第 11 页

"We can inquire the way," she said, "and if we do get lost, it won't matter. I want to have a long talk with you before we reach the place."

They crossed the railway by a bridge over the line, and descended into a valley along which the road wound.

The outfit which George had secured was a neat little cart made of wood in the natural colour and varnished, and a trim little pony, which looked ridiculously small for two grown people, and yet was, as George afterwards said, "as tough as a pine knot."

The pony trotted merrily along, and needed no urging. George doubtless was a good driver, but whatever talents he had in that line were not brought into play. The pony was a treasure that had apparently no bad qualities. For a long time the two in the cart rode along the smooth highway silently, until at last Morris broke out with—

"Oh, see here! This is not according to contract. You said you wanted a long talk, and now you are complacently saying nothing."

"I do not know exactly how to begin."

"Is it so serious as all that?"

"It is not serious exactly—it is merely, as it were, a continuation of the confession."

"I thought we were through with that long ago. Are there any more horrible revelations?"

She looked at him with something like reproach in her eyes.

"If you are going to talk flippantly, I think I will postpone what I have to say until another time."

"My dear Kate, give a man a chance. He can't reform in a moment. I never had my flippancy checked before. Now then, I am serious again. What appalling—I mean—you see how difficult it is, Katherine—I mean, what serious subject shall we discuss?"

"Some other time."

"No—now. I insist on it. Otherwise I will know I am unforgiven."

"There is nothing to forgive. I merely wanted to tell you something more than you know about my own history."

"I know more now than that man in the story."

"He did not object to the knowledge, you know. He objected to receiving it from a third person. Now I am not a third person, am I?"

"Indeed, you are not. You are first person singular—at present—the first person to me at least. There, I am afraid I have dropped into flippancy again."

"That is not flippancy. That is very nice." The interval shall be unreported.

At last Katherine said quietly, "My mother came from this part of England."

"Ah! That is why you wanted to come here."

"That is why I wanted to come here. She was her father's only daughter, and, strange to say, he was very fond of her, and proud of her."

"Why strange?"

"Strange from his action for years after. She married against his will. He never forgave her. My father did not seem to have the knack of getting along in the world, and he moved to America in the hope of bettering his condition. He did not better it. My father died ten years ago, a prematurely broken down man, and my mother and I struggled along as best we could until she died two years ago. My grandfather returned her letter unopened when mother wrote to him ten years ago, although the letter had a black border around it. When I think of her I find it hard to forgive him, so I suppose some of his nature has been transmitted to me."

"Find it hard? Katherine, if you were not an angel you would find it impossible."

"Well, there is nothing more to tell, or at least, not much. I thought you should know this. I intended to tell you that last day on shipboard, but it seemed to me that here was where it should be told—among the hills and valleys that she saw when she was my age."

"Katherine, my dear, do not think about it any more than you can help. It will only uselessly depress you. Here is a man coming. Let us find out now whether we have lost our way or not."

They had.

Even after that they managed to get up some wrong lanes and byways, and took several wrong turnings; but by means of inquiry from every one they met, they succeeded at last in reaching the place they were in search of.

There was an old and grey porter's lodge, and an old and grey gateway, with two tall, moss-grown stone pillars, and an iron gate between them. On the top of the pillars were crumbled stone shields, seemingly held in place by a lion on each pillar.

"Is this Holmwood House?" asked Morris of the old and grey man who came out of the porter's lodge.

"Yes, sir, it be," replied the man.

"Are visitors permitted to see the house and the grounds?"

"No, they be'ant," was the answer. "Visitors were allowed on Saturdays in the old Squire's time, but since he died they tell me the estate is in the courts, and we have orders from the London lawyers to let nobody in."

"I can make it worth your while," said George, feeling in his vest pocket; "this lady would like to see the house."

The old man shook his head, even although George showed him a gold piece between his finger and thumb. Morris was astonished at this, for he had the mistaken belief which all Americans have, that a tip in Europe, if it is only large enough, will accomplish anything.

"I think perhaps I can get permission," said Katherine, "if you will let me talk a while to the old man."

"All right. Go ahead," said George. "I believe you could wheedle anybody into doing what he shouldn't do."

"Now, after saying that, I shall not allow you to listen. I shall step down and talk with him a moment and you can drive on for a little distance, and come back."

"Oh, that's all right," said George, "I know how it is. You don't want to give away the secret of your power. Be careful, now, in stepping down. This is not an American buggy," but before he had finished the warning, Katherine had jumped lightly on the gravel, and stood waiting for him to drive on. When he came back he found the iron gates open.

"I shall not get in again," she said. "You may leave the pony with this man, George, he will take care of it. We can walk up the avenue to the house."

After a short walk under the spreading old oaks they came in sight of the house, which was of red brick and of the Elizabethan style of architecture.

"I am rather disappointed with that," said George, "I always thought old English homesteads were of stone."

"Well, this one at least is of brick, and I imagine you will find a great many of them are of the same material."

They met with further opposition from the housekeeper who came to the door which the servant had opened after the bell was rung.

She would allow nobody in the house, she said. As for Giles, if he allowed people on the grounds that was his own look-out, but she had been forbidden by the lawyers to allow anybody in the house, and she had let nobody in, and she wasn't going to let anybody in.

"Shall I offer her a tip?" asked George, in a whisper.

"No, don't do that."

"You can't wheedle her like you did the old man, you know. A woman may do a great deal with a man, but when she meets another woman she meets her match. You women know each other, you know."

Meanwhile the housekeeper, who had been about to shut the door, seemed to pause and regard the young lady with a good deal of curiosity. Her attention had before that time been taken up with the gentleman.

"Well, I shall walk to the end of the terrace, and give you a chance to try your wiles. But I am ready to bet ten dollars that you don't succeed."

"I'll take you," answered the young lady.

"Yes, you said you would that night on the steamer."

"Oh, that's a very good way of getting out of a hopeless bet."

"I am ready to make the bet all right enough, but I know you haven't a ten-dollar bill about you."

"Well, that is very true, for I have changed all my money to English currency; but I am willing to bet its equivalent."

Morris walked to the end of the terrace. When he got back he found that the door of the house was as wide open as the gates of the park had been.

"There is something uncanny about all this," he said. "I am just beginning to see that you have a most dangerous power of fascination. I could understand it with old Giles, but I must admit that I thought the stern housekeeper would—"

"My dear George," interrupted Katherine, "almost anything can be accomplished with people, if you only go about it the right way."

"Now, what is there to be seen in this house?"

"All that there is to be seen about any old English house. I thought, perhaps, you might he interested in it."

"Oh, I am. But I mean, isn't there any notable things? For instance, I was in Haddon Hall once, and they showed me the back stairway where a fair lady had eloped with her lover. Have they anything of that kind to show here?"

Miss Earle was silent for a few moments. "Yes," she said, "I am afraid they have."

"Afraid? Why, that is perfectly delightful. Did the young lady of the house elope with her lover?"

"Oh, don't talk in that way, George," she said. "Please don't."

"Well, I won't, if you say so. I admit those little episodes generally turn out badly. Still you must acknowledge that they add a great interest to an old house of the Elizabethan age like this?"

Miss Earle was silent. They had, by this time, gone up the polished stairway, which was dimly lighted by a large window of stained glass.

"Here we are in the portrait hall," said Miss Earle. "There is a picture here that I have never seen, although I have heard of it, and I want to see it. Where is it?" she asked, turning to the housekeeper, who had been following them up the stairs.

"This way, my lady," answered the housekeeper, as she brought them before a painting completely concealed by a dark covering of cloth.

"Why is it covered in that way? To keep the dust from it?"

The housekeeper hesitated for a moment; then she said—

"The old Squire, my lady, put that on when she left, and it has never been taken off since."

"Then take it off at once," demanded Katherine Earle, in a tone that astonished Morris.

The housekeeper, who was too dignified to take down the covering herself, went to find the servant, but Miss Earle, with a gesture of impatience, grasped the cloth and tore it from its place, revealing the full-length portrait of a young lady.

Morris looked at the portrait in astonishment, and then at the girl by his side.

"Why, Katherine," he cried, "it is your picture!"

The young lady was standing with her hands tightly clenched and her lips quivering with nervous excitement. There were tears in her eyes, and she did not answer her lover for a moment; then she said—

"No, it is not my picture. This is a portrait of my mother."

____________________

2: Mrs. Tremain

"And Woman, wit a flaming torch

Sings heedless, in a powder—

Her careless smiles they warp and scorch

Man's heart, as fire the pine

Cuts keener than the thrust of lance

Her glance"

THE TROUBLE about this story is that it really has no ending. Taking an ocean voyage is something like picking up an interesting novel, and reading a chapter in the middle of it. The passenger on a big steamer gets glimpses of other people's lives, but he doesn't know what the beginning was, nor what the ending will be.

The last time I saw Mrs. Tremain she was looking over her shoulder and smiling at Glendenning as she walked up the gangway plank at Liverpool, hanging affectionately on the arm of her husband. I said to myself at the time, "You silly little handsome idiot, Lord only knows what trouble you will cause before flirting has lost its charm for you." Personally I would like to have shoved Glendenning off the gangway plank into the dark Mersey; but that would have been against the laws of the country on which we were then landing.

Mrs. Tremain was a woman whom other women did not like, and whom men did. Glendenning was a man that the average man detested, but he was a great favourite with the ladies.

I shall never forget the sensation Mrs. Tremain caused when she first entered the saloon of our steamer. I wish I were able to describe accurately just how she was dressed; for her dress, of course, had a great deal to do with her appearance, notwithstanding the fact that she was one of the loveliest women I ever saw in my life. But it would require a woman to describe her dress with accuracy, and I am afraid any woman who was on board the steamer that trip would decline to help me. Women were in the habit of sniffing when Mrs. Tremain's name was mentioned. Much can be expressed by a woman's sniff. All that I can say about Mrs. Tremain's dress is that it was of some dark material, brightly shot with threads of gold, and that she had looped in some way over her shoulders and around her waist a very startlingly coloured silken scarf, while over her hair was thrown a black lace arrangement that reached down nearly to her feet, giving her a half-Spanish appearance. A military-looking gentleman, at least twice her age, was walking beside her. He was as grave and sober as she appeared light and frivolous, and she walked by his side with a peculiar elastic step, that seemed hardly to touch the carpet, laughing and talking to him just as if fifty pair of eyes were not riveted upon her as the pair entered. Everybody thought her a Spanish woman; but, as it turned out afterward, she was of Spanish-Mexican-American origin, and whatever beauty there is in those three nationalities seemed to be blended in some subtle, perfectly indescribable way in the face and figure of Mrs. Tremain.

The grave military-looking gentleman at her side was Captain Tremain, her husband, although in reality he was old enough to be her father. He was a captain in the United States army, and had been stationed at some fort near the Mexican border where he met the young girl whom he made his wife. She had seen absolutely nothing of the world, and they were now on their wedding trip to Europe, the first holiday he had taken for many a year.

In an incredibly short space of time Mrs. Tremain was the acknowledged belle of the ship. She could not have been more than nineteen or twenty years of age, yet she was as perfectly at her ease, and as thoroughly a lady as if she had been accustomed to palaces and castles for years. It was astonishing to see how naturally she took to it. She had lived all her life in a rough village in the wilds of the South-West, yet she had the bearing of a duchess or a queen.