'But I am afraid I trouble you too much,' said Mr Dombey.
'By no means. Where would you wish it taken from?' she answered, turning to him with the same enforced attention as before.
Mr Dombey, with another bow, which cracked the starch in his cravat, would beg to leave that to the Artist.
'I would rather you chose for yourself,' said Edith.
'Suppose then,' said Mr Dombey, 'we say from here. It appears a good spot for the purpose, or - Carker, what do you think?'
There happened to be in the foreground, at some little distance, a grove of trees, not unlike that In which Mr Carker had made his chain of footsteps in the morning, and with a seat under one tree, greatly resembling, in the general character of its situation, the point where his chain had broken.
'Might I venture to suggest to Mrs Granger,' said Carker, 'that that is an interesting - almost a curious - point of view?'
She followed the direction of his riding-whip with her eyes, and raised them quickly to his face. It was the second glance they had exchanged since their introduction; and would have been exactly like the first, but that its expression was plainer.
'Will you like that?' said Edith to Mr Dombey.
'I shall be charmed,' said Mr Dombey to Edith.
Therefore the carriage was driven to the spot where Mr Dombey was to be charmed; and Edith, without moving from her seat, and openIng her sketch-book with her usual proud indifference, began to sketch.
'My pencils are all pointless,' she said, stopping and turning them over.
'Pray allow me,' said Mr Dombey. 'Or Carker will do it better, as he understands these things. Carker, have the goodness to see to these pencils for Mrs Granger.
Mr Carker rode up close to the carriage-door on Mrs Granger's side, and letting the rein fall on his horse's neck, took the pencils from her hand with a smile and a bow, and sat in the saddle leisurely mending them. Having done so, he begged to be allowed to hold them, and to hand them to her as they were required; and thus Mr Carker, with many commendations of Mrs Granger's extraordinary skill - especially in trees - remained - close at her side, looking over the drawing as she made it. Mr Dombey in the meantime stood bolt upright in the carriage like a highly respectable ghost, looking on too; while Cleopatra and the Major dallied as two ancient doves might do.
'Are you satisfied with that, or shall I finish it a little more?' said Edith, showing the sketch to Mr Dombey.
Mr Dombey begged that it might not be touched; it was perfection.
'It is most extraordinary,' said Carker, bringing every one of his red gums to bear upon his praise. 'I was not prepared for anything so beautiful, and so unusual altogether.'
This might have applied to the sketcher no less than to the sketch; but Mr Carker's manner was openness itself - not as to his mouth alone, but as to his whole spirit. So it continued to be while the drawing was laid aside for Mr Dombey, and while the sketching materials were put up; then he handed in the pencils (which were received with a distant acknowledgment of his help, but without a look), and tightening his rein, fell back, and followed the carriage again.
Thinking, perhaps, as he rode, that even this trivial sketch had been made and delivered to its owner, as if it had been bargained for and bought. Thinking, perhaps, that although she had assented with such perfect readiness to his request, her haughty face, bent over the drawing, or glancing at the distant objects represented in it, had been the face of a proud woman, engaged in a sordid and miserable transaction. Thinking, perhaps, of such things: but smiling certainly, and while he seemed to look about him freely, in enjoyment of the air and exercise, keeping always that sharp corner of his eye upon the carriage.
A stroll among the haunted ruins of Kenilworth, and more rides to more points of view: most of which, Mrs Skewton reminded Mr Dombey, Edith had already sketched, as he had seen in looking over her drawings: brought the day's expedition to a close. Mrs Skewton and Edith were driven to their own lodgings; Mr Carker was graciously invited by Cleopatra to return thither with Mr Dombey and the Major, in the evening, to hear some of Edith's music; and the three gentlemen repaired to their hotel to dinner.
The dinner was the counterpart of yesterday's, except that the Major was twenty-four hours more triumphant and less mysterious. Edith was toasted again. Mr Dombey was again agreeably embarrassed. And Mr Carker was full of interest and praise.
There were no other visitors at Mrs Skewton's. Edith's drawings were strewn about the room, a little more abundantly than usual perhaps; and Withers, the wan page, handed round a little stronger tea. The harp was there; the piano was there; and Edith sang and played. But even the music was played by Edith to Mr Dombey's order, as it were, in the same uncompromising way. As thus.
'Edith, my dearest love,' said Mrs Skewton, half an hour after tea, 'Mr Dombey is dying to hear you, I know.'
'Mr Dombey has life enough left to say so for himself, Mama, I have no doubt.'
'I shall be immensely obliged,' said Mr Dombey.
'What do you wish?'
'Piano?' hesitated Mr Dombey.
'Whatever you please. You have only to choose.
Accordingly, she began with the piano. It was the same with the harp; the same with her singing; the same with the selection of the pieces that she sang and played. Such frigid and constrained, yet prompt and pointed acquiescence with the wishes he imposed upon her, and on no one else, was sufficiently remarkable to penetrate through all the mysteries of picquet, and impress itself on Mr Carker's keen attention. Nor did he lose sight of the fact that Mr Dombey was evidently proud of his power, and liked to show it.
Nevertheless, Mr Carker played so well - some games with the Major, and some with Cleopatra, whose vigilance of eye in respect of Mr Dombey and Edith no lynx could have surpassed - that he even heightened his position in the lady-mother's good graces; and when on taking leave he regretted that he would be obliged to return to London next morning, Cleopatra trusted: community of feeling not being met with every day: that it was far from being the last time they would meet.
'I hope so,' said Mr Carker, with an expressive look at the couple in the distance, as he drew towards the door, following the Major. 'I think so.'
Mr Dombey, who had taken a stately leave of Edith, bent, or made some approach to a bend, over Cleopatra's couch, and said, in a low voice:
'I have requested Mrs Granger's permission to call on her to-morrow morning - for a purpose - and she has appointed twelve o'clock. May I hope to have the pleasure of finding you at home, Madam, afterwards?'
Cleopatra was so much fluttered and moved, by hearing this, of course, incomprehensible speech, that she could only shut her eyes, and shake her head, and give Mr Dombey her hand; which Mr Dombey, not exactly knowing what to do with, dropped.
'Dombey, come along!' cried the Major, looking in at the door. 'Damme, Sir, old Joe has a great mind to propose an alteration in the name of the Royal Hotel, and that it should be called the Three Jolly Bachelors, in honour of ourselves and Carker.' With this, the Major slapped Mr Dombey on the back, and winking over his shoulder at the ladies, with a frightful tendency of blood to the head, carried him off.
Mrs Skewton reposed on her sofa, and Edith sat apart, by her harp, in silence. The mother, trifling with her fan, looked stealthily at the daughter more than once, but the daughter, brooding gloomily with downcast eyes, was not to be disturbed.
Thus they remained for a long hour, without a word, until Mrs Skewton's maid appeared, according to custom, to prepare her gradually for night. At night, she should have been a skeleton, with dart and hour-glass, rather than a woman, this attendant; for her touch was as the touch of Death. The painted object shrivelled underneath her hand; the form collapsed, the hair dropped off, the arched dark eyebrows changed to scanty tufts of grey; the pale lips shrunk, the skin became cadaverous and loose; an old, worn, yellow, nodding woman, with red eyes, alone remained in Cleopatra's place, huddled up, like a slovenly bundle, in a greasy flannel gown.
The very voice was changed, as it addressed Edith, when they were alone again.
'Why don't you tell me,' it said sharply, 'that he is coming here to-morrow by appointment?'
'Because you know it,' returned Edith, 'Mother.'
The mocking emphasis she laid on that one word!
'You know he has bought me,' she resumed. 'Or that he will, to-morrow. He has considered of his bargain; he has shown it to his friend; he is even rather proud of it; he thinks that it will suit him, and may be had sufficiently cheap; and he will buy to-morrow. God, that I have lived for this, and that I feel it!'
Compress into one handsome face the conscious self-abasement, and the burning indignation of a hundred women, strong in passion and in pride; and there it hid itself with two white shuddering arms.
'What do you mean?' returned the angry mother. 'Haven't you from a child - '
'A child!' said Edith, looking at her, 'when was I a child? What childhood did you ever leave to me? I was a woman - artful, designing, mercenary, laying snares for men - before I knew myself, or you, or even understood the base and wretched aim of every new display I learnt You gave birth to a woman. Look upon her. She is in her pride tonight'
And as she spoke, she struck her hand upon her beautiful bosom, as though she would have beaten down herself
'Look at me,' she said, 'who have never known what it is to have an honest heart, and love. Look at me, taught to scheme and plot when children play; and married in my youth - an old age of design - to one for whom I had no feeling but indifference. Look at me, whom he left a widow, dying before his inheritance descended to him - a judgment on you! well deserved! - and tell me what has been my life for ten years since.'
'We have been making every effort to endeavour to secure to you a good establishment,' rejoined her mother. 'That has been your life. And now you have got it.'
'There is no slave in a market: there is no horse in a fair: so shown and offered and examined and paraded, Mother, as I have been, for ten shameful years,' cried Edith, with a burning brow, and the same bitter emphasis on the one word. 'Is it not so? Have I been made the bye-word of all kinds of men? Have fools, have profligates, have boys, have dotards, dangled after me, and one by one rejected me, and fallen off, because you were too plain with all your cunning: yes, and too true, with all those false pretences: until we have almost come to be notorious? The licence of look and touch,' she said, with flashing eyes, 'have I submitted to it, in half the places of resort upon the map of England? Have I been hawked and vended here and there, until the last grain of self-respect is dead within me, and I loathe myself? Has been my late childhood? I had none before. Do not tell me that I had, tonight of all nights in my life!'
'You might have been well married,' said her mother, 'twenty times at least, Edith, if you had given encouragement enough.'
'No! Who takes me, refuse that I am, and as I well deserve to be,' she answered, raising her head, and trembling in her energy of shame and stormy pride, 'shall take me, as this man does, with no art of mine put forth to lure him. He sees me at the auction, and he thinks it well to buy me. Let him! When he came to view me - perhaps to bid - he required to see the roll of my accomplishments. I gave it to him. When he would have me show one of them, to justify his purchase to his men, I require of him to say which he demands, and I exhibit it. I will do no more. He makes the purchase of his own will, and with his own sense of its worth, and the power of his money; and I hope it may never disappoint him. I have not vaunted and pressed the bargain; neither have you, so far as I have been able to prevent you.
'You talk strangely to-night, Edith, to your own Mother.'
'It seems so to me; stranger to me than you,' said Edith. 'But my education was completed long ago. I am too old now, and have fallen too low, by degrees, to take a new course, and to stop yours, and to help myself. The germ of all that purifies a woman's breast, and makes it true and good, has never stirred in mine, and I have nothing else to sustain me when I despise myself.' There had been a touching sadness in her voice, but it was gone, when she went on to say, with a curled lip, 'So, as we are genteel and poor, I am content that we should be made rich by these means; all I say is, I have kept the only purpose I have had the strength to form - I had almost said the power, with you at my side, Mother - and have not tempted this man on.'
'This man! You speak,' said her mother, 'as if you hated him.'
'And you thought I loved him, did you not?' she answered, stopping on her way across the room, and looking round. 'Shall I tell you,' she continued, with her eyes fixed on her mother, 'who already knows us thoroughly, and reads us right, and before whom I have even less of self-respect or confidence than before my own inward self; being so much degraded by his knowledge of me?'
'This is an attack, I suppose,' returned her mother coldly, 'on poor, unfortunate what's-his-name - Mr Carker! Your want of self-respect and confidence, my dear, in reference to that person (who is very agreeable, it strikes me), is not likely to have much effect on your establishment. Why do you look at me so hard? Are you ill?'
Edith suddenly let fall her face, as if it had been stung, and while she pressed her hands upon it, a terrible tremble crept over her whole frame. It was quickly gone; and with her usual step, she passed out of the room.
The maid who should have been a skeleton, then reappeared, and giving one arm to her mistress, who appeared to have taken off her manner with her charms, and to have put on paralysis with her flannel gown, collected the ashes of Cleopatra, and carried them away in the other, ready for tomorrow's revivification.
经理卡克先生跟云雀一道起床，走出屋外，在夏天的晨光中散步。他在漫步闲游时，皱着眉头，沉思默想着；但是他的沉思似乎没有象云雀飞得那么高或者向着那个方向飞去；倒不如说它们一直待在地面老窠的附近，在尘土和虫子中间东寻西找，但是在看不见的高空中鸣叫的鸟儿，没有一只能飞得比卡克先生的思想更为遥远，更不是人的肉眼所能看到的。他完全控制住脸部的表情，因此人们除了能看出他是在微笑或他正在沉思外，很少有人能用清楚的语言来说明他的表情中还包含着一些什么内容。从他现在的表情来看，他正在聚精会神地深深思考着。云雀愈飞愈高，他的思想则愈陷愈深。云雀的曲调唱得愈来愈清脆，愈来愈嘹亮，他则沉浸在愈来愈庄严、愈来愈深切的沉默中。最后，云雀带着愈流愈急的急流般的歌声，头朝地猛冲下来，停落在他近旁一块在晨风中像河流般起着波浪的绿色麦田中，这时候他从他的遐想中惊醒过来，看看四周，突然彬彬有礼、和蔼可亲地微笑了一下，仿佛他面前有许多观众需要他去抚慰似的。他清醒以后，没有再陷入沉思，而是抹抹脸孔，好像唯恐不这样做，它就会起皱纹，泄露心中的秘密似的；他一边走一边微笑，仿佛在做练习一样。
