31.来自哈罗德·科恩的讣告，公布于 http://www.aaronshome.com/。该网站还有哈罗德·科恩的相关信息和AARON的画。
32.艾米丽·霍威尔的作品可以在 www.youtube.com网站上找到。
33.W. McCulloch and W. Pitts, “A Logical Calculus of Ideas Immanent in Nervous Activity,” Bulletin of Mathematical Biophysics 5 (1943): 115–133.
34.M. Minsky and S. Papert, Perceptrons: An Introduction to Computational Geometry(Cambridge, MA: MIT Press, 1969).
35.全面的评述参见D. S. Levine, “Neural Network Models of Human Executive Function and Decision Making,” in Executive Functions in Health and Disease, Ed. E.Goldberg (Cambridge, MA: Academic Press, 2017)。
36.N. Marupaka and A. A. Minai, “Connectivity and Creativity in Semantic Neural Networks,” Neural Networks (IJCNN) (International Joint Conference on Neural Networks, July 31–August 5, 2011).
37.J. M. Fuster, The Neuroscience of Freedom and Creativity: Our Predictive Brain(Cambridge, UK: Cambridge University Press, 2013).
38.L. Scheffler, “Which Features Matter How Much When?” Presentation at BICA 2016; S. Thaler, “Pattern Turnover Within Synaptically Perturbed Neural Systems,”Presentation at BICA 2016; S. Thaler, “Creativity Machine Paradigm,” in E. G.Carayannis (Ed.), Encyclopedia of Creativity, Innovation and Entrepreneurship (New York: Springer, 2013): 447–456.
39.A. Manfre’, A. Augello, I. Infantino, G. Pilato, and F. Vella, “Exploiting Interactive Genetic Algorithms for Creative Humanoid Dancing,” Presentation at BICA 2016;A. Augello, I. Infantino, A. Manfre’, G. Pilato, and F. Vella, “Analyzing and Discussing Primary Creative Traits of a Robotic Artist,” Presentation at BICA 2016;www.facebook.com/CRSSLAB
40.E. Borovikov, I. Zavorin, and S. Yershov, “On Virtual Characters That Can See,”Presentation at BICA 2016.
41.O. Chernavskaya, D. Chernavskii, V. Karp, A. Nikitin, and D. Schepetov, “An Architecture of Thinking System Within the Dynamic Theory of Information,”BICA 12 (2015): 144–154; O. Chernavskaya, D. Chernavskii, and Y. Rozhylo, “A Hypothesis on the Nature of “Aesthetic” Emotions and the Concept of “Masterpiece,”Presentation at BICA 2016.
