chaser, and that there was never enough cold-cream for
her skin, nor of patchouli for her handkerchiefs. She
loaded herself with bracelets, rings, and necklaces. When
he was coming she filled the two large blue glass vases
with roses, and prepared her room and her person like a
courtesan expecting a prince. The servant had to be
constantly washing linen, and all day Felicite did not stir
from the kitchen, where little Justin, who often kept her
company, watched her at work.
With his elbows on the long board on which she was
ironing, he greedily watched all these women’s clothes
spread about him, the dimity petticoats, the fichus, the
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collars, and the drawers with running strings, wide at the
hips and growing narrower below.
‘What is that for?’ asked the young fellow, passing his
hand over the crinoline or the hooks and eyes.
‘Why, haven’t you ever seen anything?’ Felicite
answered laughing. ‘As if your mistress, Madame Homais,
didn’t wear the same.’
‘Oh, I daresay! Madame Homais!’ And he added with a
meditative air, ‘As if she were a lady like madame!’
But Felicite grew impatient of seeing him hanging
round her. She was six years older than he, and Theodore,
Monsieur Guillaumin’s servant, was beginning to pay
court to her.
‘Let me alone,’ she said, moving her pot of starch.
‘You’d better be off and pound almonds; you are always
dangling about women. Before you meddle with such
things, bad boy, wait till you’ve got a beard to your chin.’
‘Oh, don’t be cross! I’ll go and clean her boots.’
And he at once took down from the shelf Emma’s
boots, all coated with mud, the mud of the rendezvous,
that crumbled into powder beneath his fingers, and that he
watched as it gently rose in a ray of sunlight.
‘How afraid you are of spoiling them!’ said the servant,
who wasn’t so particular when she cleaned them herself,
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because as soon as the stuff of the boots was no longer
fresh madame handed them over to her.
Emma had a number in her cupboard that she
squandered one after the other, without Charles allowing
himself the slightest observation. So also he disbursed three
hundred francs for a wooden leg that she thought proper
to make a present of to Hippolyte. Its top was covered
with cork, and it had spring joints, a complicated
mechanism, covered over by black trousers ending in a
patent-leather boot. But Hippolyte, not daring to use such
a handsome leg every day, begged Madame Bovary to get
him another more convenient one. The doctor, of course,
had again to defray the expense of this purchase.
So little by little the stable-man took up his work again.
One saw him running about the village as before, and
when Charles heard from afar the sharp noise of the
wooden leg, he at once went in another direction.
It was Monsieur Lheureux, the shopkeeper, who had
undertaken the order; this provided him with an excuse
for visiting Emma. He chatted with her about the new
goods from Paris, about a thousand feminine trifles, made
himself very obliging, and never asked for his money.
Emma yielded to this lazy mode of satisfying all her
caprices. Thus she wanted to have a very handsome
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ridding-whip that was at an umbrella-maker’s at Rouen to
give to Rodolphe. The week after Monsieur Lheureux
placed it on her table.
But the next day he called on her with a bill for two
hundred and seventy francs, not counting the centimes.
Emma was much embarrassed; all the drawers of the
writing-table were empty; they owed over a fortnight’s
wages to Lestiboudois, two quarters to the servant, for any
quantity of other things, and Bovary was impatiently
expecting Monsieur Derozeray’s account, which he was in
the habit of paying every year about Midsummer.
She succeeded at first in putting off Lheureux. At last
he lost patience; he was being sued; his capital was out,
and unless he got some in he should be forced to take
back all the goods she had received.
‘Oh, very well, take them!’ said Emma.
‘I was only joking,’ he replied; ‘the only thing I regret
is the whip. My word! I’ll ask monsieur to return it to
me.’
‘No, no!’ she said.
‘Ah! I’ve got you!’ thought Lheureux.
And, certain of his discovery, he went out repeating to
himself in an undertone, and with his usual low whistle—
‘Good! we shall see! we shall see!’
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She was thinking how to get out of this when the
servant coming in put on the mantelpiece a small roll of
blue paper ‘from Monsieur Derozeray’s.’ Emma pounced
upon and opened it. It contained fifteen napoleons; it was
the account. She heard Charles on the stairs; threw the
gold to the back of her drawer, and took out the key.
Three days after Lheureux reappeared.
‘I have an arrangement to suggest to you,’ he said. ‘If,
instead of the sum agreed on, you would take—‘
‘Here it is,’ she said placing fourteen napoleons in his
hand.
The tradesman was dumfounded. Then, to conceal his
disappointment, he was profuse in apologies and proffers
of service, all of which Emma declined; then she remained
a few moments fingering in the pocket of her apron the
two five-franc pieces that he had given her in change. She
promised herself she would economise in order to pay
back later on. ‘Pshaw!’ she thought, ‘he won’t think about
it again.’
Besides the riding-whip with its silver-gilt handle,
Rodolphe had received a seal with the motto Amor nel
cor* furthermore, a scarf for a muffler, and, finally, a
cigar-case exactly like the Viscount’s, that Charles had
formerly picked up in the road, and that Emma had kept.
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These presents, however, humiliated him; he refused
several; she insisted, and he ended by obeying, thinking
her tyrannical and overexacting.
*A loving heart.
Then she had strange ideas.
‘When midnight strikes,’ she said, ‘you must think of
me.’
And if he confessed that he had not thought of her,
there were floods of reproaches that always ended with the
eternal question—
‘Do you love me?’
‘Why, of course I love you,’ he answered.
‘A great deal?’
‘Certainly!’
‘You haven’t loved any others?’
‘Did you think you’d got a virgin?’ he exclaimed
laughing.
Emma cried, and he tried to console her, adorning his
protestations with puns.
‘Oh,’ she went on, ‘I love you! I love you so that I
could not live without you, do you see? There are times
when I long to see you again, when I am torn by all the
anger of love. I ask myself, Where is he? Perhaps he is
talking to other women. They smile upon him; he
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approaches. Oh no; no one else pleases you. There are
some more beautiful, but I love you best. I know how to
love best. I am your servant, your concubine! You are my
king, my idol! You are good, you are beautiful, you are
clever, you are strong!’
He had so often heard these things said that they did
not strike him as original. Emma was like all his mistresses;
and the charm of novelty, gradually falling away like a
garment, laid bare the eternal monotony of passion, that
has always the same forms and the same language. He did
not distinguish, this man of so much experience, the
difference of sentiment beneath the sameness of
expression. Because lips libertine and venal had murmured
such words to him, he believed but little in the candour of
hers; exaggerated speeches hiding mediocre affections must
be discounted; as if the fullness of the soul did not
sometimes overflow in the emptiest metaphors, since no
one can ever give the exact measure of his needs, nor of
his conceptions, nor of his sorrows; and since human
speech is like a cracked tin kettle, on which we hammer
out tunes to make bears dance when we long to move the
stars.
But with that superior critical judgment that belongs to
him who, in no matter what circumstance, holds back,
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Rodolphe saw other delights to be got out of this love. He
thought all modesty in the way. He treated her quite sans
facon.* He made of her something supple and corrupt.
Hers was an idiotic sort of attachment, full of admiration
for him, of voluptuousness for her, a beatitude that
benumbed her; her soul sank into this drunkenness,
shrivelled up, drowned in it, like Clarence in his butt of
Malmsey.
*Off-handedly.
By the mere effect of her love Madame Bovary’s
manners changed. Her looks grew bolder, her speech
more free; she even committed the impropriety of walking
out with Monsieur Rodolphe, a cigarette in her mouth,
‘as if to defy the people.’ At last, those who still doubted
doubted no longer when one day they saw her getting out
of the ‘Hirondelle,’ her waist squeezed into a waistcoat
like a man; and Madame Bovary senior, who, after a
fearful scene with her husband, had taken refuge at her
son’s, was not the least scandalised of the women-folk.
Many other things displeased her. First, Charles had not
attended to her advice about the forbidding of novels;
then the ‘ways of the house’ annoyed her; she allowed
herself to make some remarks, and there were quarrels,
especially one on account of Felicite.
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Madame Bovary senior, the evening before, passing
along the passage, had surprised her in company of a
man—a man with a brown collar, about forty years old,
who, at the sound of her step, had quickly escaped
through the kitchen. Then Emma began to laugh, but the
good lady grew angry, declaring that unless morals were to
be laughed at one ought to look after those of one’s
servants.
‘Where were you brought up?’ asked the daughter-inlaw,
with so impertinent a look that Madame Bovary
asked her if she were not perhaps defending her own case.
‘Leave the room!’ said the young woman, springing up
with a bound.
‘Emma! Mamma!’ cried Charles, trying to reconcile
them.
But both had fled in their exasperation. Emma was
stamping her feet as she repeated—
‘Oh! what manners! What a peasant!’
He ran to his mother; she was beside herself. She
stammered
‘She is an insolent, giddy-headed thing, or perhaps
worse!’
And she was for leaving at once if the other did not
apologise. So Charles went back again to his wife and
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implored her to give way; he knelt to her; she ended by
saying—
‘Very well! I’ll go to her.’
And in fact she held out her hand to her mother-in-law
with the dignity of a marchioness as she said—
‘Excuse me, madame.’
Then, having gone up again to her room, she threw
herself flat on her bed and cried there like a child, her face
buried in the pillow.
She and Rodolphe had agreed that in the event of
anything extraordinary occurring, she should fasten a small
piece of white paper to the blind, so that if by chance he
happened to be in Yonville, he could hurry to the lane
behind the house. Emma made the signal; she had been
waiting three-quarters of an hour when she suddenly
caught sight of Rodolphe at the corner of the market. She
felt tempted to open the window and call him, but he had
already disappeared. She fell back in despair.
Soon, however, it seemed to her that someone was
walking on the pavement. It was he, no doubt. She went
downstairs, crossed the yard. He was there outside. She
threw herself into his arms.
‘Do take care!’ he said.
‘Ah! if you knew!’ she replied.
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And she began telling him everything, hurriedly,
disjointedly, exaggerating the facts, inventing many, and so
prodigal of parentheses that he understood nothing of it.
‘Come, my poor angel, courage! Be comforted! be
patient!’
‘But I have been patient; I have suffered for four years.
A love like ours ought to show itself in the face of heaven.
They torture me! I can bear it no longer! Save me!’
She clung to Rodolphe. Her eyes, full of tears, flashed
like flames beneath a wave; her breast heaved; he had
never loved her so much, so that he lost his head and said
‘What is, it? What do you wish?’
‘Take me away,’ she cried, ‘carry me off! Oh, I pray
you!’
And she threw herself upon his mouth, as if to seize
there the unexpected consent if breathed forth in a kiss.
‘But—’ Rodolphe resumed.
‘What?’ ‘Your little girl!’ She reflected a few moments,
then replied—
‘We will take her! It can’t be helped!’
‘What a woman!’ he said to himself, watching her as
she went. For she had run into the garden. Someone was
calling her.
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On the following days Madame Bovary senior was
much surprised at the change in her daughter-in-law.
Emma, in fact, was showing herself more docile, and even
carried her deference so far as to ask for a recipe for
pickling gherkins.
Was it the better to deceive them both? Or did she
wish by a sort of voluptuous stoicism to feel the more
profoundly the bitterness of the things she was about to
leave?
But she paid no heed to them; on the contrary, she
lived as lost in the anticipated delight of her coming
happiness.
It was an eternal subject for conversation with
Rodolphe. She leant on his shoulder murmuring—
‘Ah! when we are in the mail-coach! Do you think
about it? Can it be? It seems to me that the moment I feel
the carriage start, it will be as if we were rising in a
balloon, as if we were setting out for the clouds. Do you
know that I count the hours? And you?’
Never had Madame Bovary been so beautiful as at this
period; she had that indefinable beauty that results from