When he was down in Denver, feeling a little jolly, Archie could forget how unhappy he was at home, and could even make himself believe that he missed his wife. He always bought her presents, and would have liked to send her flowers if she had not repeatedly told him never to send her anything but bulbs,—which did not appeal to him in his expansive moments. At the Denver Athletic Club banquets, or at dinner with his colleagues at the Brown Palace Hotel, he sometimes spoke sentimentally about “little Mrs. Archie,” and he always drank the toast “to our wives, God bless them!” with gusto.
The determining factor about Dr. Archie was that he was romantic. He had married Belle White because he was romantic—too romantic to know anything about women, except what he wished them to be, or to repulse a pretty girl who had set her cap for him. At medical school, though he was a rather wild boy in behavior, he had always disliked coarse jokes and vulgar stories. In his old Flint's Physiology there was still a poem he had pasted there when he was a student; some verses by Dr. Oliver Wendell Holmes about the ideals of the medical profession. After so much and such disillusioning experience with it, he still had a romantic feeling about the human body; a sense that finer things dwelt in it than could be explained by anatomy. He never jested about birth or death or marriage, and did not like to hear other doctors do it. He was a good nurse, and had a reverence for the bodies of women and children. When he was tending them, one saw him at his best. Then his constraint and self-consciousness fell away from him. He was easy, gentle, competent, master of himself and of other people. Then the idealist in him was not afraid of being discovered and ridiculed.
In his tastes, too, the doctor was romantic. Though he read Balzac all the year through, he still enjoyed the Waverley Novels as much as when he had first come upon them, in thick leather-bound volumes, in his grandfather's library. He nearly always read Scott on Christmas and holidays, because it brought back the pleasures of his boyhood so vividly. He liked Scott's women. Constance de Beverley and the minstrel girl in “The Fair Maid of Perth,” not the Duchesse de Langeais, were his heroines. But better than anything that ever got from the heart of a man into printer's ink, he loved the poetry of Robert Burns. “Death and Dr. Hornbook” and “The Jolly Beggars,” Burns's “Reply to his Tailor,” he often read aloud to himself in his office, late at night, after a glass of hot toddy. He used to read “Tam o'Shanter” to Thea Kronborg, and he got her some of the songs, set to the old airs for which they were written. He loved to hear her sing them. Sometimes when she sang, “Oh, wert thou in the cauld blast,” the doctor and even Mr. Kronborg joined in. Thea never minded if people could not sing; she directed them with her head and somehow carried them along. When her father got off the pitch she let her own voice out and covered him.
XIII
At the beginning of June, when school closed, Thea had told Wunsch that she didn't know how much practicing she could get in this summer because Thor had his worst teeth still to cut.
“My God! all last summer he was doing that!” Wunsch exclaimed furiously.
“I know, but it takes them two years, and Thor is slow,” Thea answered reprovingly.
The summer went well beyond her hopes, however. She told herself that it was the best summer of her life, so far. Nobody was sick at home, and her lessons were uninterrupted. Now that she had four pupils of her own and made a dollar a week, her practicing was regarded more seriously by the household. Her mother had always arranged things so that she could have the parlor four hours a day in summer. Thor proved a friendly ally. He behaved handsomely about his molars, and never objected to being pulled off into remote places in his cart. When Thea dragged him over the hill and made a camp under the shade of a bush or a bank, he would waddle about and play with his blocks, or bury his monkey in the sand and dig him up again. Sometimes he got into the cactus and set up a howl, but usually he let his sister read peacefully, while he coated his hands and face, first with an all-day sucker and then with gravel.
Life was pleasant and uneventful until the first of September, when Wunsch began to drink so hard that he was unable to appear when Thea went to take her mid-week lesson, and Mrs. Kohler had to send her home after a tearful apology. On Saturday morning she set out for the Kohlers' again, but on her way, when she was crossing the ravine, she noticed a woman sitting at the bottom of the gulch, under the railroad trestle. She turned from her path and saw that it was Mrs. Tellamantez, and she seemed to be doing drawn-work. Then Thea noticed that there was something beside her, covered up with a purple and yellow Mexican blanket. She ran up the gulch and called to Mrs. Tellamantez. The Mexican woman held up a warning finger. Thea glanced at the blanket and recognized a square red hand which protruded. The middle finger twitched slightly.
“Is he hurt?” she gasped.
Mrs. Tellamantez shook her head. “No; very sick. He knows nothing,” she said quietly, folding her hands over her drawn-work.
Thea learned that Wunsch had been out all night, that this morning Mrs. Kohler had gone to look for him and found him under the trestle covered with dirt and cinders. Probably he had been trying to get home and had lost his way. Mrs. Tellamantez was watching beside the unconscious man while Mrs. Kohler and Johnny went to get help.
“You better go home now, I think,” said Mrs. Tellamantez, in closing her narration.
Thea hung her head and looked wistfully toward the blanket.
“Couldn't I just stay till they come?” she asked. “I'd like to know if he's very bad.”
“Bad enough,” sighed Mrs. Tellamantez, taking up her work again.
Thea sat down under the narrow shade of one of the trestle posts and listened to the locusts rasping in the hot sand while she watched Mrs. Tellamantez evenly draw her threads. The blanket looked as if it were over a heap of bricks.
“I don't see him breathing any,” she said anxiously.
“Yes, he breathes,” said Mrs. Tellamantez, not lifting her eyes.
It seemed to Thea that they waited for hours. At last they heard voices, and a party of men came down the hill and up the gulch. Dr. Archie and Fritz Kohler came first; behind were Johnny and Ray, and several men from the roundhouse. Ray had the canvas litter that was kept at the depot for accidents on the road. Behind them trailed half a dozen boys who had been hanging round the depot.
When Ray saw Thea, he dropped his canvas roll and hurried forward. “Better run along home, Thee. This is ugly business.” Ray was indignant that anybody who gave Thea music lessons should behave in such a manner.
Thea resented both his proprietary tone and his superior virtue. “I won't. I want to know how bad he is. I'm not a baby!” she exclaimed indignantly, stamping her foot into the sand.
Dr. Archie, who had been kneeling by the blanket, got up and came toward Thea, dusting his knees. He smiled and nodded confidentially. “He'll be all right when we get him home. But he wouldn't want you to see him like this, poor old chap! Understand? Now, skip!”
Thea ran down the gulch and looked back only once, to see them lifting the canvas litter with Wunsch upon it, still covered with the blanket.
The men carried Wunsch up the hill and down the road to the Kohlers'. Mrs. Kohler had gone home and made up a bed in the sitting-room, as she knew the litter could not be got round the turn in the narrow stairway. Wunsch was like a dead man. He lay unconscious all day. Ray Kennedy stayed with him till two o'clock in the afternoon, when he had to go out on his run. It was the first time he had ever been inside the Kohlers' house, and he was so much impressed by Napoleon that the piece-picture formed a new bond between him and Thea.
Dr. Archie went back at six o'clock, and found Mrs. Kohler and Spanish Johnny with Wunsch, who was in a high fever, muttering and groaning.
“There ought to be some one here to look after him to-night, Mrs. Kohler,” he said. “I'm on a confinement case, and I can't be here, but there ought to be somebody. He may get violent.”
Mrs. Kohler insisted that she could always do anything with Wunsch, but the doctor shook his head and Spanish Johnny grinned. He said he would stay. The doctor laughed at him. “Ten fellows like you couldn't hold him, Spanish, if he got obstreperous; an Irishman would have his hands full. Guess I'd better put the soft pedal on him.” He pulled out his hypodermic.
Spanish Johnny stayed, however, and the Kohlers went to bed. At about two o'clock in the morning Wunsch rose from his ignominious cot. Johnny, who was dozing on the lounge, awoke to find the German standing in the middle of the room in his undershirt and drawers, his arms bare, his heavy body seeming twice its natural girth. His face was snarling and savage, and his eyes were crazy. He had risen to avenge himself, to wipe out his shame, to destroy his enemy. One look was enough for Johnny. Wunsch raised a chair threateningly, and Johnny, with the lightness of a PICADOR, darted under the missile and out of the open window. He shot across the gully to get help, meanwhile leaving the Kohlers to their fate.
Fritz, upstairs, heard the chair crash upon the stove. Then he heard doors opening and shutting, and some one stumbling about in the shrubbery of the garden. He and Paulina sat up in bed and held a consultation. Fritz slipped from under the covers, and going cautiously over to the window, poked out his head. Then he rushed to the door and bolted it.
“MEIN GOTT, Paulina,” he gasped, “he has the axe, he will kill us!”
“The dresser,” cried Mrs. Kohler; “push the dresser before the door. ACH, if you had your rabbit gun, now!”
“It is in the barn,” said Fritz sadly. “It would do no good; he would not be afraid of anything now. Stay you in the bed, Paulina.” The dresser had lost its casters years ago, but he managed to drag it in front of the door. “He is in the garden. He makes nothing. He will get sick again, may-be.”
Fritz went back to bed and his wife pulled the quilt over him and made him lie down. They heard stumbling in the garden again, then a smash of glass.
“ACH, DAS MISTBEET!” gasped Paulina, hearing her hotbed shivered. “The poor soul, Fritz, he will cut himself. ACH! what is that?” They both sat up in bed. “WIEDER! ACH, What is he doing?”
The noise came steadily, a sound of chopping. Paulina tore off her night-cap. “DIE BAUME, DIE BAUME! He is cutting our trees, Fritz!” Before her husband could prevent her, she had sprung from the bed and rushed to the window. “DER TAUBENSCHLAG! GERECHTER HIMMEL, he is chopping the dove-house down!”
Fritz reached her side before she had got her breath again, and poked his head out beside hers. There, in the faint starlight, they saw a bulky man, barefoot, half dressed, chopping away at the white post that formed the pedestal of the dove-house. The startled pigeons were croaking and flying about his head, even beating their wings in his face, so that he struck at them furiously with the axe. In a few seconds there was a crash, and Wunsch had actually felled the dove-house.
“Oh, if only it is not the trees next!” prayed Paulina. “The dove-house you can make new again, but not DIE BAUME.”
They watched breathlessly. In the garden below Wunsch stood in the attitude of a woodman, contemplating the fallen cote. Suddenly he threw the axe over his shoulder and went out of the front gate toward the town.
“The poor soul, he will meet his death!” Mrs. Kohler wailed. She ran back to her feather bed and hid her face in the pillow.
Fritz kept watch at the window. “No, no, Paulina,” he called presently; “I see lanterns coming. Johnny must have gone for somebody. Yes, four lanterns, coming along the gulch. They stop; they must have seen him already. Now they are under the hill and I cannot see them, but I think they have him. They will bring him back. I must dress and go down.” He caught his trousers and began pulling them on by the window. “Yes, here they come, half a dozen men. And they have tied him with a rope, Paulina!”
“ACH, the poor man! To be led like a cow,” groaned Mrs. Kohler. “Oh, it is good that he has no wife!” She was reproaching herself for nagging Fritz when he drank himself into foolish pleasantry or mild sulks, and felt that she had never before appreciated her blessings.
Wunsch was in bed for ten days, during which time he was gossiped about and even preached about in Moonstone. The Baptist preacher took a shot at the fallen man from his pulpit, Mrs. Livery Johnson nodding approvingly from her pew. The mothers of Wunsch's pupils sent him notes informing him that their daughters would discontinue their music-lessons. The old maid who had rented him her piano sent the town dray for her contaminated instrument, and ever afterward declared that Wunsch had ruined its tone and scarred its glossy finish. The Kohlers were unremitting in their kindness to their friend. Mrs. Kohler made him soups and broths without stint, and Fritz repaired the dove-house and mounted it on a new post, lest it might be a sad reminder.
As soon as Wunsch was strong enough to sit about in his slippers and wadded jacket, he told Fritz to bring him some stout thread from the shop. When Fritz asked what he was going to sew, he produced the tattered score of “Orpheus” and said he would like to fix it up for a little present. Fritz carried it over to the shop and stitched it into pasteboards, covered with dark suiting-cloth. Over the stitches he glued a strip of thin red leather which he got from his friend, the harness-maker. After Paulina had cleaned the pages with fresh bread, Wunsch was amazed to see what a fine book he had. It opened stiffly, but that was no matter.
Sitting in the arbor one morning, under the ripe grapes and the brown,
curling leaves, with a pen and ink on the bench beside him and the Gluck
score on his knee, Wunsch pondered for a long while. Several times he
dipped the pen in the ink, and then put it back again in the cigar box
in which Mrs. Kohler kept her writing utensils. His thoughts wandered
over a wide territory; over many countries and many years. There was no
order or logical sequence in his ideas. Pictures came and went without
reason. Faces, mountains, rivers, autumn days in other vineyards far
away. He thought of a FUSZREISE he had made through the Hartz Mountains
in his student days; of the innkeeper's pretty daughter who had lighted
his pipe for him in the garden one summer evening, of the woods above
Wiesbaden, haymakers on an island in the river. The roundhouse whistle
woke him from his reveries. Ah, yes, he was in Moonstone, Colorado. He
frowned for a moment and looked at the book on his knee. He had thought
