tootles a good turn for nothing, and honestly, I don't know the next move. You don't owe her anything, you see."
"Is money the trouble?" asked Martin.
Irene Stanton shot out an odd, short laugh. "Let me tell you something," she said. "You know what happened at the dress rehearsal of 'The Ukelele Girl'? Well, the word's gone around about her chucking the show at the last minute, and it's thumbs down for Tootles. She hadn't a nickel when she came back from your place, and since then she's pawned herself right down to the bone to pay her rent and get a few eats. She wouldn't take nothing from me because I'm out too, and this is a bad time to get into anything new. Only two things can stop her from being put out at the end of the week. One's going across the passage to the drunken fellow that writes music, and the other's telling the tale to you. She won't do either. I've never seen her the way she is now. She sits around, staring at the wall, and when I try to put some of her usual pep into her she won't listen. She's all changed since that taste of the country, and I figure she won't get on her feet again without a big yank up. She keeps on saying to herself, like a sort of song, 'Oh, Gawd, for a sight of the trees,' and I've known girls end it quick when they get that way."
Martin got up. "Where do you keep your pen and ink?" he asked. Poor old Tootles. There certainly was something to do.
Irene bent forward eagerly. "Are you going to see her through this snag?"
"Of course I am."
"Ah, that's the talk. But wait a second. We got to be tricky about this." She was excited and tremendously in earnest. "If she gets to know I've been holding out the hat to you, we're wasting time. Give me the money, see? I'll make up a peach of a story about how it came to me,--the will of a rich uncle in Wisconsin or something, you know,--and ask her to come and help me blow it in somewhere on the coast, see? She gave me three weeks' holiday once. It's my turn now, me being in luck. . . . But perhaps you don't trust me?"
"You trust me," said Martin, and gave her one of his honest smiles.
He caught sight of a bottle of ink on the window sill. There was a pen of sorts there also. He brought them to the table and made out a check in the name of his fellow conspirator. He was just as anxious as she was to put "a bit of pep" into the little waif who had sat beneath the portrait of his father. There was no blotting paper, so he waved it in the air before handing it over.
A rush of tears came to Irene's eyes when she saw what he had written. She held out her hand, utterly giving up an attempt to find words.
"Thank you for calling up," said Martin, doing his best to be perfectly natural and ordinary. "I wish you'd done so sooner. Poor old Tootles. Write to the Devon Yacht Club, Long Island, and let me know how you get on. We've all three been up against some rotten bad luck, haven't we? Good-by, then. I'll go up to Tootles now."
"No, no," she said, "don't. That'd bring my old uncle to life right away. She'd guess you was in on this, all right. Slip off and let me have a chance with my movie stuff." With a mixture of emotion and hilarity she suddenly waved the check above her head. "Can you imagine the fit the receiving teller at my little old bank'll throw when I slip this across as if it meant nothing to me?"
And then she caught up one of Martin's hands and did the most disconcerting thing of all. She pressed it to her lips and kissed it.
Martin got as red as a beet. "Well, then, good-by," he said, making for the door. "Good luck."
"Good-by and good luck to you. My word, but you've made optimism sprout all over my garden, and I thought the very roots of it were dead."
For a few minutes after Martin was gone, she danced about her appalling room, and laughed and cried and said the most extraordinary things to her dogs. The little pink beast became hysterical again, and the Chow leaped into a bundle of under- clothing and worried the life out of it. Finally, having hidden the check in a safe place, the girl ran upstairs to break the good news of her uncle's death to Tootles. Why, they could do the thing like ladies, the pair of them. It was immense, marvellous, almost beyond belief! That old man of Wisconsin deserved a place in Heaven. . . . Heaven--Devon.
It was an inspiration. "Gee, but that's the idea!" she said to herself. "Devon--and the sight of that boy. That'll put the pep back, unless I'm the original nut. And if he doesn't care about her now, he may presently. Others have."
And when she went in, there was Tootles staring at the wall, and through it and away beyond at the place Martin had called the Cathedral, and at Martin, with his face dead-white because Joan had turned and gone.
VII
It was a different Tootles who, ten days later, sat on a bank of dry ferns that overlooked a superb stretch of water and watched the sun go down. The little half-plucked bird of the Forty-sixth Street garret with the pale thin face and the large tired eyes had almost become the fairy of Joan's hill once more, the sun-tanned little brother of Peter Pan again. A whole week of the air of Devon and the smell of its pines, of the good wholesome food provided by the family with whom she and Irene were lodging, of long rambles through the woods, of bathing and sleeping, and the joy of finding herself among trees had performed that "yank" of which her fellow chorus lady had spoken.
Tootles was on her feet again. Her old zest to live had been given back to her by the wonder and the beauty of sky and water and trees. A child of nature, hitherto forced to struggle for her bread in cities, she was revived and renewed and refreshed by the sweet breath and the warm welcome of that simple corner of God's earth to which Irene had so cunningly brought her. Her starved, city-ridden spirit had blossomed and become healthy out there in the country like a root of Creeping Jenny taken from a pot on the window-sill of a slum house and put back into good brown earth.
The rough and ready family with whom they were lodging kept a duck farm, and it was to this white army of restless, greedy things that Tootles owed her first laugh. Tired and smut-bespattered after a tedious railway journey she had eagerly and with childish joy gone at once to see them fed, the old and knowing, the young and optimistic, and all the yellow babies with uncertain feet and tiny noises. After that, a setting sun which set fire to the sky and water and trees, melting and mingling them together, and Tootles turned the corner. The motherless waif slept that night on Nature's maternal breast and was comforted.
The warm-hearted Irene was proud of herself. Devon--Heaven--it was indeed an inspiration. The only fly in her amber came from the fact that Martin was away. But when she discovered that he and his friend had merely gone for a short trip on the yawl she waited with great content for their return, setting the seeds in Tootles' mind, with infinite diplomacy and feminine cunning, of a determination to use all her wiles to win even a little bit of love from Martin as soon as she saw him again.
Playing the part of one who had unexpectedly benefited from the will of an almost-forgotten relative she never, of course, said a word of why she had chosen Devon for this gorgeous holiday. Temporarily wealthy it was not necessary to look cannily at every nickel. Before leaving New York she had bought herself and Tootles some very necessary clothes and saw to it that they lived on as much of the fat of the land as could be obtained in the honest and humble house in which she had found a large two-bedded room. Her cigarettes were Egyptian now and on the train she had bought half a dozen new novels at which she looked with pride. Hitherto she had been obliged to read only those much-handled blase-looking books which went the round of the chorus. Conceive what that meant! Also she had brought with her a bottle of the scent that was only, so far as she knew, within reach of leading ladies. Like the cigarettes and the books, this was really for Tootles to use, but she borrowed a little from time to time.
As for Irene Stanton, then, she was having, and said so, the time of her young life. She richly deserved it, and if her kindness and thoughtfulness, patience and sympathy had not been entered in the big volume of the Recording Angel that everlasting young woman must have neglected her pleasant job for several weeks.
