air. The storks were coming home; and the old stork pair, although
tired with the journey and requiring rest, did not fail to fly down at
once to the balustrades of the verandah, for they knew already what
feast was being celebrated. They had heard of it on the borders of the
land, and also that Helga had caused their figures to be represented
on the walls, for they belonged to her history.
"I call that very sensible and pretty," said stork-papa.
"Yes, but it is very little," said mamma stork; "they could not
possibly have done less."
But, when Helga saw them, she rose and went out into the
verandah to stroke the backs of the storks. The old stork pair bowed
their heads, and curved their necks, and even the youngest among the
young ones felt honored by this reception.
Helga continued to gaze upon the glittering star, which seemed
to glow brighter and purer in its light; then between herself and
the star floated a form, purer than the air, and visible through it.
It floated quite near to her, and she saw that it was the dead
Christian priest, who also was coming to her wedding feast- coming
from the heavenly kingdom.
"The glory and brightness, yonder, outshines all that is known
on earth," said he.
Then Helga the fair prayed more gently, and more earnestly, than
she had ever prayed in her life before, that she might be permitted to
gaze, if only for a single moment, at the glory and brightness of
the heavenly kingdom. Then she felt herself lifted up, as it were,
above the earth, through a sea of sound and thought; not only around
her, but within her, was there light and song, such as words cannot
express.
"Now we must return;" he said; "you will be missed."
"Only one more look," she begged; "but one short moment more."
"We must return to earth; the guests will have all departed.
Only one more look!- the last!"
Then Helga stood again in the verandah. But the marriage lamps
in the festive hall had been all extinguished, and the torches outside
had vanished. The storks were gone; not a guest could be seen; no
bridegroom- all in those few short moments seemed to have died. Then a
great dread fell upon her. She stepped from the verandah through the
empty hall into the next chamber, where slept strange warriors. She
opened a side door, which once led into her own apartment, but now, as
she passed through, she found herself suddenly in a garden which she
had never before seen here, the sky blushed red, it was the dawn of
morning. Three minutes only in heaven, and a whole night on earth
had passed away! Then she saw the storks, and called to them in
their own language.
Then stork-papa turned his head towards here, listened to her
words, and drew near. "You speak our language," said he, "what do
you wish? Why do you appear,- you- a strange woman?"
"It is I- it is Helga! Dost thou not know me? Three minutes ago we
were speaking together yonder in the verandah."
"That is a mistake," said the stork, "you must have dreamed all
this."
"No, no," she exclaimed. Then she reminded him of the Viking's
castle, of the great lake, and of the journey across the ocean.
Then stork-papa winked his eyes, and said, "Why that's an old
story which happened in the time of my grandfather. There certainly
was a princess of that kind here in Egypt once, who came from the
Danish land, but she vanished on the evening of her wedding day,
many hundred years ago, and never came back. You may read about it
yourself yonder, on a monument in the garden. There you will find
swans and storks sculptured, and on the top is a figure of the
princess Helga, in marble."
And so it was; Helga understood it all now, and sank on her knees.
The sun burst forth in all its glory, and, as in olden times, the form
of the frog vanished in his beams, and the beautiful form stood
forth in all its loveliness; so now, bathed in light, rose a beautiful
form, purer, clearer than air- a ray of brightness- from the Source of
light Himself. The body crumbled into dust, and a faded lotus-flower
lay on the spot on which Helga had stood.
"Now that is a new ending to the story," said stork-papa; "I
really never expected it would end in this way, but it seems a very
good ending."
"And what will the young ones say to it, I wonder?" said
stork-mamma.
"Ah, that is a very important question," replied the stork.
THE END
.
1872
FAIRY TALES OF HANS CHRISTIAN ANDERSEN
THE METAL PIG
by Hans Christian Andersen
IN the city of Florence, not far from the Piazza del Granduca,
runs a little street called Porta Rosa. In this street, just in
front of the market-place where vegetables are sold, stands a pig,
made of brass and curiously formed. The bright color has been
changed by age to dark green; but clear, fresh water pours from the
snout, which shines as if it had been polished, and so indeed it
has, for hundreds of poor people and children seize it in their
hands as they place their mouths close to the mouth of the animal,
to drink. It is quite a picture to see a half-naked boy clasping the
well-formed creature by the head, as he presses his rosy lips
against its jaws. Every one who visits Florence can very quickly
find the place; he has only to ask the first beggar he meets for the
Metal Pig, and he will be told where it is.
It was late on a winter evening; the mountains were covered with
snow, but the moon shone brightly, and moonlight in Italy is like a
dull winter's day in the north; indeed it is better, for clear air
seems to raise us above the earth, while in the north a cold, gray,
leaden sky appears to press us down to earth, even as the cold damp
earth shall one day press on us in the grave. In the garden of the
grand duke's palace, under the roof of one of the wings, where a
thousand roses bloom in winter, a little ragged boy had been sitting
the whole day long; a boy, who might serve as a type of Italy,
lovely and smiling, and yet still suffering. He was hungry and
thirsty, yet no one gave him anything; and when it became dark, and
they were about to close the gardens, the porter turned him out. He
stood a long time musing on the bridge which crosses the Arno, and
looking at the glittering stars, reflected in the water which flowed
between him and the elegant marble bridge Della Trinita. He then
walked away towards the Metal Pig, half knelt down, clasped it with
his arms, and then put his mouth to the shining snout and drank deep
draughts of the fresh water. Close by, lay a few salad-leaves and
two chestnuts, which were to serve for his supper. No one was in the
street but himself; it belonged only to him, so he boldly seated
himself on the pig's back, leaned forward so that his curly head could
rest on the head of the animal, and, before he was aware, he fell
asleep.
It was midnight. The Metal Pig raised himself gently, and the
boy heard him say quite distinctly, "Hold tight, little boy, for I
am going to run;" and away he started for a most wonderful ride.
First, they arrived at the Piazza del Granduca, and the metal horse
which bears the duke's statue, neighed aloud. The painted
coats-of-arms on the old council-house shone like transparent
pictures, and Michael Angelo's David tossed his sling; it was as if
everything had life. The metallic groups of figures, among which
were Perseus and the Rape of the Sabines, looked like living
persons, and cries of terror sounded from them all across the noble
square. By the Palazzo degli Uffizi, in the arcade, where the nobility
assemble for the carnival, the Metal Pig stopped. "Hold fast," said
the animal; "hold fast, for I am going up stairs."
The little boy said not a word; he was half pleased and half
afraid. They entered a long gallery, where the boy had been before.
The walls were resplendent with paintings; here stood statues and
busts, all in a clear light as if it were day. But the grandest
appeared when the door of a side room opened; the little boy could
remember what beautiful things he had seen there, but to-night
everything shone in its brightest colors. Here stood the figure of a
beautiful woman, as beautifully sculptured as possible by one of the
great masters. Her graceful limbs appeared to move; dolphins sprang at
her feet, and immortality shone from her eyes. The world called her
the Venus de' Medici. By her side were statues, in which the spirit of
life breathed in stone; figures of men, one of whom whetted his sword,
and was named the Grinder; wrestling gladiators formed another
group, the sword had been sharpened for them, and they strove for
the goddess of beauty. The boy was dazzled by so much glitter; for the
walls were gleaming with bright colors, all appeared living reality.
As they passed from hall to hall, beauty everywhere showed itself;
and as the Metal Pig went step by step from one picture to the
other, the little boy could see it all plainly. One glory eclipsed
another; yet there was one picture that fixed itself on the little
boy's memory, more especially because of the happy children it
represented, for these the little boy had seen in daylight. Many
pass this picture by with indifference, and yet it contains a treasure
of poetic feeling; it represents Christ descending into Hades. They
are not the lost whom the spectator sees, but the heathen of olden
times. The Florentine, Angiolo Bronzino, painted this picture; most
beautiful is the expression on the face of the two children, who
appear to have full confidence that they shall reach heaven at last.
They are embracing each other, and one little one stretches out his
hand towards another who stands below him, and points to himself, as
if he were saying, "I am going to heaven." The older people stand as
if uncertain, yet hopeful, and they bow in humble adoration to the
Lord Jesus. On this picture the boy's eyes rested longer than on any
other: the Metal Pig stood still before it. A low sigh was heard.
Did it come from the picture or from the animal? The boy raised his
hands towards the smiling children, and then the Pig ran off with
him through the open vestibule.
"Thank you, thank you, you beautiful animal," said the little boy,
caressing the Metal Pig as it ran down the steps.
"Thanks to yourself also," replied the Metal Pig; "I have helped
you and you have helped me, for it is only when I have an innocent
child on my back that I receive the power to run. Yes; as you see, I
can even venture under the rays of the lamp, in front of the picture
of the Madonna, but I may not enter the church; still from without,
and while you are upon my back, I may look in through the open door.
Do not get down yet, for if you do, then I shall be lifeless, as you
have seen me in the Porta Rosa."
"I will stay with you, my dear creature," said the little boy.
So then they went on at a rapid pace through the streets of
Florence, till they came to the square before the church of Santa
Croce. The folding-doors flew open, and light streamed from the
altar through the church into the deserted square. A wonderful blaze
of light streamed from one of the monuments in the left-side aisle,
and a thousand moving stars seemed to form a glory round it; even
the coat-of-arms on the tomb-stone shone, and a red ladder on a blue
field gleamed like fire. It was the grave of Galileo. The monument
is unadorned, but the red ladder is an emblem of art, signifying
that the way to glory leads up a shining ladder, on which the prophets
of mind rise to heaven, like Elias of old. In the right aisle of the
church every statue on the richly carved sarcophagi seemed endowed
with life. Here stood Michael Angelo; there Dante, with the laurel
wreath round his brow; Alfieri and Machiavelli; for here side by
side rest the great men- the pride of Italy. The church itself is very
beautiful, even more beautiful than the marble cathedral at
Florence, though not so large. It seemed as if the carved vestments
stirred, and as if the marble figures they covered raised their
heads higher, to gaze upon the brightly colored glowing altar where
the white-robed boys swung the golden censers, amid music and song,
while the strong fragrance of incense filled the church, and
streamed forth into the square. The boy stretched forth his hands
towards the light, and at the same moment the Metal Pig started
again so rapidly that he was obliged to cling tightly to him. The wind
whistled in his ears, he heard the church door creak on its hinges
as it closed, and it seemed to him as if he had lost his senses-
then a cold shudder passed over him, and he awoke.
It was morning; the Metal Pig stood in its old place on the
Porta Rosa, and the boy found he had slipped nearly off its back. Fear
and trembling came upon him as he thought of his mother; she had
sent him out the day before to get some money, he had not done so, and
now he was hungry and thirsty. Once more he clasped the neck of his
metal horse, kissed its nose, and nodded farewell to it. Then he
wandered away into one of the narrowest streets, where there was
scarcely room for a loaded donkey to pass. A great iron-bound door
stood ajar; he passed through, and climbed up a brick staircase,
with dirty walls and a rope for a balustrade, till he came to an
open gallery hung with rags. From here a flight of steps led down to a
court, where from a well water was drawn up by iron rollers to the
different stories of the house, and where the water-buckets hung
side by side. Sometimes the roller and the bucket danced in the air,
splashing the water all over the court. Another broken-down
