第二章 无人加害、纯粹活该？女性数字性私密影像如何成为厌女的报复式色情.2
20Ibid.
21E. A. Jane, Misogyny Online: A Short (and Brutish) History. Sage Swifts, 2017, p. 86.
22Ibid.
23R. Shusterman, “Photography as Performative Process,” The Journal of Aesthetics and Art Criticism, Vol. 70, No. 1, Special issue: The Media of Photography( Winter, 2012): pp. 67-77
24Tamar Tembeck, “Selfies of Ill Health: Online Autopathographic of Photography and the Dramaturgy of the Everyday,” SM+S (Social Media +Society), January-March, 2016: 1-11
25Tamar Tembeck, “Selfies of Ill Health: Online Autopathographic of Photography and the Dramaturgy of the Everyday,” p. 7.
26E. Locatelli, “Images of Breastfeeding on Instagram: Self-Representation, Publicness, and Privacy Management.” SM+S (Social Media + Society) April-June (2017):1-14; S. Boon & B. Pentney, “Virtual Lactivism: Breastfeeding Selfies and the Performance of Motherhood.” International Journal of Communication 9 (2015): 1761.
