The principal didn't seem to be around, but some old lady around a hundred years old was sitting at a typewriter. I told her I was Phoebe Caulfield's brother, in 4B-1, and I asked her to please give Phoebe the note. I said it was very important because my mother was sick and wouldn't have lunch ready for Phoebe and that she'd have to meet me and have lunch in a drugstore. She was very nice about it, the old lady. She took the note off me and called some other lady, from the next office, and the other lady went to give it to Phoebe. Then the old lady that was around a hundred years old and I shot the breeze for a while, She was pretty nice, and I told her how I'd gone there to school, too, and my brothers. She asked me where I went to school now, and I told her Pencey, and she said Pencey was a very good school. Even if I'd wanted to, I wouldn't have had the strength to straighten her out. Besides, if she thought Pencey was a very good school, let her think it. You hate to tell new stuff to somebody around a hundred years old. They don't like to hear it. Then, after a while, I left. It was funny. She yelled "Good luck!" at me the same way old Spencer did when I left Pencey. God, how I hate it when somebody yells "Good luck!" at me when I'm leaving somewhere. It's depressing.
I went down by a different staircase, and I saw another "Fuck you" on the wall. I tried to rub it off with my hand again, but this one was scratched on, with a knife or something. It wouldn't come off. It's hopeless, anyway. If you had a million years to do it in, you couldn't rub out even half the "Fuck you" signs in the world. It's impossible.
I looked at the clock in the recess yard, and it was only twenty to twelve, so I had quite a lot of time to kill before I met old Phoebe. But I just walked over to the museum anyway. There wasn't anyplace else to go. I thought maybe I might stop in a phone booth and give old Jane Gallagher a buzz before I started bumming my way west, but I wasn't in the mood. For one thing, I wasn't even sure she was home for vacation yet. So I just went over to the museum, and hung around.
While I was waiting around for Phoebe in the museum, right inside the doors and all, these two little kids came up to me and asked me if I knew where the mummies were. The one little kid, the one that asked me, had his pants open. I told him about it. So he buttoned them up right where he was standing talking to me--he didn't even bother to go behind a post or anything. He killed me. I would've laughed, but I was afraid I'd feel like vomiting again, so I didn't. "Where're the mummies, fella?" the kid said again. "Ya know?"
I horsed around with the two of them a little bit. "The mummies? What're they?" I asked the one kid.
"You know. The mummies--them dead guys. That get buried in them toons and all."
Toons. That killed me. He meant tombs.
"How come you two guys aren't in school?" I said.
"No school t'day," the kid that did all the talking said. He was lying, sure as I'm alive, the little bastard. I didn't have anything to do, though, till old Phoebe showed up, so I helped them find the place where the mummies were. Boy, I used to know exactly where they were, but I hadn't been in that museum in years.
"You two guys so interested in mummies?" I said.
"Yeah."
"Can't your friend talk?" I said.
"He ain't my friend. He's my brudda."
"Can't he talk?" I looked at the one that wasn't doing any talking. "Can't you talk at all?" I asked him.
"Yeah," he said. "I don't feel like it."
Finally we found the place where the mummies were, and we went in.
"You know how the Egyptians buried their dead?" I asked the one kid.
"Naa."
"Well, you should. It's very interesting. They wrapped their faces up in these cloths that were treated with some secret chemical. That way they could be buried in their tombs for thousands of years and their faces wouldn't rot or anything. Nobody knows how to do it except the Egyptians. Even modern science."
To get to where the mummies were, you had to go down this very narrow sort of hall with stones on the side that they'd taken right out of this Pharaoh's tomb and all. It was pretty spooky, and you could tell the two hot-shots I was with weren't enjoying it too much. They stuck close as hell to me, and the one that didn't talk at all practically was holding onto my sleeve. "Let's go," he said to his brother. "I seen 'em awreddy. C'mon, hey." He turned around and beat it.
"He's got a yella streak a mile wide," the other one said. "So long!" He beat it too. I was the only one left in the tomb then. I sort of liked it, in a way. It was so nice and peaceful. Then, all of a sudden, you'd never guess what I saw on the wall. Another "Fuck you." It was written with a red crayon or something, right under the glass part of the wall, under the stones.
That's the whole trouble. You can't ever find a place that's nice and peaceful, because there isn't any. You may think there is, but once you get there, when you're not looking, somebody'll sneak up and write "Fuck you" right under your nose. Try it sometime. I think, even, if I ever die, and they stick me in a cemetery, and I have a tombstone and all, it'll say "Holden Caulfield" on it, and then what year I was born and what year I died, and then right under that it'll say "Fuck you." I'm positive, in fact.
After I came out of the place where the mummies were, I had to go to the bathroom. I sort of had diarrhea, if you want to know the truth. I didn't mind the diarrhea part too much, but something else happened. When I was coming out of the can, right before I got to the door, I sort of passed out. I was lucky, though. I mean I could've killed myself when I hit the floor, but all I did was sort of land on my side. it was a funny thing, though. I felt better after I passed out. I really did. My arm sort of hurt, from where I fell, but I didn't feel so damn dizzy any more.
It was about ten after twelve or so then, and so I went back and stood by the door and waited for old Phoebe. I thought how it might be the last time I'd ever see her again. Any of my relatives, I mean. I figured I'd probably see them again, but not for years. I might come home when I was about thirty-five. I figured, in case somebody got sick and wanted to see me before they died, but that would be the only reason I'd leave my cabin and come back. I even started picturing how it would be when I came back. I knew my mother'd get nervous as hell and start to cry and beg me to stay home and not go back to my cabin, but I'd go anyway. I'd be casual as hell. I'd make her calm down, and then I'd go over to the other side of the living room and take out this cigarette case and light a cigarette, cool as all hell. I'd ask them all to visit me sometime if they wanted to, but I wouldn't insist or anything. What I'd do, I'd let old Phoebe come out and visit me in the summertime and on Christmas vacation and Easter vacation. And I'd let D.B. come out and visit me for a while if he wanted a nice, quiet place for his writing, but he couldn't write any movies in my cabin, only stories and books. I'd have this rule that nobody could do anything phony when they visited me. If anybody tried to do anything phony, they couldn't stay.
All of a sudden I looked at the clock in the checkroom and it was twenty-five of one. I began to get scared that maybe that old lady in the school had told that other lady not to give old Phoebe my message. I began to get scared that maybe she'd told her to burn it or something. It really scared hell out of me. I really wanted to see old Phoebe before I hit the road. I mean I had her Christmas dough and all.
Finally, I saw her. I saw her through the glass part of the door. The reason I saw her, she had my crazy hunting hat on--you could see that hat about ten miles away.
I went out the doors and started down these stone stairs to meet her. The thing I couldn't understand, she had this big suitcase with her. She was just coming across Fifth Avenue, and she was dragging this goddam big suitcase with her. She could hardly drag it. When I got up closer, I saw it was my old suitcase, the one I used to use when I was at Whooton. I couldn't figure out what the hell she was doing with it. "Hi," she said when she got up close. She was all out of breath from that crazy suitcase. "I thought maybe you weren't coming," I said. "What the hell's in that bag? I don't need anything. I'm just going the way I am. I'm not even taking the bags I got at the station. What the hellya got in there?"
She put the suitcase down. "My clothes," she said. "I'm going with you. Can I? Okay?"
"What?" I said. I almost fell over when she said that. I swear to God I did. I got sort of dizzy and I thought I was going to pass out or something again.
"I took them down the back elevator so Charlene wouldn't see me. It isn't heavy. All I have in it is two dresses and my moccasins and my underwear and socks and some other things. Feel it. It isn't heavy. Feel it once. . . Can't I go with you? Holden? Can't I? Please."
"No. Shut up."
I thought I was going to pass out cold. I mean I didn't mean to tell her to shut up and all, but I thought I was going to pass out again.
"Why can't I? Please, Holden! I won't do anything-- I'll just go with you, that's all! I won't even take my clothes with me if you don't want me to--I'll just take my--"
"You can't take anything. Because you're not going. I'm going alone. So shut up."
"Please, Holden. Please let me go. I'll be very, very, very--You won't even--"
"You're not going. Now, shut up! Gimme that bag," I said. I took the bag off her. I was almost all set to hit her, I thought I was going to smack her for a second. I really did.
She started to cry.
"I thought you were supposed to be in a play at school and all I thought you were supposed to be Benedict Arnold in that play and all," I said. I said it very nasty. "Whuddaya want to do? Not be in the play, for God's sake?" That made her cry even harder. I was glad. All of a sudden I wanted her to cry till her eyes practically dropped out. I almost hated her. I think I hated her most because she wouldn't be in that play any more if she went away with me.
"Come on," I said. I started up the steps to the museum again. I figured what I'd do was, I'd check the crazy suitcase she'd brought in the checkroom, andy then she could get it again at three o'clock, after school. I knew she couldn't take it back to school with her. "Come on, now," I said.
She didn't go up the steps with me, though. She wouldn't come with me. I went up anyway, though, and brought the bag in the checkroom and checked it, and then I came down again. She was still standing there on the sidewalk, but she turned her back on me when I came up to her. She can do that. She can turn her back on you when she feels like it. "I'm not going away anywhere. I changed my mind. So stop crying, and shut up," I said. The funny part was, she wasn't even crying when I said that. I said it anyway, though, "C'mon, now. I'll walk you back to school. C'mon, now. You'll be late."
She wouldn't answer me or anything. I sort of tried to get hold of her old hand, but she wouldn't let me. She kept turning around on me.
"Didja have your lunch? Ya had your lunch yet?" I asked her.
She wouldn't answer me. All she did was, she took off my red hunting hat--the one I gave her--and practically chucked it right in my face. Then she turned her back on me again. It nearly killed me, but I didn't say anything. I just picked it up and stuck it in my coat pocket.
"Come on, hey. I'll walk you back to school," I said. "I'm not going back to school."
I didn't know what to say when she said that. I just stood there for a couple of minutes.
"You have to go back to school. You want to be in that play, don't you? You want to be Benedict Arnold, don't you?"
"No."
"Sure you do. Certainly you do. C'mon, now, let's go," I said. "In the first place, I'm not going away anywhere, I told you. I'm going home. I'm going home as soon as you go back to school. First I'm gonna go down to the station and get my bags, and then I'm gonna go straight--"
"I said I'm not going back to school. You can do what you want to do, but I'm not going back to chool," she said. "So shut up." It was the first time she ever told me to shut up. It sounded terrible. God, it sounded terrible. It sounded worse than swearing. She still wouldn't look at me either, and every time I sort of put my hand on her shoulder or something, she wouldn't let me.
"Listen, do you want to go for a walk?" I asked her. "Do you want to take a walk down to the zoo? If I let you not go back to school this afternoon and go for walk, will you cut out this crazy stuff?"
She wouldn't answer me, so I said it over again. "If I let you skip school this afternoon and go for a little walk, will you cut out the crazy stuff? Will you go back to school tomorrow like a good girl?"
"I may and I may not," she said. Then she ran right the hell across the street, without even looking to see if any cars were coming. She's a madman sometimes.
I didn't follow her, though. I knew she'd follow me, so I started walking downtown toward the zoo, on the park side of the street, and she started walking downtown on the other goddam side of the street, She wouldn't look over at me at all, but I could tell she was probably watching me out of the corner of her crazy eye to see where I was going and all. Anyway, we kept walking that way all the way to the zoo. The only thing that bothered me was when a double-decker bus came along because then I couldn't see across the street and I couldn't see where the hell she was. But when we got to the zoo, I yelled over to her, "Phoebe! I'm going in the zoo! C'mon, now!" She wouldn't look at me, but I could tell she heard me, and when I started down the steps to the zoo I turned around and saw she was crossing the street and following me and all.
