reigning, sharing the wealth of earth, and owing obedience to nought but
the levelling law of work! The Pope alone erect at the head of the
federation of nations, prince of peace, with the simple mission of
supplying the moral rule, the link of charity and love which was to unite
all men! And would not this be the speedy realisation of the promises of
Christ? The times were near accomplishment, secular and religious society
would mingle so closely that they would form but one; and it would be the
age of triumph and happiness predicted by all the prophets, no more
struggles possible, no more antagonism between the mind and the body, but
a marvellous equilibrium which would kill evil and set the kingdom of
heaven upon earth. New Rome, the centre of the world, bestowing on the
world the new religion!
Pierre felt that tears were coming to his eyes, and with an unconscious
movement, never noticing how much he astonished the slim Englishmen and
thick-set Germans passing along the terrace, he opened his arms and
extended them towards the _real_ Rome, steeped in such lovely sunshine
and stretched out at his feet. Would she prove responsive to his dream?
Would he, as he had written, find within her the remedy for our
impatience and our alarms? Could Catholicism be renewed, could it return
to the spirit of primitive Christianity, become the religion of the
democracy, the faith which the modern world, overturned and in danger of
perishing, awaits in order to be pacified and to live?
Pierre was full of generous passion, full of faith. He again beheld good
Abbe Rose weeping with emotion as he read his book. He heard Viscount
Philibert de la Choue telling him that such a book was worth an army. And
he particularly felt strong in the approval of Cardinal Bergerot, that
apostle of inexhaustible charity. Why should the Congregation of the
Index threaten his work with interdiction? Since he had been officiously
advised to go to Rome if he desired to defend himself, he had been
turning this question over in his mind without being able to discover
which of his pages were attacked. To him indeed they all seemed to glow
with the purest Christianity. However, he had arrived quivering with
enthusiasm and courage: he was all eagerness to kneel before the Pope,
and place himself under his august protection, assuring him that he had
not written a line without taking inspiration from his ideas, without
desiring the triumph of his policy. Was it possible that condemnation
should be passed on a book in which he imagined in all sincerity that he
had exalted Leo XIII by striving to help him in his work of Christian
reunion and universal peace?
For a moment longer Pierre remained standing before the parapet. He had
been there for nearly an hour, unable to drink in enough of the grandeur
of Rome, which, given all the unknown things she hid from him, he would
have liked to possess at once. Oh! to seize hold of her, know her,
ascertain at once the true word which he had come to seek from her! This
again, like Lourdes, was an experiment, but a graver one, a decisive one,
whence he would emerge either strengthened or overcome for evermore. He
no longer sought the simple, perfect faith of the little child, but the
superior faith of the intellectual man, raising himself above rites and
symbols, working for the greatest happiness of humanity as based on its
need of certainty. His temples throbbed responsive to his heart. What
would be the answer of Rome?
The sunlight had increased and the higher districts now stood out more
vigorously against the fiery background. Far away the hills became gilded
and empurpled, whilst the nearer house-fronts grew very distinct and
bright with their thousands of windows sharply outlined. However, some
morning haze still hovered around; light veils seemed to rise from the
lower streets, blurring the summits for a moment, and then evaporating in
the ardent heavens where all was blue. For a moment Pierre fancied that
the Palatine had vanished, for he could scarcely see the dark fringe of
cypresses; it was as though the dust of its ruins concealed the hill. But
the Quirinal was even more obscured; the royal palace seemed to have
faded away in a fog, so paltry did it look with its low flat front, so
vague in the distance that he no longer distinguished it; whereas above
the trees on his left the dome of St. Peter's had grown yet larger in the
limpid gold of the sunshine, and appeared to occupy the whole sky and
dominate the whole city!
Ah! the Rome of that first meeting, the Rome of early morning, whose new
districts he had not even noticed in the burning fever of his
arrival--with what boundless hopes did she not inspirit him, this Rome
which he believed he should find alive, such indeed as he had dreamed!
And whilst he stood there in his thin black cassock, thus gazing on her
that lovely day, what a shout of coming redemption seemed to arise from
her house-roofs, what a promise of universal peace seemed to issue from
that sacred soil, twice already Queen of the world! It was the third
Rome, it was New Rome whose maternal love was travelling across the
frontiers to all the nations to console them and reunite them in a common
embrace. In the passionate candour of his dream he beheld her, he heard
her, rejuvenated, full of the gentleness of childhood, soaring, as it
were, amidst the morning freshness into the vast pure heavens.
But at last Pierre tore himself away from the sublime spectacle. The
driver and the horse, their heads drooping under the broad sunlight, had
not stirred. On the seat the valise was almost burning, hot with rays of
the sun which was already heavy. And once more Pierre got into the
vehicle and gave this address:
"Via Giulia, Palazzo Boccanera."
II.
THE Via Giulia, which runs in a straight line over a distance of five
hundred yards from the Farnese palace to the church of St. John of the
Florentines, was at that hour steeped in bright sunlight, the glow
streaming from end to end and whitening the small square paving stones.
The street had no footways, and the cab rolled along it almost to the
farther extremity, passing the old grey sleepy and deserted residences
whose large windows were barred with iron, while their deep porches
revealed sombre courts resembling wells. Laid out by Pope Julius II, who
had dreamt of lining it with magnificent palaces, the street, then the
most regular and handsome in Rome, had served as Corso* in the sixteenth
century. One could tell that one was in a former luxurious district,
which had lapsed into silence, solitude, and abandonment, instinct with a
kind of religious gentleness and discretion. The old house-fronts
followed one after another, their shutters closed and their gratings
occasionally decked with climbing plants. At some doors cats were seated,
and dim shops, appropriated to humble trades, were installed in certain
dependencies. But little traffic was apparent. Pierre only noticed some
bare-headed women dragging children behind them, a hay cart drawn by a
mule, a superb monk draped in drugget, and a bicyclist speeding along
noiselessly, his machine sparkling in the sun.
* The Corso was so called on account of the horse races held in
it at carnival time.--Trans.
At last the driver turned and pointed to a large square building at the
corner of a lane running towards the Tiber.
"Palazzo Boccanera."
Pierre raised his head and was pained by the severe aspect of the
structure, so bare and massive and blackened by age. Like its neighbours
the Farnese and Sacchetti palaces, it had been built by Antonio da
Sangallo in the early part of the sixteenth century, and, as with the
former of those residences, the tradition ran that in raising the pile
the architect had made use of stones pilfered from the Colosseum and the
Theatre of Marcellus. The vast, square-looking facade had three upper
stories, each with seven windows, and the first one very lofty and noble.
Down below, the only sign of decoration was that the high ground-floor
windows, barred with huge projecting gratings as though from fear of
siege, rested upon large consoles, and were crowned by attics which
smaller consoles supported. Above the monumental entrance, with folding
doors of bronze, there was a balcony in front of the central first-floor
window. And at the summit of the facade against the sky appeared a
sumptuous entablature, whose frieze displayed admirable grace and purity
of ornamentation. The frieze, the consoles, the attics, and the door-case
were of white marble, but marble whose surface had so crumbled and so
darkened that it now had the rough yellowish grain of stone. Right and
left of the entrance were two antique seats upheld by griffons also of
marble; and incrusted in the wall at one corner, a lovely Renascence
fountain, its source dried up, still lingered; and on it a cupid riding a
dolphin could with difficulty be distinguished, to such a degree had the
wear and tear of time eaten into the sculpture.
Pierre's eyes, however, had been more particularly attracted by an
escutcheon carved above one of the ground-floor windows, the escutcheon
of the Boccaneras, a winged dragon venting flames, and underneath it he
could plainly read the motto which had remained intact: "_Bocca nera,
Alma rossa_" (black mouth, red soul). Above another window, as a pendant
to the escutcheon, there was one of those little shrines which are still
common in Rome, a satin-robed statuette of the Blessed Virgin, before
which a lantern burnt in the full daylight.
The cabman was about to drive through the dim and gaping porch, according
to custom, when the young priest, overcome by timidity, stopped him. "No,
no," he said; "don't go in, it's useless."
Then he alighted from the vehicle, paid the man, and, valise in hand,
found himself first under the vaulted roof, and then in the central court
without having met a living soul.
It was a square and fairly spacious court, surrounded by a porticus like
a cloister. Some remnants of statuary, marbles discovered in excavating,
an armless Apollo, and the trunk of a Venus, were ranged against the
walls under the dismal arcades; and some fine grass had sprouted between
the pebbles which paved the soil as with a black and white mosaic. It
seemed as if the sun-rays could never reach that paving, mouldy with
damp. A dimness and a silence instinct with departed grandeur and
infinite mournfulness reigned there.
Surprised by the emptiness of this silent mansion, Pierre continued
seeking somebody, a porter, a servant; and, fancying that he saw a shadow
flit by, he decided to pass through another arch which led to a little
garden fringing the Tiber. On this side the facade of the building was
quite plain, displaying nothing beyond its three rows of symmetrically
disposed windows. However, the abandonment reigning in the garden brought
Pierre yet a keener pang. In the centre some large box-plants were
growing in the basin of a fountain which had been filled up; while among
the mass of weeds, some orange-trees with golden, ripening fruit alone
indicated the tracery of the paths which they had once bordered. Between
two huge laurel-bushes, against the right-hand wall, there was a
sarcophagus of the second century--with fauns offering violence to
nymphs, one of those wild _baccanali_, those scenes of eager passion
which Rome in its decline was wont to depict on the tombs of its dead;
and this marble sarcophagus, crumbling with age and green with moisture,
served as a tank into which a streamlet of water fell from a large tragic
mask incrusted in the wall. Facing the Tiber there had formerly been a
sort of colonnaded loggia, a terrace whence a double flight of steps
descended to the river. For the construction of the new quays, however,
the river bank was being raised, and the terrace was already lower than
the new ground level, and stood there crumbling and useless amidst piles
of rubbish and blocks of stone, all the wretched chalky confusion of the
improvements which were ripping up and overturning the district.
Pierre, however, was suddenly convinced that he could see somebody
crossing the court. So he returned thither and found a woman somewhat
short of stature, who must have been nearly fifty, though as yet she had
not a white hair, but looked very bright and active. At sight of the
priest, however, an expression of distrust passed over her round face and
clear eyes.
Employing the few words of broken Italian which he knew, Pierre at once
sought to explain matters: "I am Abbe Pierre Froment, madame--" he began.
However, she did not let him continue, but exclaimed in fluent French,
with the somewhat thick and lingering accent of the province of the
Ile-de-France: "Ah! yes, Monsieur l'Abbe, I know, I know--I was expecting
you, I received orders about you." And then, as he gazed at her in
amazement, she added: "Oh! I'm a Frenchwoman! I've been here for five and
twenty years, but I haven't yet been able to get used to their horrible
lingo!"
Pierre thereupon remembered that Viscount Philibert de la Choue had
spoken to him of this servant, one Victorine Bosquet, a native of Auneau
in La Beauce, who, when two and twenty, had gone to Rome with a
consumptive mistress. The latter's sudden death had left her in as much
terror and bewilderment as if she had been alone in some land of savages;
and so she had gratefully devoted herself to the Countess Ernesta
Brandini, a Boccanera by birth, who had, so to say, picked her up in the
streets. The Countess had at first employed her as a nurse to her
daughter Benedetta, hoping in this way to teach the child some French;
and Victorine--remaining for some five and twenty years with the same
family--had by degrees raised herself to the position of housekeeper,
whilst still remaining virtually illiterate, so destitute indeed of any
linguistic gift that she could only jabber a little broken Italian, just
sufficient for her needs in her intercourse with the other servants.