I came out of the shop and looked up and down the street, hoping to see Joanna with the car. The walk had tired me a good deal and it was awkward getting along with my sticks and the currant loaf.
But there was no sign of Joanna as yet.
Suddenly my eyes were held in glad and incredulous surprise. Along the pavement toward me there came floating a goddess. There is really no other word for it. The perfect features, the crisply curling golden hair, the tall exquisitely shaped body. And she walked like a goddess, without effort, seeming to swim nearer and nearer. A glorious, an incredible, a breath-taking girl!
In my intense excitement something had to go. What went was the currant loaf. It slipped from my clutches. I made a dive after it and lost my stick, which clattered to the pavement, and I slipped and nearly fell myself.
It was the strong arm of the goddess that caught and held me.
I began to stammer: "Th-thanks awfully, I'm f-f-frightfully sorry."
She had retrieved the currant loaf and handed it to me together with the stick. And then she smiled kindly and said cheerfully:
"Don't mention it. No trouble, I assure you," and the magic died completely before the flat, competent voice.
A nice, healthy-looking, well set-up girl; no more.
I fell to reflecting what would have happened if the gods had given Helen of Troy exactly those flat accents. How strange that a girl could trouble your inmost soul so long as she kept her mouth shut, and that the moment she spoke the glamor could vanish as though it had never been.
I had known the reverse happen, though. I had seen a little sad monkey-faced woman whom no one would turn to look at twice. Then she had opened her mouth and suddenly enchantment had lived and bloomed and Cleopatra had cast her spell anew.
Joanna had drawn up at the curb beside me without my noticing her arrival. She asked if there was anything the matter.
"Nothing," I said, pulling myself together. "I was reflecting on Helen of Troy and others."
"What a funny place to do it," said Joanna. "You looked most odd, standing there clasping currant bread to your breast with your mouth wide open."
"I've had a shock," I said. "I had been transplanted to Ilium and back again."
I added, indicating a retreating back that was swimming gracefully away:
"Do you know who that is?"
Peering after the girl Joanna said that it was Elsie Holland, the Symmington's nursery governess.
"Is that what struck you all of a heap?" she asked. "She's good-looking, but a bit of a wet fish."
"I know," I said. "Just a nice kind girl. And I'd been thinking her Aphrodite."
Joanna opened the door of the car and I got in.
"It's funny, isn't it?" she said. "Some people have lots of looks and absolutely no S. A. That girl hasn't. It seems such a pity."
I said that if she was a nursery governess it was probably just as well.
That afternoon we went to tea with Mr. Pye.
Mr. Pye was an extremely ladylike plump little man, devoted to his petit point chairs, his Dresden shepherdesses and his collection of period furniture. He lived at Prior's Lodge in the grounds of which were the ruins of the old Priory dissolved at the Reformation.
It was hardly a man's house. The curtains and cushions were of pastel shades in the most expensive silks.
Mr. Pye's small plump hands quivered with excitement as he described and exhibited his treasures, and his voice rose to a falsetto squeak as he narrated the exciting circumstances in which he had brought his Italian bedstead home from Verona.
Joanna and I, both being fond of antiques, met with approval.
"It is really a pleasure, a great pleasure, to have such an acquisition to our little community. The dear good people down here, you know, so painfully bucolic - not to say provincial. Vandals - absolute vandals! And the insides of their houses - it would make you weep, dear lady, I assure you it would make you weep. Perhaps it has done so?"
Joanna said she hadn't gone quite as far as that.
"The house you have taken," went on Mr. Pye, "Miss Emily Barton's house. Now that is charming, and she has some quite nice pieces. Quite nice. One or two of them are really first-class. And she has taste, too - although I'm not quite so sure of that as I was. Sometimes, I am afraid, I think it's really sentiment. She likes to keep things as they were - but not for 'le bon motif' - not because of the resultant harmony - but because it is the way her mother had them."
He transferred his attention to me, and his voice changed. It altered from that of the rapt artist to that of the born gossip:
"You didn't know the family at all? No, quite so - yes, through house agents. But, my dears, you ought to have known that family! When I came here the old mother was still alive. An incredible person - quite incredible! A monster, if you know what I mean. Positively a monster. The old-fashioned Victorian monster, devouring her young. Yes, that's what it amounted to. She was monumental, you know, must have weighed seventeen stone, and all the five daughters revolved around her. 'The girls!' That's how she always spoke of them. The girls! And the eldest was well over sixty then."
"'Those stupid girls!' she used to call them sometimes. Black slaves, that's all they were, fetching and carrying and agreeing with her. Ten o'clock they had to go to bed and they weren't allowed a fire in their bedroom, and as for asking their own friends to the house, that would have been unheard of. She despised them, you know, for not getting married, and yet so arranged their lives that it was practically impossible for them to meet anybody. I believe Emily, or perhaps it was Agnes, did have some kind of affair with a curate. But his family wasn't good enough and Mamma soon put a stop to that!"
"It sounds like a novel," said Joanna.
"Oh, my dear, it was. And then the dreadful old woman died, but of course, it was far too late then. They just went on living there and talking in hushed voices about what poor Mamma would have wished. Even re-papering her bedroom they felt to be quite sacrilegious. Still they did enjoy themselves in the parish in a quiet way... But none of them had much stamina, and they just died off one by one. Influenza took off Edith, and Minnie had an operation and didn't recover and poor Mable had a stroke - Emily looked after her in the most devoted manner. Really that poor woman has done nothing but nursing for the last ten years. A charming creature, don't you think? Like a piece of Dresden. So sad for her having financial anxieties - but of course, all investments have depreciated."
"We feel rather awful being in her house," said Joanna.
"No, no, my dear young lady. You mustn't feel that way. Her dear good Florence is devoted to her and she told me herself how happy she was to have got such nice tenants."
Here Mr. Pye made a little bow. "She told me she thought she had been most fortunate."
"The house," I said, "has a very soothing atmosphere." Mr. Pye darted a quick glance at me.
"Really? You feel that? Now, that's very interesting. I wondered, you know. Yes, I wondered."
"What do you mean, Mr. Pye?" asked Joanna.
Mr. Pye spread out his plump hands.
"Nothing, nothing. One wondered, that is all. I do believe in atmosphere, you know. People's thoughts and feelings. They give their impression to the walls and the furniture."
I did not speak for a moment or two. I was looking around me and wondering how I would describe the atmosphere of Prior's Lodge. It seemed to me that the curious thing was that it hadn't any atmosphere! That was really very remarkable.
I reflected on this point so long that I heard nothing of the conversation going on between Joanna and her host. I was recalled to myself, however, by hearing Joanna uttering farewell preliminaries. I came out of my dream and added my quota.
We all went out into the hall. As we came toward the front door a letter came through the box and fell on the mat.
"Afternoon post," murmured Mr. Pye as he picked it up.
"Now, my dear young people, you will come again, won't you? Such a pleasure to meet some broader minds, if you understand me, in this peaceful backwater where nothing ever happens."
Shaking hands with us twice over, he helped me with exaggerated care into the car. Joanna took the wheel; she negotiated with some care the circular sweep around a plot of unblemished grass, then with a straight drive ahead, she raised a hand to wave goodbye to our host where he stood on the steps of the house. I leaned forward to do the same.
But our gesture of farewell went unheeded. Mr. Pye had opened his mail. He was standing staring down at the open sheet in his hand.
Joanna had described him once as a plump pink cherub. He was still plump, but he was not looking like a cherub now.
His face was a dark congested purple, contorted with rage and surprise. Yes, and fear, too.
And at that moment I realized that there had been something familiar about the look of that envelope. I had not realized it at the time - indeed, it had been one of those things that you note unconsciously without knowing that you do note them.
"Goodness," said Joanna, "what's bitten the poor pet?"
"I rather fancy," I said, "that it's the Hidden Hand again."
She turned an astonished face toward me and the car swerved.
"Careful, wench," I said.
Joanna refixed her attention on the road. She was frowning.
"You mean a letter like the one you got."
"That's my guess."
"What is this place?" asked Joanna. "It looks the most innocent, sleepy, harmless little bit of England you can imagine."
"Where, to quote Mr. Pye, nothing ever happens," I cut in.
"He chose the wrong minute to say that. Something has happened."
"Jerry," said Joanna. "I don't think I like this."
For the first time, there was a note of fear in her voice.
I did not answer, for I, too, did not like it...
Such a peaceful smiling happy countryside - and down underneath something evil...
It was as though at that moment I had a premonition of all that was to come...
The days passed. We went and played bridge at the Symmingtons and Mrs. Symmington annoyed me a good deal by the way she referred to Megan.
"The poor child's so awkward. They are at that age, when they've left school and before they are properly grown up."
Joanna said sweetly,
"But Megan's twenty, isn't she?"
"Oh, yes, yes. But of course, she's very young for her age. Quite a child still. It's so nice, I think, when girls don't grow up too quickly."
She laughed.
"I expect all mothers want their children to remain babies."
"I can't think why," said Joanna.
"After all, it would be a bit awkward if one had a child who remained mentally six while his body grew up."
Mrs. Symmington looked annoyed and said Miss Burton mustn't take things so literally.
I was pleased with Joanna, and it occurred to me that I did not really much care for Mrs. Symmington. That anaemic middle-aged prettiness concealed, I thought, a selfish, grasping nature.
Joanna asked maliciously if Mrs. Symmington were going to give a dance for Megan.
"A dance?" Mrs. Symmington seemed surprised and amused.
"Oh, no, we don't do things like that down here."
"I see. Just tennis parties and things like that."
"Our tennis court has not been played on for years. Neither Richard nor I play. I suppose, later, when the boys grow up - oh, Megan will find plenty to do. She's quite happy just pottering about, you know. Let me see, did I deal? Two no trumps."
As we drove home, Joanna said with a vicious pressure on the accelerator pedal that made the car leap forward:
"I feel awfully sorry for that girl."
"Megan?"
"Yes. Her mother doesn't like her."
"Oh, come now, Joanna, it's not as bad as that."
"Yes, it is. Lots of mothers don't like their children. Megan, I should imagine, is an awkward sort of creature to have about the house. She disturbs the pattern - the Symmington pattern. It's a complete unit without her - and that's a most unhappy feeling for a sensitive creature to have - and she is sensitive."
"Yes," I said, "I think she is."
I was silent a moment.
Joanna suddenly laughed mischievously. "Bad luck for you about the governess."
"I don't know what you mean," I said with dignity.
"Nonsense. Masculine chagrin was written on your face every time you looked at her. I agree with you, it is a waste. And I don't see who else there is here for you. You'll have to fall back upon Aimйe Griffith."
"God forbid," I said with a shudder.
"And anyway," I added, "why all this concern about my love life? What about you, my girl? You'll need a little distraction down here, if I know you. No unappreciated genius knocking about here. You'll have to fall back on Owen Griffith. He's the only unattached male in the place."
Joanna tossed her head.
"Dr. Griffith doesn't like me."
"He's not seen much of you."
"He's seen enough apparently to make him cross over if he sees me coming along the High Street!"
"A most unusual reaction," I said sympathetically. "And one you're not used to."
Joanna drove in silence through the gate of Little Furze and around to the garage. Then she said:
"There may be something in that idea of yours. I don't see why any man should deliberately cross the street to avoid me. It's rude, apart from everything else."
"I see," I said. "You're going to hunt the man down in cold blood."
"Well, I don't like being avoided."
I got slowly and carefully out of the car and balanced my sticks. Then I offered my sister a piece of advice:
"Let me tell you this, girl. Owen Griffith isn't any of your tame, whining, artistic young men. Unless you're careful, you'll stir up a hornets' nest about your ears. That man could be dangerous."
