declared usually the rickety old concern ‘was late.’
Leon, however, made up his mind, and knocked at the
doctor’s door. Madame was in her room, and did not
come down for a quarter of an hour. The doctor seemed
delighted to see him, but he never stirred out that
evening, nor all the next day.
He saw her alone in the evening, very late, behind the
garden in the lane; in the lane, as she had the other one! It
was a stormy night, and they talked under an umbrella by
lightning flashes.
Their separation was becoming intolerable. ‘I would
rather die!’ said Emma. She was writhing in his arms,
weeping. ‘Adieu! adieu! When shall I see you again?’
They came back again to embrace once more, and it
was then that she promised him to find soon, by no matter
what means, a regular opportunity for seeing one another
in freedom at least once a week. Emma never doubted she
should be able to do this. Besides, she was full of hope.
Some money was coming to her.
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On the strength of it she bought a pair of yellow
curtains with large stripes for her room, whose cheapness
Monsieur Lheureux had commended; she dreamed of
getting a carpet, and Lheureux, declaring that it wasn’t
‘drinking the sea,’ politely undertook to supply her with
one. She could no longer do without his services. Twenty
times a day she sent for him, and he at once put by his
business without a murmur. People could not understand
either why Mere Rollet breakfasted with her every day,
and even paid her private visits.
It was about this time, that is to say, the beginning of
winter, that she seemed seized with great musical fervour.
One evening when Charles was listening to her, she
began the same piece four times over, each time with
much vexation, while he, not noticing any difference,
cried—
‘Bravo! very goodl You are wrong to stop. Go on!’
‘Oh, no; it is execrable! My fingers are quite rusty.’
The next day he begged her to play him something
again.
‘Very well; to please you!’
And Charles confessed she had gone off a little. She
played wrong notes and blundered; then, stopping short—
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‘Ah! it is no use. I ought to take some lessons; but—’
She bit her lips and added, ‘Twenty francs a lesson, that’s
too dear!’
‘Yes, so it is—rather,’ said Charles, giggling stupidly.
‘But it seems to me that one might be able to do it for less;
for there are artists of no reputation, and who are often
better than the celebrities.’
‘Find them!’ said Emma.
The next day when he came home he looked at her
shyly, and at last could no longer keep back the words.
‘How obstinate you are sometimes! I went to
Barfucheres to-day. Well, Madame Liegard assured me
that her three young ladies who are at La Misericorde have
lessons at fifty sous apiece, and that from an excellent
mistress!’
She shrugged her shoulders and did not open her piano
again. But when she passed by it (if Bovary were there),
she sighed—
‘Ah! my poor piano!’
And when anyone came to see her, she did not fail to
inform them she had given up music, and could not begin
again now for important reasons. Then people
commiserated her—
‘What a pity! she had so much talent!’
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They even spoke to Bovary about it. They put him to
shame, and especially the chemist.
‘You are wrong. One should never let any of the
faculties of nature lie fallow. Besides, just think, my good
friend, that by inducing madame to study; you are
economising on the subsequent musical education of your
child. For my own part, I think that mothers ought
themselves to instruct their children. That is an idea of
Rousseau’s, still rather new perhaps, but that will end by
triumphing, I am certain of it, like mothers nursing their
own children and vaccination.’
So Charles returned once more to this question of the
piano. Emma replied bitterly that it would be better to sell
it. This poor piano, that had given her vanity so much
satisfaction—to see it go was to Bovary like the indefinable
suicide of a part of herself.
‘If you liked,’ he said, ‘a lesson from time to time, that
wouldn’t after all be very ruinous.’
‘But lessons,’ she replied, ‘are only of use when
followed up.’
And thus it was she set about obtaining her husband’s
permission to go to town once a week to see her lover. At
the end of a month she was even considered to have made
considerable progress.
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CHAPTER FIVE
She went on Thursdays. She got up and dressed
silently, in order not to awaken Charles, who would have
made remarks about her getting ready too early. Next she
walked up and down, went to the windows, and looked
out at the Place. The early dawn was broadening between
the pillars of the market, and the chemist’s shop, with the
shutters still up, showed in the pale light of the dawn the
large letters of his signboard.
When the clock pointed to a quarter past seven, she
went off to the ‘Lion d’Or,’ whose door Artemise opened
yawning. The girl then made up the coals covered by the
cinders, and Emma remained alone in the kitchen. Now
and again she went out. Hivert was leisurely harnessing his
horses, listening, moreover, to Mere Lefrancois, who,
passing her head and nightcap through a grating, was
charging him with commissions and giving him
explanations that would have confused anyone else. Emma
kept beating the soles of her boots against the pavement of
the yard.
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At last, when he had eaten his soup, put on his cloak,
lighted his pipe, and grasped his whip, he calmly installed
himself on his seat.
The ‘Hirondelle’ started at a slow trot, and for about a
mile stopped here and there to pick up passengers who
waited for it, standing at the border of the road, in front of
their yard gates.
Those who had secured seats the evening before kept it
waiting; some even were still in bed in their houses.
Hivert called, shouted, swore; then he got down from his
seat and went and knocked loudly at the doors. The wind
blew through the cracked windows.
The four seats, however, filled up. The carriage rolled
off; rows of apple-trees followed one upon another, and
the road between its two long ditches, full of yellow
water, rose, constantly narrowing towards the horizon.
Emma knew it from end to end; she knew that after a
meadow there was a sign-post, next an elm, a barn, or the
hut of a lime-kiln tender. Sometimes even, in the hope of
getting some surprise, she shut her eyes, but she never lost
the clear perception of the distance to be traversed.
At last the brick houses began to follow one another
more closely, the earth resounded beneath the wheels, the
‘Hirondelle’ glided between the gardens, where through
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an opening one saw statues, a periwinkle plant, clipped
yews, and a swing. Then on a sudden the town appeared.
Sloping down like an amphitheatre, and drowned in the
fog, it widened out beyond the bridges confusedly. Then
the open country spread away with a monotonous
movement till it touched in the distance the vague line of
the pale sky. Seen thus from above, the whole landscape
looked immovable as a picture; the anchored ships were
massed in one corner, the river curved round the foot of
the green hills, and the isles, oblique in shape, lay on the
water, like large, motionless, black fishes. The factory
chimneys belched forth immense brown fumes that were
blown away at the top. One heard the rumbling of the
foundries, together with the clear chimes of the churches
that stood out in the mist. The leafless trees on the
boulevards made violet thickets in the midst of the houses,
and the roofs, all shining with the rain, threw back
unequal reflections, according to the height of the quarters
in which they were. Sometimes a gust of wind drove the
clouds towards the Saint Catherine hills, like aerial waves
that broke silently against a cliff.
A giddiness seemed to her to detach itself from this
mass of existence, and her heart swelled as if the hundred
and twenty thousand souls that palpitated there had all at
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once sent into it the vapour of the passions she fancied
theirs. Her love grew in the presence of this vastness, and
expanded with tumult to the vague murmurings that rose
towards her. She poured it out upon the square, on the
walks, on the streets, and the old Norman city outspread
before her eyes as an enormous capital, as a Babylon into
which she was entering. She leant with both hands against
the window, drinking in the breeze; the three horses
galloped, the stones grated in the mud, the diligence
rocked, and Hivert, from afar, hailed the carts on the road,
while the bourgeois who had spent the night at the
Guillaume woods came quietly down the hill in their little
family carriages.
They stopped at the barrier; Emma undid her
overshoes, put on other gloves, rearranged her shawl, and
some twenty paces farther she got down from the
‘Hirondelle.’
The town was then awakening. Shop-boys in caps
were cleaning up the shop-fronts, and women with
baskets against their hips, at intervals uttered sonorous cries
at the corners of streets. She walked with downcast eyes,
close to the walls, and smiling with pleasure under her
lowered black veil.
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For fear of being seen, she did not usually take the most
direct road. She plunged into dark alleys, and, all
perspiring, reached the bottom of the Rue Nationale, near
the fountain that stands there. It, is the quarter for theatres,
public-houses, and whores. Often a cart would pass near
her, bearing some shaking scenery. Waiters in aprons were
sprinkling sand on the flagstones between green shrubs. It
all smelt of absinthe, cigars, and oysters.
She turned down a street; she recognised him by his
curling hair that escaped from beneath his hat.
Leon walked along the pavement. She followed him to
the hotel. He went up, opened the door, entered—What
an embrace!
Then, after the kisses, the words gushed forth. They
told each other the sorrows of the week, the
presentiments, the anxiety for the letters; but now
everything was forgotten; they gazed into each other’s
faces with voluptuous laughs, and tender names.
The bed was large, of mahogany, in the shape of a boat.
The curtains were in red levantine, that hung from the
ceiling and bulged out too much towards the bell-shaped
bedside; and nothing in the world was so lovely as her
brown head and white skin standing out against this purple
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colour, when, with a movement of shame, she crossed her
bare arms, hiding her face in her hands.
The warm room, with its discreet carpet, its gay
ornaments, and its calm light, seemed made for the
intimacies of passion. The curtain-rods, ending in arrows,
their brass pegs, and the great balls of the fire-dogs shone
suddenly when the sun came in. On the chimney between
the candelabra there were two of those pink shells in
which one hears the murmur of the sea if one holds them
to the ear.
How they loved that dear room, so full of gaiety,
despite its rather faded splendour! They always found the
furniture in the same place, and sometimes hairpins, that
she had forgotten the Thursday before, under the pedestal
of the clock. They lunched by the fireside on a little round
table, inlaid with rosewood. Emma carved, put bits on his
plate with all sorts of coquettish ways, and she laughed
with a sonorous and libertine laugh when the froth of the
champagne ran over from the glass to the rings on her
fingers. They were so completely lost in the possession of
each other that they thought themselves in their own
house, and that they would live there till death, like two
spouses eternally young. They said ‘our room,’ ‘our
carpet,’ she even said ‘my slippers,’ a gift of Leon’s, a
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whim she had had. They were pink satin, bordered with
swansdown. When she sat on his knees, her leg, then too
short, hung in the air, and the dainty shoe, that had no
back to it, was held only by the toes to her bare foot.
He for the first time enjoyed the inexpressible delicacy
of feminine refinements. He had never met this grace of
language, this reserve of clothing, these poses of the weary
dove. He admired the exaltation of her soul and the lace
on her petticoat. Besides, was she not ‘a lady’ and a
married woman—a real mistress, in fine?
By the diversity of her humour, in turn mystical or
mirthful, talkative, taciturn, passionate, careless, she
awakened in him a thousand desires, called up instincts or
memories. She was the mistress of all the novels, the
heroine of all the dramas, the vague ‘she’ of all the
volumes of verse. He found again on her shoulder the
amber colouring of the ‘Odalisque Bathing"; she had the
long waist of feudal chatelaines, and she resembled the
‘Pale Woman of Barcelona.’ But above all she was the
Angel!
Often looking at her, it seemed to him that his soul,
escaping towards her, spread like a wave about the outline
of her head, and descended drawn down into the
whiteness of her breast. He knelt on the ground before
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her, and with both elbows on her knees looked at her
with a smile, his face upturned.
She bent over him, and murmured, as if choking with
intoxication—
‘Oh, do not move! do not speak! look at me!
Something so sweet comes from your eyes that helps me
so much!’
She called him ‘child.’ ‘Child, do you love me?’