side, the plain, gently rising, broadens out, showing as far
as eye can follow its blond cornfields. The water, flowing
by the grass, divides with a white line the colour of the
roads and of the plains, and the country is like a great
unfolded mantle with a green velvet cape bordered with a
fringe of silver.
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Before us, on the verge of the horizon, lie the oaks of
the forest of Argueil, with the steeps of the Saint-Jean hills
scarred from top to bottom with red irregular lines; they
are rain tracks, and these brick-tones standing out in
narrow streaks against the grey colour of the mountain are
due to the quantity of iron springs that flow beyond in the
neighboring country.
Here we are on the confines of Normandy, Picardy,
and the Ile-de-France, a bastard land whose language is
without accent and its landscape is without character. It is
there that they make the worst Neufchatel cheeses of all
the arrondissement; and, on the other hand, farming is
costly because so much manure is needed to enrich this
friable soil full of sand and flints.
Up to 1835 there was no practicable road for getting to
Yonville, but about this time a cross-road was made which
joins that of Abbeville to that of Amiens, and is
occasionally used by the Rouen wagoners on their way to
Flanders. Yonville-l’Abbaye has remained stationary in
spite of its ‘new outlet.’ Instead of improving the soil, they
persist in keeping up the pasture lands, however
depreciated they may be in value, and the lazy borough,
growing away from the plain, has naturally spread
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riverwards. It is seem from afar sprawling along the banks
like a cowherd taking a siesta by the water-side.
At the foot of the hill beyond the bridge begins a
roadway, planted with young aspens, that leads in a
straight line to the first houses in the place. These, fenced
in by hedges, are in the middle of courtyards full of
straggling buildings, wine-presses, cart-sheds and distilleries
scattered under thick trees, with ladders, poles, or scythes
hung on to the branches. The thatched roofs, like fur caps
drawn over eyes, reach down over about a third of the
low windows, whose coarse convex glasses have knots in
the middle like the bottoms of bottles. Against the plaster
wall diagonally crossed by black joists, a meagre pear-tree
sometimes leans and the ground-floors have at their door a
small swing-gate to keep out the chicks that come
pilfering crumbs of bread steeped in cider on the
threshold. But the courtyards grow narrower, the houses
closer together, and the fences disappear; a bundle of ferns
swings under a window from the end of a broomstick;
there is a blacksmith’s forge and then a wheelwright’s,
with two or three new carts outside that partly block the
way. Then across an open space appears a white house
beyond a grass mound ornamented by a Cupid, his finger
on his lips; two brass vases are at each end of a flight of
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steps; scutcheons* blaze upon the door. It is the notary’s
house, and the finest in the place.
*The panonceaux that have to be hung over the doors
of notaries.
The Church is on the other side of the street, twenty
paces farther down, at the entrance of the square. The
little cemetery that surrounds it, closed in by a wall breast
high, is so full of graves that the old stones, level with the
ground, form a continuous pavement, on which the grass
of itself has marked out regular green squares. The church
was rebuilt during the last years of the reign of Charles X.
The wooden roof is beginning to rot from the top, and
here and there has black hollows in its blue colour. Over
the door, where the organ should be, is a loft for the men,
with a spiral staircase that reverberates under their wooden
shoes.
The daylight coming through the plain glass windows
falls obliquely upon the pews ranged along the walls,
which are adorned here and there with a straw mat
bearing beneath it the words in large letters, ‘Mr. So-andso’s
pew.’ Farther on, at a spot where the building
narrows, the confessional forms a pendant to a statuette of
the Virgin, clothed in a satin robe, coifed with a tulle veil
sprinkled with silver stars, and with red cheeks, like an idol
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of the Sandwich Islands; and, finally, a copy of the ‘Holy
Family, presented by the Minister of the Interior,’
overlooking the high altar, between four candlesticks,
closes in the perspective. The choir stalls, of deal wood,
have been left unpainted.
The market, that is to say, a tiled roof supported by
some twenty posts, occupies of itself about half the public
square of Yonville. The town hall, constructed ‘from the
designs of a Paris architect,’ is a sort of Greek temple that
forms the corner next to the chemist’s shop. On the
ground-floor are three Ionic columns and on the first floor
a semicircular gallery, while the dome that crowns it is
occupied by a Gallic cock, resting one foot upon the
‘Charte’ and holding in the other the scales of Justice.
But that which most attracts the eye is opposite the
Lion d’Or inn, the chemist’s shop of Monsieur Homais. In
the evening especially its argand lamp is lit up and the red
and green jars that embellish his shop-front throw far
across the street their two streams of colour; then across
them as if in Bengal lights is seen the shadow of the
chemist leaning over his desk. His house from top to
bottom is placarded with inscriptions written in large
hand, round hand, printed hand: ‘Vichy, Seltzer, Barege
waters, blood purifiers, Raspail patent medicine, Arabian
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racahout, Darcet lozenges, Regnault paste, trusses, baths,
hygienic chocolate,’ etc. And the signboard, which takes
up all the breadth of the shop, bears in gold letters,
‘Homais, Chemist.’ Then at the back of the shop, behind
the great scales fixed to the counter, the word ‘Laboratory’
appears on a scroll above a glass door, which about halfway
up once more repeats ‘Homais’ in gold letters on a
black ground.
Beyond this there is nothing to see at Yonville. The
street (the only one) a gunshot in length and flanked by a
few shops on either side stops short at the turn of the
highroad. If it is left on the right hand and the foot of the
Saint-Jean hills followed the cemetery is soon reached.
At the time of the cholera, in order to enlarge this, a
piece of wall was pulled down, and three acres of land by
its side purchased; but all the new portion is almost
tenantless; the tombs, as heretofore, continue to crowd
together towards the gate. The keeper, who is at once
gravedigger and church beadle (thus making a double
profit out of the parish corpses), has taken advantage of the
unused plot of ground to plant potatoes there. From year
to year, however, his small field grows smaller, and when
there is an epidemic, he does not know whether to rejoice
at the deaths or regret the burials.
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‘You live on the dead, Lestiboudois!’ the curie at last
said to him one day. This grim remark made him reflect; it
checked him for some time; but to this day he carries on
the cultivation of his little tubers, and even maintains
stoutly that they grow naturally.
Since the events about to be narrated, nothing in fact
has changed at Yonville. The tin tricolour flag still swings
at the top of the church-steeple; the two chintz streamers
still flutter in the wind from the linen-draper’s; the
chemist’s fetuses, like lumps of white amadou, rot more
and more in their turbid alcohol, and above the big door
of the inn the old golden lion, faded by rain, still shows
passers-by its poodle mane.
On the evening when the Bovarys were to arrive at
Yonville, Widow Lefrancois, the landlady of this inn, was
so very busy that she sweated great drops as she moved her
saucepans. To-morrow was market-day. The meat had to
be cut beforehand, the fowls drawn, the soup and coffee
made. Moreover, she had the boarders’ meal to see to, and
that of the doctor, his wife, and their servant; the billiard-
room was echoing with bursts of laughter; three millers in
a small parlour were calling for brandy; the wood was
blazing, the brazen pan was hissing, and on the long
kitchen table, amid the quarters of raw mutton, rose piles
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of plates that rattled with the shaking of the block on
which spinach was being chopped.
From the poultry-yard was heard the screaming of the
fowls whom the servant was chasing in order to wring
their necks.
A man slightly marked with small-pox, in green leather
slippers, and wearing a velvet cap with a gold tassel, was
warming his back at the chimney. His face expressed
nothing but self-satisfaction, and he appeared to take life as
calmly as the goldfinch suspended over his head in its
wicker cage: this was the chemist.
‘Artemise!’ shouted the landlady, ‘chop some wood, fill
the water bottles, bring some brandy, look sharp! If only I
knew what dessert to offer the guests you are expecting!
Good heavens! Those furniture-movers are beginning
their racket in the billiard-room again; and their van has
been left before the front door! The ‘Hirondelle’ might
run into it when it draws up. Call Polyte and tell him to
put it up. Only think, Monsieur Homais, that since
morning they have had about fifteen games, and drunk
eight jars of cider! Why, they’ll tear my cloth for me,’ she
went on, looking at them from a distance, her strainer in
her hand.
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‘That wouldn’t be much of a loss,’ replied Monsieur
Homais. ‘You would buy another.’
‘Another billiard-table!’ exclaimed the widow.
‘Since that one is coming to pieces, Madame
Lefrancois. I tell you again you are doing yourself harm,
much harm! And besides, players now want narrow
pockets and heavy cues. Hazards aren’t played now;
everything is changed! One must keep pace with the
times! Just look at Tellier!’
The hostess reddened with vexation. The chemist went
on—
‘You may say what you like; his table is better than
yours; and if one were to think, for example, of getting up
a patriotic pool for Poland or the sufferers from the Lyons
floods—‘
‘It isn’t beggars like him that’ll frighten us,’ interrupted
the landlady, shrugging her fat shoulders. ‘Come, come,
Monsieur Homais; as long as the ‘Lion d’Or’ exists people
will come to it. We’ve feathered our nest; while one of
these days you’ll find the ‘Cafe Francais’ closed with a big
placard on the shutters. Change my billiard-table!’ she
went on, speaking to herself, ‘the table that comes in so
handy for folding the washing, and on which, in the
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hunting season, I have slept six visitors! But that dawdler,
Hivert, doesn’t come!’
‘Are you waiting for him for your gentlemen’s dinner?’
‘Wait for him! And what about Monsieur Binet? As the
clock strikes six you’ll see him come in, for he hasn’t his
equal under the sun for punctuality. He must always have
his seat in the small parlour. He’d rather die than dine
anywhere else. And so squeamish as he is, and so particular
about the cider! Not like Monsieur Leon; he sometimes
comes at seven, or even half-past, and he doesn’t so much
as look at what he eats. Such a nice young man! Never
speaks a rough word!’
‘Well, you see, there’s a great difference between an
educated man and an old carabineer who is now a tax-
collector.’
Six o’clock struck. Binet came in.
He wore a blue frock-coat falling in a straight line
round his thin body, and his leather cap, with its lappets
knotted over the top of his head with string, showed
under the turned-up peak a bald forehead, flattened by the
constant wearing of a helmet. He wore a black cloth
waistcoat, a hair collar, grey trousers, and, all the year
round, well-blacked boots, that had two parallel swellings
due to the sticking out of his big-toes. Not a hair stood
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out from the regular line of fair whiskers, which,
encircling his jaws, framed, after the fashion of a garden
border, his long, wan face, whose eyes were small and the
nose hooked. Clever at all games of cards, a good hunter,
and writing a fine hand, he had at home a lathe, and
amused himself by turning napkin rings, with which he
filled up his house, with the jealousy of an artist and the
egotism of a bourgeois.
He went to the small parlour, but the three millers had
to be got out first, and during the whole time necessary
for laying the cloth, Binet remained silent in his place near
the stove. Then he shut the door and took off his cap in
his usual way.
‘It isn’t with saying civil things that he’ll wear out his
tongue,’ said the chemist, as soon as he was along with the
landlady.
‘He never talks more,’ she replied. ‘Last week two
travelers in the cloth line were here—such clever chaps
who told such jokes in the evening, that I fairly cried with
laughing; and he stood there like a dab fish and never said
a word.’
‘Yes,’ observed the chemist; ‘no imagination, no sallies,
nothing that makes the society-man.’
‘Yet they say he has parts,’ objected the landlady.
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‘Parts!’ replied Monsieur Homais; ‘he, parts! In his own
line it is possible,’ he added in a calmer tone. And he went
on—
‘Ah! That a merchant, who has large connections, a
jurisconsult, a doctor, a chemist, should be thus absentminded,
that the should become whimsical or even
peevish, I can understand; such cases are cited in history.