and round. Still I contrive to lay hold on some of it."
Kaela's beauty had a firm hold on Alfred; it filled his soul,
and held a mastery over him. Beauty beamed from Kaela's every feature,
glittered in her eyes, lurked in the corners of her mouth, and
pervaded every movement of her agile fingers. Alfred, the sculptor,
saw this. He spoke only to her, thought only of her, and the two
became one; and so it may be said she spoke much, for he was always
talking to her; and he and she were one. Such was the betrothal, and
then came the wedding, with bride's-maids and wedding presents, all
duly mentioned in the wedding speech. Mamma-in-law had set up
Thorwalsden's bust at the end of the table, attired in a
dressing-gown; it was her fancy that he should be a guest. Songs
were sung, and cheers given; for it was a gay wedding, and they were a
handsome pair. "Pygmalion loved his Galatea," said one of the songs.
"Ah, that is some of your mythologies," said mamma-in-law.
Next day the youthful pair started for Copenhagen, where they were
to live; mamma-in-law accompanied them, to attend to the "coarse
work," as she always called the domestic arrangements. Kaela looked
like a doll in a doll's house, for everything was bright and new,
and so fine. There they sat, all three; and as for Alfred, a proverb
may describe his position- he looked like a swan amongst the geese.
The magic of form had enchanted him; he had looked at the casket
without caring to inquire what it contained, and that omission often
brings the greatest unhappiness into married life. The casket may be
injured, the gilding may fall off, and then the purchaser regrets
his bargain.
In a large party it is very disagreeable to find a button giving
way, with no studs at hand to fall back upon; but it is worse still in
a large company to be conscious that your wife and mother-in-law are
talking nonsense, and that you cannot depend upon yourself to
produce a little ready wit to carry off the stupidity of the whole
affair.
The young married pair often sat together hand in hand; he would
talk, but she could only now and then let fall a word in the same
melodious voice, the same bell-like tones. It was a mental relief when
Sophy, one of her friends, came to pay them a visit. Sophy was not,
pretty. She was, however, quite free from any physical deformity,
although Kaela used to say she was a little crooked; but no eye,
save an intimate acquaintance, would have noticed it. She was a very
sensible girl, yet it never occurred to her that she might be a
dangerous person in such a house. Her appearance created a new
atmosphere in the doll's house, and air was really required, they
all owned that. They felt the want of a change of air, and
consequently the young couple and their mother travelled to Italy.
"Thank heaven we are at home again within our own four walls,"
said mamma-in-law and daughter both, on their return after a year's
absence.
"There is no real pleasure in travelling," said mamma; "to tell
the truth, it's very wearisome; I beg pardon for saying so. I was soon
very tired of it, although I had my children with me; and, besides,
it's very expensive work travelling, very expensive. And all those
galleries one is expected to see, and the quantity of things you are
obliged to run after! It must be done, for very shame; you are sure to
be asked when you come back if you have seen everything, and will most
likely be told that you've omitted to see what was best worth seeing
of all. I got tired at last of those endless Madonnas; I began to
think I was turning into a Madonna myself."
"And then the living, mamma," said Kaela.
"Yes, indeed," she replied, "no such a thing as a respectable meat
soup- their cookery is miserable stuff."
The journey had also tired Kaela; but she was always fatigued,
that was the worst of it. So they sent for Sophy, and she was taken
into the house to reside with them, and her presence there was a great
advantage. Mamma-in-law acknowledged that Sophy was not only a
clever housewife, but well-informed and accomplished, though that
could hardly be expected in a person of her limited means. She was
also a generous-hearted, faithful girl; she showed that thoroughly
while Kaela lay sick, fading away. When the casket is everything,
the casket should be strong, or else all is over. And all was over
with the casket, for Kaela died.
"She was beautiful," said her mother; "she was quite different
from the beauties they call 'antiques,' for they are so damaged. A
beauty ought to be perfect, and Kaela was a perfect beauty."
Alfred wept, and mamma wept, and they both wore mourning. The
black dress suited mamma very well, and she wore mourning the longest.
She had also to experience another grief in seeing Alfred marry again,
marry Sophy, who was nothing at all to look at. "He's gone to the very
extreme," said mamma-in-law; "he has gone from the most beautiful to
the ugliest, and he has forgotten his first wife. Men have no
constancy. My husband was a very different man,- but then he died
before me."
"'Pygmalion loved his Galatea,' was in the song they sung at my
first wedding," said Alfred; "I once fell in love with a beautiful
statue, which awoke to life in my arms; but the kindred soul, which is
a gift from heaven, the angel who can feel and sympathize with and
elevate us, I have not found and won till now. You came, Sophy, not in
the glory of outward beauty, though you are even fairer than is
necessary. The chief thing still remains. You came to teach the
sculptor that his work is but dust and clay only, an outward form made
of a material that decays, and that what we should seek to obtain is
the ethereal essence of mind and spirit. Poor Kaela! our life was
but as a meeting by the way-side; in yonder world, where we shall know
each other from a union of mind, we shall be but mere acquaintances."
"That was not a loving speech," said Sophy, "nor spoken like a
Christian. In a future state, where there is neither marrying nor
giving in marriage, but where, as you say, souls are attracted to each
other by sympathy; there everything beautiful develops itself, and
is raised to a higher state of existence: her soul will acquire such
completeness that it may harmonize with yours, even more than mine,
and you will then once more utter your first rapturous exclamation
of your love, 'Beautiful, most beautiful!'"
THE END
.
1872
FAIRY TALES OF HANS CHRISTIAN ANDERSEN
BY THE ALMSHOUSE WINDOW
by Hans Christian Andersen
NEAR the grass-covered rampart which encircles Copenhagen lies a
great red house. Balsams and other flowers greet us from the long rows
of windows in the house, whose interior is sufficiently
poverty-stricken; and poor and old are the people who inhabit it.
The building is the Warton Almshouse.
Look! at the window there leans an old maid. She plucks the
withered leaf from the balsam, and looks at the grass-covered rampart,
on which many children are playing. What is the old maid thinking
of? A whole life drama is unfolding itself before her inward gaze.
"The poor little children, how happy they are- how merrily they
play and romp together! What red cheeks and what angels' eyes! but
they have no shoes nor stockings. They dance on the green rampart,
just on the place where, according to the old story, the ground always
sank in, and where a sportive, frolicsome child had been lured by
means of flowers, toys and sweetmeats into an open grave ready dug for
it, and which was afterwards closed over the child; and from that
moment, the old story says, the ground gave way no longer, the mound
remained firm and fast, and was quickly covered with the green turf.
The little people who now play on that spot know nothing of the old
tale, else would they fancy they heard a child crying deep below the
earth, and the dewdrops on each blade of grass would be to them
tears of woe. Nor do they know anything of the Danish King who here,
in the face of the coming foe, took an oath before all his trembling
courtiers that he would hold out with the citizens of his capital, and
die here in his nest; they know nothing of the men who have fought
here, or of the women who from here have drenched with boiling water
the enemy, clad in white, and 'biding in the snow to surprise the
city.
"No! the poor little ones are playing with light, childish
spirits. Play on, play on, thou little maiden! Soon the years will
come- yes, those glorious years. The priestly hands have been laid
on the candidates for confirmation; hand in hand they walk on the
green rampart. Thou hast a white frock on; it has cost thy mother much
labor, and yet it is only cut down for thee out of an old larger
dress! You will also wear a red shawl; and what if it hang too far
down? People will only see how large, how very large it is. You are
thinking of your dress, and of the Giver of all good- so glorious is
it to wander on the green rampart!
"And the years roll by; they have no lack of dark days, but you
have your cheerful young spirit, and you have gained a friend- you
know not how. You met, oh, how often! You walk together on the rampart
in the fresh spring, on the high days and holidays, when all the world
come out to walk upon the ramparts, and all the bells of the church
steeples seem to be singing a song of praise for the coming spring.
"Scarcely have the violets come forth, but there on the rampart,
just opposite the beautiful Castle of Rosenberg, there is a tree
bright with the first green buds. Every year this tree sends forth
fresh green shoots. Alas! It is not so with the human heart! Dark
mists, more in number than those that cover the northern skies,
cloud the human heart. Poor child! thy friend's bridal chamber is a
black coffin, and thou becomest an old maid. From the almshouse
window, behind the balsams, thou shalt look on the merry children at
play, and shalt see thine own history renewed."
And that is the life drama that passes before the old maid while
she looks out upon the rampart, the green, sunny rampart, where the
children, with their red cheeks and bare shoeless feet, are
rejoicing merrily, like the other free little birds.
THE END
.
1872
FAIRY TALES OF HANS CHRISTIAN ANDERSEN
CHILDREN'S PRATTLE
by Hans Christian Andersen
AT a rich merchant's house there was a children's party, and the
children of rich and great people were there. The merchant was a
learned man, for his father had sent him to college, and he had passed
his examination. His father had been at first only a cattle dealer,
but always honest and industrious, so that he had made money, and
his son, the merchant, had managed to increase his store. Clever as he
was, he had also a heart; but there was less said of his heart than of
his money. All descriptions of people visited at the merchant's house,
well born, as well as intellectual, and some who possessed neither
of these recommendations.
Now it was a children's party, and there was children's prattle,
which always is spoken freely from the heart. Among them was a
beautiful little girl, who was terribly proud; but this had been
taught her by the servants, and not by her parents, who were far too
sensible people.
Her father was groom of the Chambers, which is a high office at
court, and she knew it. "I am a child of the court," she said; now she
might just as well have been a child of the cellar, for no one can
help his birth; and then she told the other children that she was
well-born, and said that no one who was not well-born could rise in
the world. It was no use to read and be industrious, for if a person
was not well-born, he could never achieve anything. "And those whose
names end with 'sen,'" said she, "can never be anything at all. We
must put our arms akimbo, and make the elbow quite pointed, so as to
keep these 'sen' people at a great distance." And then she stuck out
her pretty little arms, and made the elbows quite pointed, to show how
it was to be done; and her little arms were very pretty, for she was a
sweet-looking child.
But the little daughter of the merchant became very angry at
this speech, for her father's name was Petersen, and she knew that the
name ended in "sen," and therefore she said as proudly as she could,
"But my papa can buy a hundred dollars' worth of bonbons, and give
them away to children. Can your papa do that?"
"Yes; and my papa," said the little daughter of the editor of a
paper, "my papa can put your papa and everybody's papa into the
newspaper. All sorts of people are afraid of him, my mamma says, for
he can do as he likes with the paper." And the little maiden looked
exceedingly proud, as if she had been a real princess, who may be
expected to look proud.
But outside the door, which stood ajar, was a poor boy, peeping
through the crack of the door. He was of such a lowly station that
he had not been allowed even to enter the room. He had been turning
the spit for the cook, and she had given him permission to stand
behind the door and peep in at the well-dressed children, who were
having such a merry time within; and for him that was a great deal.
"Oh, if I could be one of them," thought he, and then he heard what
was said about names, which was quite enough to make him more unhappy.
His parents at home had not even a penny to spare to buy a
