up her task. The ten coats of mail lay at her feet, she was working
hard at the eleventh, while the mob jeered her and said, "See the
witch, how she mutters! She has no hymn-book in her hand. She sits
there with her ugly sorcery. Let us tear it in a thousand pieces."
And then they pressed towards her, and would have destroyed the
coats of mail, but at the same moment eleven wild swans flew over her,
and alighted on the cart. Then they flapped their large wings, and the
crowd drew on one side in alarm.
"It is a sign from heaven that she is innocent," whispered many of
them; but they ventured not to say it aloud.
As the executioner seized her by the hand, to lift her out of
the cart, she hastily threw the eleven coats of mail over the swans,
and they immediately became eleven handsome princes; but the
youngest had a swan's wing, instead of an arm; for she had not been
able to finish the last sleeve of the coat.
"Now I may speak," she exclaimed. "I am innocent."
Then the people, who saw what happened, bowed to her, as before
a saint; but she sank lifeless in her brothers' arms, overcome with
suspense, anguish, and pain.
"Yes, she is innocent," said the eldest brother; and then he
related all that had taken place; and while he spoke there rose in the
air a fragrance as from millions of roses. Every piece of faggot in
the pile had taken root, and threw out branches, and appeared a
thick hedge, large and high, covered with roses; while above all
bloomed a white and shining flower, that glittered like a star. This
flower the king plucked, and placed in Eliza's bosom, when she awoke
from her swoon, with peace and happiness in her heart. And all the
church bells rang of themselves, and the birds came in great troops.
And a marriage procession returned to the castle, such as no king
had ever before seen.
THE END
.
1872
FAIRY TALES OF HANS CHRISTIAN ANDERSEN
THE WILL-O-THE WISP IS IN THE TOWN,
SAYS THE MOOR WOMAN
by Hans Christian Andersen
THERE was a man who once knew many stories, but they had slipped
away from him- so he said. The Story that used to visit him of its own
accord no longer came and knocked at his door. And why did it come
no longer? It is true enough that for days and years the man had not
thought of it, had not expected it to come and knock; and if he had
expected it, it would certainly not have come; for without there was
war, and within was the care and sorrow that war brings with it.
The stork and the swallows came back from their long journey,
for they thought of no danger; and, behold, when they arrived, the
nest was burnt, the habitations of men were burnt, the hedges were all
in disorder, and everything seemed gone, and the enemy's horses were
stamping in the old graves. Those were hard, gloomy times, but they
came to an end.
And now they were past and gone- so people said; yet no Story came
and knocked at the door, or gave any tidings of its presence.
"I suppose it must be dead, or gone away with many other
things," said the man.
But the story never dies. And more than a whole year went by,
and he longed- oh, so very much!- for the Story.
"I wonder if the Story will ever come back again and knock?"
And he remembered it so well in all the various forms in which
it had come to him, sometimes young and charming, like spring
itself, sometimes as a beautiful maiden, with a wreath of thyme in her
hair, and a beechen branch in her hand, and with eyes that gleamed
like deep woodland lakes in the bright sunshine.
Sometimes it had come to him in the guise of a peddler, and had
opened its box and let silver ribbon come fluttering out, with
verses and inscriptions of old remembrances.
But it was most charming of all when it came as an old
grandmother, with silvery hair, and such large, sensible eyes. She
knew so well how to tell about the oldest times, long before the
princesses spun with the golden spindles, and the dragons lay
outside the castles, guarding them. She told with such an air of
truth, that black spots danced before the eyes of all who heard her,
and the floor became black with human blood; terrible to see and to
hear, and yet so entertaining, because such a long time had passed
since it all happened.
"Will it ever knock at my door again?" said the man, and he
gazed at the door, so that black spots came before his eyes and upon
the floor; he did not know if it was blood, or mourning crape from the
dark heavy days.
And as he sat thus, the thought came upon him whether the Story
might not have hidden itself, like the princess in the old tale. And
he would now go in search of it; if he found it, it would beam in
new splendor, lovelier than ever.
"Who knows? Perhaps it has hidden itself in the straw that
balances on the margin of the well. Carefully, carefully! Perhaps it
lies hidden in a certain flower- that flower in one of the great books
on the book-shelf."
And the man went and opened one of the newest books, to gain
information on this point; but there was no flower to be found.
There he read about Holger Danske; and the man read that the tale
had been invented and put together by a monk in France, that it was
a romance, "translated into Danish and printed in that language;" that
Holger Danske had never really lived, and consequently could never
come again, as we have sung, and have been so glad to believe. And
William Tell was treated just like Holger Danske. These were all
only myths- nothing on which we could depend; and yet it is all
written in a very learned book.
"Well, I shall believe what I believe!" said the man. "There grows
no plantain where no foot has trod."
And he closed the book and put it back in its place, and went to
the fresh flowers at the window. Perhaps the Story might have hidden
itself in the red tulips, with the golden yellow edges, or in the
fresh rose, or in the beaming camellia. The sunshine lay among the
flowers, but no Story.
The flowers which had been here in the dark troublous time had
been much more beautiful; but they had been cut off, one after
another, to be woven into wreaths and placed in coffins, and the
flag had waved over them! Perhaps the Story had been buried with the
flowers; but then the flowers would have known of it, and the coffin
would have heard it, and every little blade of grass that shot forth
would have told of it. The Story never dies.
Perhaps it has been here once, and has knocked; but who had eyes
or ears for it in those times? People looked darkly, gloomily, and
almost angrily at the sunshine of spring, at the twittering birds, and
all the cheerful green; the tongue could not even bear the old
merry, popular songs, and they were laid in the coffin with so much
that our heart held dear. The Story may have knocked without obtaining
a hearing; there was none to bid it welcome, and so it may have gone
away.
"I will go forth and seek it. Out in the country! out in the wood!
and on the open sea beach!"
Out in the country lies an old manor house, with red walls,
pointed gables, and a red flag that floats on the tower. The
nightingale sings among the finely-fringed beech-leaves, looking at
the blooming apple trees of the garden, and thinking that they bear
roses. Here the bees are mightily busy in the summer-time, and hover
round their queen with their humming song. The autumn has much to tell
of the wild chase, of the leaves of the trees, and of the races of men
that are passing away together. The wild swans sing at
Christmas-time on the open water, while in the old hall the guests
by the fireside gladly listen to songs and to old legends.
Down into the old part of the garden, where the great avenue of
wild chestnut trees lures the wanderer to tread its shades, went the
man who was in search of the Story; for here the wind had once
murmured something to him of "Waldemar Daa and his Daughters." The
Dryad in the tree, who was the Story-mother herself, had here told him
the "Dream of the Old Oak Tree." Here, in the time of the ancestral
mother, had stood clipped hedges, but now only ferns and stinging
nettles grew there, hiding the scattered fragments of old sculptured
figures; the moss is growing in their eyes, but they can see as well
as ever, which was more than the man could do who was in search of the
Story, for he could not find that. Where could it be?
The crows flew past him by hundreds across the old trees, and
screamed, "Krah! da!- Krah! da!"
And he went out of the garden and over the grass-plot of the yard,
into the alder grove; there stood a little six-sided house, with a
poultry-yard and a duck-yard. In the middle of the room sat the old
woman who had the management of the whole, and who knew accurately
about every egg that was laid, and about every chicken that could
creep out of an egg. But she was not the Story of which the man was in
search; that she could attest with a Christian certificate of
baptism and of vaccination that lay in her drawer.
Without, not far from the house, is a hill covered with
red-thorn and broom. Here lies an old grave-stone, which was brought
here many years ago from the churchyard of the provincial town, a
remembrance of one of the most honored councillors of the place; his
wife and his five daughters, all with folded hands and stiff ruffs,
stand round him. One could look at them so long, that it had an effect
upon the thoughts, and these reacted upon the stones, as if they
were telling of old times; at least it had been so with the man who
was in search of the Story.
As he came nearer, he noticed a living butterfly sitting on the
forehead of the sculptured councillor. The butterfly flapped its
wings, and flew a little bit farther, and then returned fatigued to
sit upon the grave-stone, as if to point out what grew there.
Four-leaved shamrocks grew there; there were seven specimens close
to each other. When fortune comes, it comes in a heap. He plucked
the shamrocks and put them in his pocket.
"Fortune is as good as red gold, but a new charming story would be
better still," thought the man; but he could not find it here.
And the sun went down, round and large; the meadow was covered
with vapor. The moor-woman was at her brewing.
It was evening. He stood alone in his room, and looked out upon
the sea, over the meadow, over moor and coast. The moon shone
bright, a mist was over the meadow, making it look like a great
lake; and, indeed, it was once so, as the legend tells- and in the
moonlight the eye realizes these myths.
Then the man thought of what he had been reading in the town, that
William Tell and Holger Danske never really lived, but yet live in
popular story, like the lake yonder, a living evidence for such myths.
Yes, Holger Danske will return again!
As he stood thus and thought, something beat quite strongly
against the window. Was it a bird, a bat or an owl? Those are not
let in, even when they knock. The window flew open of itself, and an
old woman looked in at the man.
"What's your pleasure?" said he. "Who are you? You're looking in
at the first floor window. Are you standing on a ladder?"
"You have a four-leaved shamrock in your pocket," she replied.
"Indeed, you have seven, and one of them is a six-leaved one."
"Who are you?" asked the man again.
"The Moor-woman," she replied. "The Moor-woman who brews. I was at
it. The bung was in the cask, but one of the little moor-imps pulled
it out in his mischief, and flung it up into the yard, where it beat
against the window; and now the beer's running out of the cask, and
that won't do good to anybody."
"Pray tell me some more!" said the man.
"Yes, wait a little," answered the Moor-woman. "I've something
else to do just now." And she was gone.
The man was going to shut the window, when the woman already stood
before him again.
"Now it's done," she said; "but I shall have half the beer to brew
over again to-morrow, if the weather is suitable. Well, what have
you to ask me? I've come back, for I always keep my word, and you have
seven four-leaved shamrocks in your pocket, and one of them is a
six-leaved one. That inspires respect, for that's an order that
grows beside the sandy way; but that every one does not find. What
have you to ask me? Don't stand there like a ridiculous oaf, for I
must go back again directly to my bung and my cask."
And the man asked about the Story, and inquired if the
Moor-woman had met it in her journeyings.
"By the big brewing-vat!" exclaimed the woman, "haven't you got
stories enough? I really believe that most people have enough of them.
Here are other things to take notice of, other things to examine. Even
the children have gone beyond that. Give the little boy a cigar, and
the little girl a new crinoline; they like that much better. To listen
to stories! No, indeed, there are more important things to be done
here, and other things to notice!"
"What do you mean by that?" asked the man, "and what do you know
of the world? You don't see anything but frogs and Will-o'-the-Wisps!"
"Yes, beware of the Will-o'-the-Wisps," said the Moor-woman,
"for they're out- they're let loose- that's what we must talk about!
Come to me in the moor, where my presence is necessary, and I will
tell you all about it; but you must make haste, and come while your
seven four-leaved shamrocks, for which one has six leaves, are still
